After painting a group of Strelets British Line Infantry standing at ease earlier this year, I received some very kind feedback from my friend, diorama supremo Pat who challenged me to use some of the remaining figures to produce some men of his favourite regiment; the 95th Rifles.
The 95th are, of course, instantly recognisable in their green uniforms. I’ve had to make changes to account for differences between the line infantry and the rifles. Pat will no doubt be able to correct me if I’m wrong anywhere here but my adjustments have included the following;
With no white bars across the coat, there should be just three lines of buttons which because of accoutrements will barely show at all.
Cuffs are far simpler for the Rifles, being black with white edging.
The Baker rifle is shorter than the Brown Bess musket and, where I could, I’ve cut the musket down to size a little.
The badge shows a Light Infantry bugle which I’ve, very roughly, approximated on the shakos.
It is the first time I’ve painted the 95th in their Napoleonic guise and I just hope they meet with Pat’s approval!
Also ready to join their standing comrades finished from last month, I conclude with two officers and an NCO of the 37th (North Hampshire) Regiment.
I haven’t taken fussed at all over the flag, simply slapped some paint on it to resemble a British Napoleonic regimental version.
And finally, men of the 37th and the 95th standing together:
I’ve been reading the Google-transcribed text of “Records of the Norfolk Yeomanry Cavalry“, wordily subtitled; “To which is added the Fencible and Provisional Cavalry of the same county, from 1780, to 1908”.
I referenced this work last year in my post on the history of yeomanry cavalry on a north Norfolk estate; Horsemen of Holkham Hall, a stately home which I visited during the summer of 2018. In the post, I was unsure as to what colour uniform the local Holkham Yeomanry Cavalry actually wore and speculated they were likely to have adopted the popular choice in Norfolk of red coats with white or blue breeches.
The only real clue that I could find lay in the words of the Holkham troop’s commandant, Thomas Coke of Holkham Hall, who petitioned the Prince of Wales for permission to raise the troop. The letter, reproduced in Records of the Norfolk Yeomanry Cavalry, has Coke writing;
“I have to request your Royal Highness’s permission that we may wear the colours of ye loth for our uniform…”
Ye loth? I speculated in my post that it could even be a miss-scanned ‘yellow’. Judging from similar instances of typographical errors appearing in the document, it now becomes clear to me to be “the” (written as ‘ye’ in those days) and “10th” (i.e. that numbered regiment of Light Dragoons). Reading on, makes it blindingly, and embarrassingly, obvious;
“I have to request your Royal Highnesses permission that we may wear the colours of the 10th for our uniform, and that your Royal Highness would have the condescension to order two soldiers from that Regiment to drill us;…”
Furthermore, the Prince Regent was in fact Colonel of that Regiment, the 10th Light Dragoons, an office he held from 1796-1819, so it would make perfect sense for Coke to petition the Prince of Wales in this manner, newly raised yeomanry troops otherwise having permission to wear whatever style uniform they (or their benefactor, in this instance Coke) preferred.
So, if the Holkham Yeomanry Cavalry apparently wore a uniform which imitated the 10th Light Dragoons then we might reasonably assume they would have worn a jacket and Tarleton helmet looking something like the Prince of Wales’ own officer’s uniform seen below:
Being Colonel of the 10th (‘The Prince of Wales’s Own’), the Prince took great pride in his regiment. Barred from active service, he ‘…channelled his interest into collecting and into the design of military dress and accoutrements. As Colonel Commandant, and later Colonel, of the 10th Light Dragoons, patterns of uniforms and equipment were submitted to the Prince for approval, many of which he retained at Carlton House‘ (Royal Collection Trust). It is known that he wore the Tarleton above at a review in 1798, which is around the time that Coke was raising his Holkham Yeomanry.
It’s a dark blue jacket with a pale yellow, almost buff, facings, with twenty one lines of silver lacing across the chest. The Tarleton helmet has a black silk turban with silver chains surmounted by a crest of black fur and a white feather plume. I wonder how closely the Holkham Yeomanry troop imitated this arrangement.
The Prince had a number of portraits created depicting him in an earlier version of the uniform around the time of his first appointment to the 10th Light Dragoons in 1793. The turban on the Tarleton is different, a leopardskin, and the braiding can be seen to be a more sparse arrangement.
It has been my intention for a while to create some Holkham Yeomanry in some form or other, preferably in my favourite 1/72 scale as an unusual addition to the Napoleonic Cavalry Project. HaT have been crowdfunding some Peninsular War-era British Light Dragoons which should be issued at some point, so these might well do the trick but progress to production has been slow (a couple of years in the making so far, I think), so I might have to be patient for those for a while longer yet.
For a more immediate fix, there’s always the Strelets issue of British Light Dragoons in Egypt. Their heavyweight horses look like they’ve been out in the fresh springtime pasture for far too long. Also, unavoidably I suppose, some of the riders appear to be in less than ideal poses – either involved in either some wildly vigorous sabre drill or perhaps in the midst of putting down an insanely violent bread riot in Wells-Next-The-Sea!
Well, this is all food for thought in my attempt to bring the Holkham horsemen back to life, in some half-assed way or other! Time to get back to those other cavalry figures that I’m painting.
Based and almost ready for action: men of the 37th (North Hampshire) Regiment of Foot stand at ease.
Prior to basing, they experienced a pre-emptive strike by my young cat, Marnie. She accidentally knocked them all off the table and they consequently suffered a little from a hard landing on the kitchen floor. I’ve tried to cover over areas of chipped paint but a few areas inevitably have been missed, I’m afraid.
I like the individuality of the figures, I’m particularly fond of this little private conversation going on in the rear rank…
The 37th Regiment featured in many significant campaigns and battles of the 18th century, including the battles of Blenheim, Quebec, Dettingen, Culloden, and Brandywine, amongst others. It spent much of the Napoleonic Wars on garrison duty in the West Indies and Gibraltar but did, however, serve in the closing stages of the Peninuslar War in 1814 where it won a battle honour.
It was absent from the Waterloo campaign, being sent for service in Canada. So perhaps it’s quite appropriate that these Waterloo-era figures to appear in such a casual and relaxed state?
As we are in Spring here in the UK, I’ve based them in a springlike meadow with flowers and lush grass. Bees are buzzing and birds are singing in this pastoral lull with the thought of hostilities far from their minds.
Below, a private in the rear rank seems more interested in the pleasures of the baggage train to the rear than any enemy to the front…
Tricky to pick out the details but nevertheless great fun to do. I’ve still got some officers to share for this group, whenever I get around to finishing them.
For a fabulous example of what can be achieved with this range of Strelets ‘non-combat’ figures, hop on over to Pat’s 1:72 Military Diorama’s blog and view his Peninsular War “Retreat to Corunna” diorama – endlessly interesting and with nearly 270 figures, a damn sight more ambitious than my own little line up!
As for me, I do still have a couple of sprues spare and was thinking of producing some Rifle Brigade or Belgian Infantry figures sometime too.
I always appreciate the opportunity to paint troops in poses which aren’t depicting combat. The dramatic choreography of such in-battle poses is all well and good, but they can have a certain sense of the melodramatic about them. For the majority of soldiers, the old adage that ‘war is long periods of boredom punctuated by moments of sheer terror’ applied.
Figure manufacturers naturally tend to focus overwhelmingly on those ‘terror’ moments – the combat which is the purpose of wargaming – and avoid the mundane. Recently however, Ukrainian manufacturer Strelets have been releasing a series of boxes featuring 1/72 scale Napoleonic infantry who are in non-combat poses, being either ‘on the march’, ‘standing shoulder arms’, ‘standing to attention’ or ‘standing at ease’.
Strelets are producing a range of these figures including (at present) Napoleonic French Line infantry and Old Guard, Austrians, Highlanders, Prussian infantry and Landwehr, but it is the British Line Infantry Standing at Ease which I’ve selected as my foray into this series.
The figures are typical of what is becoming familiar as the ‘new-style’ of Strelets sculpting; more realistically and delicately sculpted, taller and more slender. The detail consequently is a little less crisp and clear than before which presents, I think, more of a challenge to paint than the nice chunky details of yore.
So it’s taken some time and care to pick out all that intricate detail on the plastic to produce these guys: men of the 37th (North Hampshire) Regiment of Foot. Still on the painting table are a couple of their officers.
My source for their uniform has been a Richard Simkin image from the book “Uniforms of the British Army: The Infantry” edited by WY Carmen which features some of Simkin’s illustrations of the 37th Foot. The regiment has yellow facings with white turnbacks on the coat.
Incidentally, the Hampshire Regiment museum is in Winchester, one of a number of great regimental museums in the town and well worth a visit, something I did myself a few years ago.
Although there are a few campaign figures I’m painting I have managed to include some non-commissioned officers including two pioneer sergeants and another sergeant carrying a spontoon.
The plan is to stand them all together on a single base once all their command figures are done. Better get thinking in a little more detail about that…
Following my last post on my trip to The Queen’s Royal Lancers & Notts Yeomanry Museum, I wanted to briefly draw attention to growing evidence of the threat to the UK’s regimental collections (outside London at any rate). This has been brought to our attention in an article today which reveals council culture budgets across the nation have been reduced by a third. The article by Ammar Kalia examines a large disparity between generous funding for London and relative poverty for the regions. It makes specific reference to a council very local to me apparently “removing all four curators at its museums in light of a £320,000 cut in its arts budget.” Elsewhere, a Museum Trust director declares “we hear about smaller cities and shire counties’ museums which are teetering on the brink of closing down if another round of cuts come through.“
This year alone, it’s notable that already two potential visits to local regimental collections that I was considering to make have been stymied for an extended period due to ‘refurbishment’ – is it possible to suspect these temporary closures could even become permanent in such circumstances?
For the military history enthusiast, it’s now vitally important to continue appreciating and supporting such museums while they are still around to be enjoyed. As cuts to budgets bite, it’s sobering to consider that in some cases, my regimental museum reports may sadly become one of the few means then available to appreciate something of these wonderful collections.
It’s FEMbruary! This is a great idea is from Alex over at Leadballoony who managed to inspire many of us miniature figure painters last year to consider attempting female versions. Some wonderful creations abounded. For my part last year, at the suggestion of Mark from Man of Tin Blog, I attempted a figure from the wonderful Bad Squiddo Games; Catherine the Great of Russia.
Alex is leading from the front once again with his 2019 call for Fembruary figures! And I’m answering that call again with a group of seven 54mm-scale metal ladies marching in uniform. These are Wrens, that is to say members of the Women’s Royal Naval Service. I guess they are WWII-era naval personnel judging by their headgear.
Purchased for a very reasonable bid on eBay, these female naval personnel are from an unknown manufacturer – can anyone advise (Man of Tin Mark – any ideas, fella)?!
The figures were purchased on eBay unpainted. They are about 54mm high and made of metal.
I’ve glued them into bottle tops with a bit of blu-tack as extra support. I’ve already sprayed them with black acrylic as a primer, so everything’s ready for painting.
The key challenge is that the style of these figures really cry out for a classic Britains-esque paint job which, as some of you may know, is not at all my usual style. I think I’ll stick, more or less, with a version of my usual approach and just see what I’m happy with.
Not the kind of thing I tend to do on Suburban Militarism, but that’s one of the things that makes them, and FEMbruary, so worthwhile. I’ll be painting some more figures from Bad Squiddo too this month which I will reveal soon.
Meanwhile, Man of Tin blog has hit the ground running with his inaugeral 2019 post on his plans for FEMbruary. Bad Squiddo Land Girls, female Russian snipers and a little choice reading material for starters.
As the fourth year of Suburban Militarism on WordPress comes to a close and a New Year looms, it’s a time for reflection. Swedish Napoleonic cavalrymen; Ottoman Turkish artillerymen; Serbian and Austrian infantry of the Great War; Belgian Carabinier cyclists; 28mm Yeomanry figures based on illustrations by Marrion; Saxon Cuirassiers and not forgetting some Napoleonic Poles back in January.
So, here’s a brief pictorial overview of some of the figures painted over 2018.
Looking forward to 2019, I know well enough by now not to forecast my painting plans in any great detail as distractions lead me on to other unforeseen areas over the year! However, currently demanding my attention are:
My Ottomania project – now well under way with the artillery corps progressing nicely;
The Great War project – I have a number of excellent kits I intend to tackle as I continue to develop my WWI collection;
This time of year, I get to enjoy two days of opening presents. With my birthday being on the same week as Christmas Day, if I’m lucky, I tend to end up with plenty new model kits and books. Time for a quick overview of some of the military related gifts that I’ve received this year.
Firstly, following on from the very pleasing painting of Strelets French Army Sledge Train figures earlier this month, at my suggestion for a birthday present I’ve been kindly supplied with set 2 of this series. It will probably be December 2019 before I even think of getting to work on them, however.
I’ve also come into ownership of two boxes of RedBox’s Ottoman (or Osman) infantry: namely the elite Yeniceri (Janissaries) and Eyalet troops. They are really great quality figures for sure and I’m now committed to developing Ottomania – my Ottoman Turkish army project.
Apropos of this, my father-in-law was visiting a military bookshop in Birmingham recently and asked if there was anything I’d like for Christmas whilst he was there. I mentioned a book on Ottoman armies by the peerless Osprey to further assist my Ottomania project and it seems he took the idea and ran with it!
Written by David Nicolle and illustrated by Angus McBride and Christa Hook, no less than three books on the topic were unwrapped on Christmas Day;
The Janissaries (Elite series No.58)
Armies of the Ottoman Turks 1300-1774 (Men-at-Arms series No.140)
Armies of the Ottoman Turks 1775-1820 (Men-at-Arms series No.314)
A bit more reading material – something that I’ve wanted for a while is the now well-out-of-print book by R.G. Harris on “50 Years of Yeomanry Uniforms: Volume 1”. Harris was one of the contributors to some of the books in the essential Ogilby Trust “Uniforms of the British Yeomanry Force” series in the late 80s / early 90s.
This 1972 edition has that evocative musty smell of old bookshops and features 32 terrific full page and full-colour illustrations by Edward A Campbell. I was interested to read in the preface that Campbell was responsible for the artwork in the 1931 Players cigarette card series Military Headdress, which I am well familiar with from my own collection.
Campbell’s paintings were based on ‘painstaking research’ of which most apparently is sadly unpublished. Even more tragically, the preface informs me that “the author of the text is preparing a second volume on the Yeomanry which will incorporate a further selection of Captain Campbell’s work…”, yet I can find no evidence that Volume 2 was ever published.
So much to read, so much to paint, but so little time. I really need to get on with some chores, not to mention hours of overtime that I need to do. What’s that quote? “Starve your distractions – feed your focus!”. Trouble is, I rather prefer the distractions…
So, what to paint next after all those snowy winter figures I’ve been working on for weeks? I’m feeling that it’s time for Suburban Militarism to attempt something else. Something warmer… Something different… Something completely different…
RedBox have been producing some very fine figures of late. The eras and conflicts that they concentrate on are mostly to do with the 16th/17th century. This is a little outside my areas of interest but nonetheless, I’ve been impressed by their recent figures. And so, for my next slow-burn project I will be having a go at building the Sultan’s army from their wonderful range of Ottoman Turks, starting with their artillery.
The Ottoman Empire was enormous at its height and was unsurprisingly therefore very powerful militarily. The Ottoman Empire was amongst the first European nation to have a professional and permanent artillery corps and consequently were the most effective in Europe in the 16th and 17th centuries. In an era dominated by siege warfare, much of the Ottomans strength lay in their numerous and formidable artillery corps.
RedBox, in their typically generous manner, have produced an impressive number of different artillery kits for these Ottoman Turks, including the following named sets;
“16th Century Turkish Artillery”
“17th Century Turkish Artillery”
“16th Century Turkish Siege Artillery Gun”
“16th-17th Century Turkish Siege Artillery Mortar”
“Turkish Sailor’s Artillery 16th-17th Century”
With industrial progress being slow in the 16th-17th century, all the kits could more or less be reasonably used together without creating an historical absurdity. Plastic Soldier Review states that “the guns in [the 17th Century] set are exactly the same as those in the set of 16th Century Artillery, and are still very appropriate to the 17th.”
I’ve decided to start with some figures from their “17th Century Turkish Artillery” set. Having a few boxes of Turks arrive through the post recently, I’ll probably dip in and out of these different kits.
The Topçu Ocağı (or Artillery Corps) being both a professional and a favoured division of the army did wear uniforms, though of exactly what sort is open to question. There appear to be many variations on colours, so it may be that colours simply varied with from unit to unit. For my first figures, I’ve gone with the colours shown consistently on all the RedBox box covers which closely match the illustration shown above by a contemporary Swedish ambassador. I may even maintain the same uniformity throughout all of the Sultan’s artillery, other arms being much more varied.
With artillery sets, I guess the only way to present them is as a group together in a mini diorama, as with my recent Cracker Battery. To facilitate this, I’ve made another purchase which I hope will go perfectly with my Turkish artillery units. I’m rather excited about it but I’ll reveal what this is in a future post!
My Strelets French Army Sledge Train is now finished with snow freshly dusted over the scene. The end result looks suitably cold, I think. Or maybe it’s just the deteriorating weather outside having that effect on me?
In the sledge there is a driver wearing a Polish Czapka, an officer wearing a cocked hat and another man wrapped in a luxurious fur coat. This chap holds a keg and is sitting on a locked casket. Notably, he wears a pair of spectacles. His hat is a bit of mystery to me. If not a specific piece of military headdress, it could be anything stolen or purchased simply to keep his head warm, so I’ve just painted it blue.
I mentioned in my previous post that the driver figure could in no way be made to ride the horse or sit in the sledge without something to sit on. Imperial Rebel Ork suggested I made something out of green stuff, sculpting anything is always a risky strategy for me! At the last minute, I decided to use a 1/72 scale wooden box from my childhood collection of Napoleonic French Artillery. The box was perfect but the driver still didn’t sit well as his legs were too far apart, even after I rashly cut his toes off (which I now put down to frostbite, you see…). He’s leaning a teensy bit far back for my liking, but as he’s about to wield a whip, I can just about say ‘he’ll do’.
Those walking behind include (from foreground to background below):
An infantryman in great coat wearing a Polish Lancer’s discarded czapka.
Another infantryman carrying on his back a small drummer boy and his drum.
A dragoon with a blanket around his shoulders and without any footwear.
At the back, a Chasseur of the Guard amputee using a staff as a crutch.
You may just be able to pick out the sledge tracks in the snow? It looks a little more convincing to the eye!
There’s a convincing sense with these figures or struggle and hardship, particularly now they’re painted and in the snow. Little things that I was pleased with are lost to the camera in these pics; the wooden floor of the sledge and the casket, to name but two.
I think my favourite figure is the soldier carrying the drummer boy and drum on his back. It’s quite a complex piece of sculpting which comes out very well after applying some paint. All the figures look good, though, I think. The barefoot dragoon is convincingly cold with the blanket, for example.
Napoleon himself adopted the use of a sleigh when he abandoned the remnants of the Grand Armee on its retreat from Moscow, so it really was the best way to get around in the snowy conditions.
I mentioned how much I liked Strelets emaciated pony. The suffering endured by the horses taken on campaign with Napoleon was truly appalling. Virtually all of Napoleon’s 200,000 horses died from starvation, wounds, injuries, exhaustion or, increasingly during the terrible retreat, at the hands of starving men desperate to use them for food.
Even in the opening weeks of the campaign, many thousands of horses died in a great storm. The outlook for this poor, struggling pony in my scene is probably as bleak as for the men walking on behind.
You may notice from the pic below that the horse is moving off to the left. This is simply a feature of one of the poles connected to his harness being longer than the other! But if anyone asks – the horse is very deliberately turning left…
I’ve also added another dozen men to my growing collection of painted Strelets Marching French infantry figures, currently now over 50 strong. It’s a long-term aim of mine to finish both boxes in the coming years and build a 100-man marching column to accompany the sledge train.
Settle down, grab your popcorn – it’s time for a short movie:
There’s a second set of the French Army Sledge Train with different figures which I may source for next year’s wintry hobby painting. And finally – just a few last pics showing the marching column making its way across the icy wastes of my lounge carpet: