Some weeks ago now, I posted on a 54mm figure which had been lost many years ago – then found – lost again – and then found again! The figure was of a trumpeter belonging to the 3rd County of London yeomanry, also known as the Sharpshooters. This figure was a direct copy of Robert Marrion’s illustration on the cover of the Sharpshooters book from the Smith and Harris’ “Uniforms of the British Yeomanry Force” series.
The largest scale that I’ve painted hitherto is 28mm, 20mm being my usual scale, and so 54mm is a big step up. I’ve enjoyed the new challenge of painting it. It’s nice to focus on one figure rather than a whole kit of them.
I don’t think my painting technique is perfectly suited to these bigger scales, but I admit to being reasonably pleased with the result.
And that’s not all.
I’ve discovered a seller on eBay who has been selling off her late father’s old stock of figures. Clearly, the chap was a fellow of good taste, his collection includes lots of 54mm figures, most splendidly painted with some soldiers still untouched. These have included yet more Dorset Model Soldier Company figures taken from the illustrations on the covers of Smith and Harris’ series. Namely;
Another figure (or rather 2 figures – they came as a pair) also from the cover of the 3rd County of London (Sharpshooters) book, this time being modelled on the officer in the all-green undress. Unfortunately, both figures are without the sword that the officer is supposed to be resting his hands on. He could nevertheless be taken for simply clasping his hand together.
Another Dorset figure that I’ve come into is based on the very 1st book in the series on the Sussex Yeomanry Cavalry. It is the figure of the Sergeant on the far left wearing the bandoleer, Stohwasser gaiters and slouch hat. It’s a very impressive figure, I think, though some preparation will be needed as his riding crop remains attached to his right arm and there’s quite a bit of flash to remove.
There is one other figure I’m expecting which will be similar to the Sergeant-Major second from left on the cover (wearing a khaki lancer-pattern uniform and red forage cap). Still currently on its way through the post, this figures has a slouch hat instead of the red cap and photographs of the Sussex Yeomanry in this manner of Full Dress uniform can be seen in the Barlow and Smith book. So, it’s not strictly a Robert Marrion figure, but should, I imagine look similar to the one he illustrated 2nd left.
I’m intrigued to know how many of these 54mm model figures and of which regiments were made from the Yeomanry Force series. Having discovered three from the 1st and 5th books alone, I must assume that there are more from some of the remaining 13 other books.
Meanwhile, I’ve sourced a base for the trumpeter of the Sharpshooters that I’ve painted, which will hopefully come through the post in the coming week. Once properly mounted and presented, I will share in a future post. It seems that my humble tribute to R.J. Marrion is emerging as a long term ongoing project…
Using time off over the Bank Holiday period, I was emptying out some old magazines when I made a wonderful discovery. Let me explain…
About two years ago, my parents handed me a small metal figure in a little plastic bag which they had discovered deep in their loft. Knowing that it was probably one of my old model figures from my childhood, and furthermore well aware that I’m always painting soldiers nowadays, they brought it over.
It was a 54mm figure from Dorset (Metal Model) Soldiers Ltd, which I presume is the same company still going today but under the name The Dorset Model Soldier Company. I guess I must have purchased it from a Victorian Military Society fair in the mid 1980s. The bag also contained a square wooden plinth and a little green baize to mount it on. The figure was from a series called “Armies of the World” and represented a Trumpeter in Drill Order from the 3rd County of London Yeomanry (Sharpshooters) during the period 1902-1907.
I was particularly pleased to rediscover this figure as Yeomanry is a great interest of mine. Having (naturally…) the entire fifteen books from the terrific Ogilby Trust series; “The Uniforms of the British Yeomanry Force 1794-1914″, I pulled out my copy of the 5th book in the series on said regiment to do some research.
There on the cover was the very figure I was researching – and, what’s more, in exactly the same pose! I guessed that the sculptor must have used the excellent Robert J. Marrion image on the far right of the cover as a guide, such is the similarity. Furthermore, the illustration in kind must have been based upon the trumpeter seen in the above photograph.
Finally, the figure came with a hand-written painting guide which, confirming the inspiration behind it, indeed recommended that for further details and colours I should see “No.5 in the series “The Uniforms of the British Yeomanry Force 1794-1914”.
And then it was lost.
Gone. Disappeared. Vanished. The figure was last seen in a generic plastic bag. I threw the bag out but took care to remove the figure first. I’m sure I did. Didn’t I? All that remained was the little wooden plinth that the figure would have been mounted on. I searched everywhere for the figure, fruitlessly turning the house upside down for days. Appalled, I finally became convinced that I must have thrown it out by accident. Two years passed by…
…Until I discovered it yesterday! It turned up secreted at the bottom of a magazine rack. Heaven knows how or why it got there, and how it evaded my searches for so long. Now it has returned, I’m tempted to finally have a go at painting it. Heaven knows, I’ve got enough on at the moment, so it may be a little while yet before I make a start.
Trouble is, not only have I already clumsily broken the plume off (hastily re-glued), but I am now unable to locate the wooden plinth which ironically has possibly been thrown out after the figure was given up as lost. Never mind; I’ll fashion a replacement!
I now want to end by saying some words about R.J. Marrion, the artist who inspired the Trumpeter figure and illustrated for the entire British Yeomanry Force series. Bob Marrion was a former police officer, firstly a dog handler and then latterly, after injury, a police draftsman. He illustrated dozens of books and articles on the subject of military uniforms including the entire Ogilby Trust series on the British Yeomanry Force.
Sadly Bob Marrion passed away in 2015 to the great regret of many with an interest in and appreciation for military history, uniforms and artworks.
From Carryings on up the Dale blog:
From French Revolutionary Wargames blog;
From Planet Figure forum:
Tantalisingly, from this forum it is suggested that in the 1970s Bob Marrion even sculpted, or at least designed, his own Victorian-era figures under the name Olive Figures. Something to look out for, perhaps?
So painting this figure becomes, perhaps, a kind of belated personal tribute to the late Bob Marrion and his essential contribution to the hobby. What more appropriate way for me to do this than bringing to life a sculpted manifestation of one of his illustrations? Having not painted anything greater than 28mm, 54mm scale is something very different and so should be an interesting challenge.
Currently, I’m still finishing off the Zvezda Saxon Cuirassiers, which should be definitely finished some time this week, I reckon. After that, following what has been over 3 decades of being lost and found, I’d say it’s about time this lost sharpshooter – one of Bob Marrion’s artistic visions – was finally brought to life!
I’m pleased to say that it appears that my previous post on the heroic female soldiers of Serbia has been particularly well-timed. Not only does it coincide with the 100th anniversary of the first piece of legislation extending voting rights to women in the UK, but it also coincides with #FEMbruary.
It was my friend from the Imperial Rebel Orc blog who drew my attention to FEMbruary – a painting challenge for this month intended to “celebrate females and highlight the dismal fact that our hobby is so male dominated“. The idea for the FEMbruary painting challenge has apparently originated with Lead Balloony.com. Well done, sir! A fine suggestion.
Suburban Militarism occasionally posts on topics related to women’s often overlooked role in conflict, military art and military history. Furthermore, this blog loves a communal challenge, and so I’ve ‘signed up’ to FEMbruary – a time for painting some female miniatures that celebrate, not demean, women. There was just a small matter of finding an appropriate female figure to paint, though. Not only are there not enough females in the hobby, there’s not enough female figures which are realistically proportioned and non-sexualised. Step forward, Bad Squiddo and the Dice Bag Lady!
Guided by the ever-knowledgeable Mark from Man of Tin blog, I checked out Bad Squiddo – a site dedicated to believable female miniatures! Quickly through the post came a perfectly sculpted figure together with a rather lovely Darjeeling tea bag to boot. My chosen FEMbruary figure from Bad Squiddo is one of the most powerful rulers of the 18th century; Catherine the Great of Russia!
Born as Princess Sophie of Anhalt-Zerbst, this German lady came to power after her ineffectual husband, Peter III, was assassinated. She proved to be an astonishingly successful ruler for Russia, reigning from 1762 to 1796. Catherine combined intelligence, shrewdness, an appreciation for the arts, knowledge of Enlightenment principles, and an autocratic ruthlessness whenever required. Like many other powerful autocrats, Catherine fed both her ego and her libido; she didn’t stint on palatial opulence and also enjoyed a long list of lovers.
She was also keenly aware of the need to dress to impress, or should that be Empress? Her magnificent dresses brought western fashions to the Russian court. In a subtle demonstration of her power, and to cement her relationship with army, some of these were military uniform inspired dresses and explicitly mimicked military fashions and colours of the day.
For the Bad Squiddo figure, Catherine the Great eschews the fine dresses of court and appears in full military uniform, on a white charger with sword drawn.
Catherine is wearing the full uniform of the Russian Life Guards. The Bad Squiddo figure (above) cleverly takes the Vigilius Eriksen portrait (below) as its inspiration.
The Eriksen portrait of her formed part of an enormous collection of paintings which Catherine acquired with the stupendous wealth that she enjoyed;
Among many portraits of the empress is Vigilius Eriksen’s Equestrian Portrait of Catherine II. She is on her horse Brilliant (Russian for “Diamond”) on the summer’s day in 1762 when she set out from St Petersburg to demand the abdication of her weak, stupid and unpopular husband, Peter III. Her backers included her lover, Count Grigory Orlov, and one of his successors, Prince Grigory Potemkin. Her sword is drawn, and she would clearly be happy to use it on her husband. Peter caved in, but within days had been murdered by his wife’s supporters. She claimed he had died of one of “his habitual haemorrhoidal attacks, together with a violent colic”. The Guardian
The lady who wore that uniform, sword drawn and “happy to use it on her husband”, intended it to indicate to all of Russia that a more dynamic and stronger sort of ruler was about to take power. Catherine the Great was a supremely successful leader, subject to the same trappings of power as male leaders (opulence, sex, etc.). Autocrats and despots are hardly loveable. But this ruthless lady was very charismatic, with personal qualities and achievements that were extremely impressive. What’s more, she looks splendid in a Guards uniform to boot!
And with that grey horse, Brilliante, it’s time for me to get painting horses again.
For more info on #FEMbruary, visit:
Also, for some good female gamers and hobby blogs check out:
My 13th Regiment of Polish infantry are slowly approaching completion. With an all white uniform and light blue facings, the challenge is to avoid them looking a little too luminous and bright, yet still pleasingly colourful.
I’ve used ‘turquoise’ rather than light blue for their facings simply because I preferred the shade (so there!).
I started to paint the drummer in reverse colours until I found a print showing the 13th drummer in white, reversing the blue lapel colour with the red cord colour. So, I’ve gone back to the start with that figure. I’m a little apprehensive about painting a heraldic double-headed eagle onto an uneven surface (i.e. on to the draped flag). The results could be comical!
I think my ultimate aim with these figures is to place them as if taking part in an advance across a battlefield. Hence, unlike with the previous regiment, I’ve left the bayonets in place. In the meantime, the equipment and muskets are still to do, not forgetting the regimental flag and the drummer too. Updates to follow once these are done…
I’ve now finally completed my 20 figures of Strelets’ Polish Napoleonic Infantry! I decided that it would be fun to place them in a mini diorama, marching wearily along some muddy country lane, mud on their boots and trousers.
They are the 12th Infantry Regiment, which wore the usual dark blue coat (called a kurtka) but were distinguished in the Polish army by their unique yellow collars.
I think they look rather impressive and a clear improvement on many of their figures from the past.
I’m already working on the rest of the box; 24 figures which include the four command figures (flag bearer, officer, NCO and drummer). This will be the 13th Regiment. Being a chap that always likes to paint something a little different to keep me interested, I’ve selected this regiment because (unique amongst Napoleonic Polish infantry) they wore white uniforms. These were in fact captured Austrian infantry uniforms which sported a fetching light blue colour for the lapels, collars and cuffs.
With 24 figures to paint, it will take me a fair while to get them finished. I’m enjoying my painting however, so it’s not a chore. The white uniforms are already done and I will be adding some light blue for the facings next. I’ll post an update once I’ve got something decent to share!
I like my military music, so I’ll sign off with a video of Polish Army Band marching through London in 2015 wearing dark blue uniforms and Czapka helmets similar to their Napoleonic ancestors that I’m painting.
Bye for now,
We'll cross the Vistula, we'll cross the Warta, We shall be Polish. Bonaparte has given us the example Of how we should prevail. "Mazurek Dąbrowskiego" (Poland is not lost); Polish National Anthem.
Happy New Year from Suburban Militarism!
The 1st of January is a time for reflection on past achievements and future intentions. 2017 saw yet more regiments added to the Napoleonic Cavalry Project; a 28mm Victorian rifle volunteers project; some 18th century British infantry painted for the Bennos’ Figures Forum group project; a number of museum visit reports were added; and I ended the year creating some Christmas cavalry and painting lots of marching Napoleonic French infantry.
As for 2018, in my previous post I alluded to receiving a generous number of new model soldier kits as Christmas (and birthday) presents. With these kits, there’s a definite East European theme taking shape for 2018 and – dare I say it – a distinct focus on the First World War too (in a departure from my more usual 18th/19th centuries). But it’s familiar Napoleonic territory to start the year as I launch straight into the first of these new kits; the newly released Strelets Polish Infantry on the March.
These Napoleonic figures represent men of the Polish Legions, a force formed by Polish patriots who saw in the rise of Revolutionary France and Napoleon an opportunity to re-establish their nation which was dissolved and partitioned amongst its powerful neighbours in 1795. The Polish-Lithuanian Commonwealth had been in existence since 1569. Once one of the largest nations in Europe by both size and population, by the time of its eventual demise Russia, Prussia and Austria had all taken a share of the territory.
In 1797, two years after partition, a passionate nationalist desire for re-establishing a Polish nation saw a sizeable volunteer “Polish legion” created within Napoleon’s French revolutionary army. At this time, a popular piece of music was written to inspire this new legion which would later become the Polish national anthem; “Poland is Not Lost”.
The Polish Legion fought in many theatres of war with the French including Italy, Haiti, Prussia, Russia and in the Peninsular. Whilst Napoleon was more than keen to use the 20-30,000 highly regarded Polish troops for his military campaigns, he showed less passion for their cause – establishing Poland as a nation. Eventually, a diminished Duchy of Warsaw (under the sway of France) was created, but it was dissolved once more following Napoleon’s eventual defeat.
Napoleonic Polish troops wore predominantly blue uniforms closely following that of their French sponsors, although a distinct addition was their iconic Czapka helmet. Indeed, the Czapka which was worn by Polish lancers would go on to become a standard feature of most European lancer regiments later in the 19th century.
My Strelets Polish regiment is the 12th Infantry Regiment. They wear the usual all blue coat and trousers (in summer, they wore white trousers), white lapels, red cuffs and (uniquely) yellow collars. I’m minded to create an alternative Polish regiment with the remainder of the box (which also includes command figures). Possible alternatives could include the 13th Regiment (below left) which wore captured Austrian army uniforms and were therefore predominantly white. Alternatively, I could also produce one of the three “Vistula Legions” (below right), which in addition to the usual blue uniforms featured distinctive yellow lapels, cuffs and collars.
These slender Strelets figures are a significant departure from much of their early creations, such as the marching French infantry that I’ve just recently finished off. The detail isn’t always as crisp and clear as with some manufacturers making it tricky to paint, but it is sufficient to produce most details adequately. The poses are really effective and there is a nice cohesion to this marching force that was absent in the old French infantry set I’ve just finished with. As with that French set, I’ve cut off their bayonets which would have been unlikely to be fixed when on the march.
I’ve made real progress already thanks to all the free holiday time, and here’s a couple of quick snaps taken in the home and garden of some of the 20 figures I’m working on so far. I’ll update once they’re completed, which hopefully could be by the end of the week.
After a very satisfactory Christmas Day with my family, I’ve enjoyed a bracing Boxing Day walk in the hills. Sitting back with a glass of iced single malt, I’ve been surveying the embarrassingly high number of model soldier kits which have been bought for me as Christmas presents. More details on these will no doubt feature in forthcoming posts…
The holiday has allowed me time to do plenty of figure painting already and I’ve (somewhat astonishingly) completed my large group of Strelets’ French Infantry on the March.
It has been an interesting process, returning to paint Strelets figures again. Being nearly two years since my last serious Strelets painting, I had forgotten how different an experience it is when compared to figures from other manufacturers. Furthermore, my painting style has developed and consequently I’ve had to rethink how to approach these figures.
Being less ‘pretty’ and refined than other figures, it’s a different aesthetic. Strelets figures look their best in larger groups rather than showcased individuals. This marching cohort is perfect for showing off Strelets. Their chunkier figures make for clearer details when seen from a distance, ‘en masse’. Incidentally, newly released Strelets figures appear to be sculpted to an increasingly refined standard than with these early French infantrymen.
Although, it’s been a challenge at times and involved some repainting, I’ve been really enjoying the process. As a result, I intend to paint some more Strelets figures which have just come through as Christmas presents!
Now, I wonder if I get even more figures for my birthday, tomorrow…?
Just as the snow outside has at last thawed to an icy slush, indoors I’ve been adding my own fake snow to some figures. Those Strelets French Napoleonic infantrymen on the march, which have for so long been awaiting basing, are now ankle-deep in the white stuff. I’ve also just decided to cut off any fixed bayonets in order to make them a little more uniform, though they’re still showing in these pics.
Their brethren, meanwhile, all 26 of them, are having their greatcoats painted. I’m struggling to get the coats to a similar shade as that painted two years ago, they should look closer in colour than in these photos but regardless I’m just going to go for it. Different shades can only add to that wonderfully shabby look with its patched up clothing.
And they will certainly need those coats in this bleak midwinter…
Ice and snow have come early this year. It’s a phenomenon which is more usually seen over here in January or February, rather than a whole fortnight before winter solstice. With my Christmas cavalry now taking their place with the other seasonal decorations, I’d been wondering what to turn my brush to next when a glance through the window at the winter scene outside gave me an idea…
Back in early 2015, I found myself painting 18 marching French infantrymen with a view to submitting one of them to the Benno’s Figures Forum Waterloo group project. The figures were from two (seemingly now largely unavailable) Napoleonic sets by Strelets; “French Infantry on the March” and “French Infantry in Advance“. Both sets feature Napoleon’s finest on the march in greatcoats and these two sets combined supplied a whopping 24 unique poses simply depicting men walking with muskets!
The style is typical Strelets and figure painters tend to either like them or hate them. Me? I appreciated the campaign-worn, ragtag look to the men. I also rather liked their more characterful style which livens up the process of producing lots of figures ultimately doing exactly the same thing – simply marching.
You will notice from the photos above that I never got around to basing them. The snow-covered landscape outside has given me the inspiration to mimic the Strelets box art depicting them on the march in the snow (presumably in the Russian winter).
Having located the required boxes and prepared 14 more figures for paint, I subsequently found another dozen already primed in readiness from back in 2015…
That makes for 26 Strelets figures to paint; all wearing the same beige greatcoats and all just marching! Will I get bored and quit? Possibly, but I fancy giving it a go as it makes for a nice change from painting just a handful of figures only. Consider it an end-of-year palate cleanser before my next project (or palette cleanser if you will ‘scuse the painting pun). Incidentally, Strelets also have no less than four separate Napoleonic kits available just featuring Russian and French winter sledge trains! They like their winter troops.
But wait – one more thing: in my collection, I also have soldiers based in snow from three other Strelets sets featuring troops in ‘winter dress’ (it must be something to do with the manufacturer being Russian…). I have British guardsmen in Crimean War ‘winter dress’ and also two kits from their 1877 Russo-Turkish War range featuring Russian and Turkish troops in hooded greatcoats. All of these are currently just standing in modelling clay painted white but they could all really use some of my very wonderful “Woodland Scenics’ Soft Snow” treatment. So: yet more winter work to do!