As the fourth year of Suburban Militarism on WordPress comes to a close and a New Year looms, it’s a time for reflection. Swedish Napoleonic cavalrymen; Ottoman Turkish artillerymen; Serbian and Austrian infantry of the Great War; Belgian Carabinier cyclists; 28mm Yeomanry figures based on illustrations by Marrion; Saxon Cuirassiers and not forgetting some Napoleonic Poles back in January.
So, here’s a brief pictorial overview of some of the figures painted over 2018.
Looking forward to 2019, I know well enough by now not to forecast my painting plans in any great detail as distractions lead me on to other unforeseen areas over the year! However, currently demanding my attention are:
My Ottomania project – now well under way with the artillery corps progressing nicely;
The Great War project – I have a number of excellent kits I intend to tackle as I continue to develop my WWI collection;
This time of year, I get to enjoy two days of opening presents. With my birthday being on the same week as Christmas Day, if I’m lucky, I tend to end up with plenty new model kits and books. Time for a quick overview of some of the military related gifts that I’ve received this year.
Firstly, following on from the very pleasing painting of Strelets French Army Sledge Train figures earlier this month, at my suggestion for a birthday present I’ve been kindly supplied with set 2 of this series. It will probably be December 2019 before I even think of getting to work on them, however.
I’ve also come into ownership of two boxes of RedBox’s Ottoman (or Osman) infantry: namely the elite Yeniceri (Janissaries) and Eyalet troops. They are really great quality figures for sure and I’m now committed to developing Ottomania – my Ottoman Turkish army project.
Apropos of this, my father-in-law was visiting a military bookshop in Birmingham recently and asked if there was anything I’d like for Christmas whilst he was there. I mentioned a book on Ottoman armies by the peerless Osprey to further assist my Ottomania project and it seems he took the idea and ran with it!
Written by David Nicolle and illustrated by Angus McBride and Christa Hook, no less than three books on the topic were unwrapped on Christmas Day;
The Janissaries (Elite series No.58)
Armies of the Ottoman Turks 1300-1774 (Men-at-Arms series No.140)
Armies of the Ottoman Turks 1775-1820 (Men-at-Arms series No.314)
A bit more reading material – something that I’ve wanted for a while is the now well-out-of-print book by R.G. Harris on “50 Years of Yeomanry Uniforms: Volume 1”. Harris was one of the contributors to some of the books in the essential Ogilby Trust “Uniforms of the British Yeomanry Force” series in the late 80s / early 90s.
This 1972 edition has that evocative musty smell of old bookshops and features 32 terrific full page and full-colour illustrations by Edward A Campbell. I was interested to read in the preface that Campbell was responsible for the artwork in the 1931 Players cigarette card series Military Headdress, which I am well familiar with from my own collection.
Campbell’s paintings were based on ‘painstaking research’ of which most apparently is sadly unpublished. Even more tragically, the preface informs me that “the author of the text is preparing a second volume on the Yeomanry which will incorporate a further selection of Captain Campbell’s work…”, yet I can find no evidence that Volume 2 was ever published.
So much to read, so much to paint, but so little time. I really need to get on with some chores, not to mention hours of overtime that I need to do. What’s that quote? “Starve your distractions – feed your focus!”. Trouble is, I rather prefer the distractions…
So, what to paint next after all those snowy winter figures I’ve been working on for weeks? I’m feeling that it’s time for Suburban Militarism to attempt something else. Something warmer… Something different… Something completely different…
RedBox have been producing some very fine figures of late. The eras and conflicts that they concentrate on are mostly to do with the 16th/17th century. This is a little outside my areas of interest but nonetheless, I’ve been impressed by their recent figures. And so, for my next slow-burn project I will be having a go at building the Sultan’s army from their wonderful range of Ottoman Turks, starting with their artillery.
The Ottoman Empire was enormous at its height and was unsurprisingly therefore very powerful militarily. The Ottoman Empire was amongst the first European nation to have a professional and permanent artillery corps and consequently were the most effective in Europe in the 16th and 17th centuries. In an era dominated by siege warfare, much of the Ottomans strength lay in their numerous and formidable artillery corps.
RedBox, in their typically generous manner, have produced an impressive number of different artillery kits for these Ottoman Turks, including the following named sets;
“16th Century Turkish Artillery”
“17th Century Turkish Artillery”
“16th Century Turkish Siege Artillery Gun”
“16th-17th Century Turkish Siege Artillery Mortar”
“Turkish Sailor’s Artillery 16th-17th Century”
With industrial progress being slow in the 16th-17th century, all the kits could more or less be reasonably used together without creating an historical absurdity. Plastic Soldier Review states that “the guns in [the 17th Century] set are exactly the same as those in the set of 16th Century Artillery, and are still very appropriate to the 17th.”
I’ve decided to start with some figures from their “17th Century Turkish Artillery” set. Having a few boxes of Turks arrive through the post recently, I’ll probably dip in and out of these different kits.
The Topçu Ocağı (or Artillery Corps) being both a professional and a favoured division of the army did wear uniforms, though of exactly what sort is open to question. There appear to be many variations on colours, so it may be that colours simply varied with from unit to unit. For my first figures, I’ve gone with the colours shown consistently on all the RedBox box covers which closely match the illustration shown above by a contemporary Swedish ambassador. I may even maintain the same uniformity throughout all of the Sultan’s artillery, other arms being much more varied.
With artillery sets, I guess the only way to present them is as a group together in a mini diorama, as with my recent Cracker Battery. To facilitate this, I’ve made another purchase which I hope will go perfectly with my Turkish artillery units. I’m rather excited about it but I’ll reveal what this is in a future post!
My Strelets French Army Sledge Train is now finished with snow freshly dusted over the scene. The end result looks suitably cold, I think. Or maybe it’s just the deteriorating weather outside having that effect on me?
In the sledge there is a driver wearing a Polish Czapka, an officer wearing a cocked hat and another man wrapped in a luxurious fur coat. This chap holds a keg and is sitting on a locked casket. Notably, he wears a pair of spectacles. His hat is a bit of mystery to me. If not a specific piece of military headdress, it could be anything stolen or purchased simply to keep his head warm, so I’ve just painted it blue.
I mentioned in my previous post that the driver figure could in no way be made to ride the horse or sit in the sledge without something to sit on. Imperial Rebel Ork suggested I made something out of green stuff, sculpting anything is always a risky strategy for me! At the last minute, I decided to use a 1/72 scale wooden box from my childhood collection of Napoleonic French Artillery. The box was perfect but the driver still didn’t sit well as his legs were too far apart, even after I rashly cut his toes off (which I now put down to frostbite, you see…). He’s leaning a teensy bit far back for my liking, but as he’s about to wield a whip, I can just about say ‘he’ll do’.
Those walking behind include (from foreground to background below):
An infantryman in great coat wearing a Polish Lancer’s discarded czapka.
Another infantryman carrying on his back a small drummer boy and his drum.
A dragoon with a blanket around his shoulders and without any footwear.
At the back, a Chasseur of the Guard amputee using a staff as a crutch.
You may just be able to pick out the sledge tracks in the snow? It looks a little more convincing to the eye!
There’s a convincing sense with these figures or struggle and hardship, particularly now they’re painted and in the snow. Little things that I was pleased with are lost to the camera in these pics; the wooden floor of the sledge and the casket, to name but two.
I think my favourite figure is the soldier carrying the drummer boy and drum on his back. It’s quite a complex piece of sculpting which comes out very well after applying some paint. All the figures look good, though, I think. The barefoot dragoon is convincingly cold with the blanket, for example.
Napoleon himself adopted the use of a sleigh when he abandoned the remnants of the Grand Armee on its retreat from Moscow, so it really was the best way to get around in the snowy conditions.
I mentioned how much I liked Strelets emaciated pony. The suffering endured by the horses taken on campaign with Napoleon was truly appalling. Virtually all of Napoleon’s 200,000 horses died from starvation, wounds, injuries, exhaustion or, increasingly during the terrible retreat, at the hands of starving men desperate to use them for food.
Even in the opening weeks of the campaign, many thousands of horses died in a great storm. The outlook for this poor, struggling pony in my scene is probably as bleak as for the men walking on behind.
You may notice from the pic below that the horse is moving off to the left. This is simply a feature of one of the poles connected to his harness being longer than the other! But if anyone asks – the horse is very deliberately turning left…
I’ve also added another dozen men to my growing collection of painted Strelets Marching French infantry figures, currently now over 50 strong. It’s a long-term aim of mine to finish both boxes in the coming years and build a 100-man marching column to accompany the sledge train.
Settle down, grab your popcorn – it’s time for a short movie:
There’s a second set of the French Army Sledge Train with different figures which I may source for next year’s wintry hobby painting. And finally – just a few last pics showing the marching column making its way across the icy wastes of my lounge carpet:
Yes, I know it’s only just turned November, but I want to talk about Christmas, dammit! Just like the painfully over-eager High Street shops, for me early November is a time of preparation. For Suburban Militarism it is also the time when a handful of figures are painted up to join their brethren in the Christmas Corps in readiness for a seasonal duty.
Musketeer of 25th Christmas Regt of Foot
This prestigious group of model soldiers take their turn for a tour of duty on the mantelpiece as part of the household’s December Christmas decorations. In previous years, the following troops have been created:
With the Christmas Corps now comprising two slowly growing regiments of infantry and two also of cavalry, I thought it about time to add some suitably seasonal artillery to help the season go with a bang. Therefore, I am introducing:-
Cracker Battery of the Christmas Artillery!
I’ve remained consistent with the range of figures that I’m using. Revell’s sublime Seven Years War soldiers have provided all the figures so far. Up to about a year ago, the cavalry and infantry sets were becoming extremely rare until Revell reissued them in combined boxes of either Prussian and Austrian infantry or cavalry. This terrific development has pleased many. However, Revell only ever produced one set of artillery figures; the Austrians.
And what a set it was! Superbly detailed sculpting and terrific poses. Unfortunately, Revell have not reissued this set, nor I believe have any plans to, leaving 7YW wargamers desperate for artillery support. The old 1994-era boxes of Austrian artillery are now as rare hen’s teeth and going for a tidy sum whenever boxes do crop up. So I’m very lucky to have sourced this box for a reasonable fee for the Christmas Corps.
The Austrian artillery wore a light brown uniform but I wanted something with a just little more colour than that but different to the other regiments in the . So, I’ve elected for navy blue coats, red turnbacks with straw-coloured waistcoat and breeches; coincidentally this is also the colour of Prussian artillery during the 7YW.
Here’s how they are looking so far (with a biography of each man in the battery).
Cracker Battery; Christmas Artillery:
1.Captain Rupert Fortune-Fisch
The officer of the battery is well-educated and the perfect gentleman. A keen interest in mathematics greatly assists in the accuracy of his guns. His tricorn hat is adorned with a sprig of Broom, a feature particular to the Christmas Artillery. This is a tradition which goes back to when they were said to have ‘swept away’ the enemy at the Battle of Broombriggs Farm. At this action, low on ammunition, their cannons famously took to firing off brandy-lit Christmas puddings at the enemy.
2.Battery Sergeant Major Fred Cheaptoy
A stalwart of the battery and the Captain’s most dependable man. No one knows gunnery drill better than Cheaptoy. Although he knows the drill, BSM Cheaptoy sees his role as purely supervisory, seldom getting involved with any actual physical work.
3. Corporal Frederick Faketache
This is the man trusted with the lighted portfire (well, once it’s painted…). No one else in the battery can be relied upon so dependably to actually fire the cannon when told to do so, and NOT beforehand…
Before he does apply the fuse, Corporal Faketache cries out “have a cake!”, at which point new recruits take a bite out of their regulation ration of Christmas cake only to scatter crumbs in shock as the gun noisily discharges. Old hands know better and cover their ears. Traditionally, the warning call was “have a care!”, but years of standing near loud cannonades has badly affected both his hearing and his memory. It is precisely this deafness which prevents any premature firing of the gun.
4. Bombardier Joseph Partihatt
Bombardier Partihatt can be seen below engaged in his favourite duty, carrying the ammunition over to the cannon. This involves much strength but little brain; a task in which Partihatt is perfectly suited. What’s that in his hands, you enquire? A white cannonball? Not so; the Christmas Artillery only ever fire snowballs, of course!
5. Gunner William Dredfuljoak
Good old Bill Dredfuljoak is the battery comedian, always ready with a quip or an amusing anecdote, even (or especially) when limbs are being severed and heads are being detached by counter-battery fire. Below, he adopts a nonchalant stance so typical of the man. When in action, if the battle reaches a crisis point, he can often be heard being implored by his Captain to “shut up, man and for pity’s sake get a move on with that bloody sponge!”
6. Gunner Johnny Tweezers
Johnny has a stick. Johnny likes to use his stick to move the cannon left or right. That’s about all there is to say about Johnny Tweezers. However, as a bass-baritone, Gunnar Tweezers sure holds a good note during the singing of any Christmas carols. His loud vocal is said to ‘boom like mortar fire’.
7. Wheeler Thomas Plasticfrogg
Wheeler Plasticfrogg might appear at first sight to be adopting a super-hero pose below. He is in actual fact rehearsing his key role in the battery which is basically wheeling the gun into position. Plasticfrogg takes his job very seriously and the sight of him exercising by stretching and moving imaginary cannon wheels about is a common sight during off-duty moments. BSM Cheaptoy considers him “a bit too-bloody-keen.”
So that’s the men of Cracker Battery. The Revell set still leaves me with enough figures for two more similar sized batteries to add to the brigade in future years and even provides some horses and drivers delivering ammunition.
In other news, I have purchased and extremely cheap lighted church model to also appear in my seasonal display on the mantelpiece with Cracker Battery. I may paint this up to appear more visually appealing too, perhaps a coloured roof or white walls.
Although Captain Fortune-Fisch is pleased as punch with the location of his new billet over the Christmas period, the local parson may not be quite so enthusiastic…
No artillery battery is much use without a cannon, so I’ll post an update on that once that’s been painted and assembled. I am also making plans for the final display, which I will also post on at a later date.
Once more – my apologies if this ridiculously early Christmas-related nonsense has made anybody queasy…
“All is vanity, nothing is fair.” ― William Makepeace Thackeray,
Very much enjoyed seeing some Napoleonic uniforms on prime time TV of late. So also, it seems, did my two latest figures who were transfixed throughout the whole thing.
Thackeray’s Vanity Fair is being serialised on ITV and that means the appearance of lots of smart soldiers in period uniforms. Suburban Militarism says “hurrah” to all that.
These two chaps here are a work in progress, as can be seen by their being currently hopelessly stuck in some Blu-Tack. Their camp hand gestures will make much more sense once their 1796 Pattern Light Cavalry sabre comes in to play.
There’s still lots more to do to these figures, including work on the helmet, the addition of said sabres and mounting them on a base. As to who these two smart Georgian gentlemen actually are, and how I came to have more than one of them, more shall be revealed when I’ve eventually finished and based them. As I first need to go and buy some essential tools to do it, this may take some time…
I’ve very recently become the proud owner of some large antique prints purchased at what was an absurdly low budget price (aka ‘my price range’). On coming through the post, they emitted that strong musty smell suggestive of great age and antiques.
The four prints depict the following yeomanry cavalry regiments from the 1840s:
The Yorkshire Hussars
The Buckinghamshire Hussars
The Suffolk Yeomanry, Long Melford Troop
The 2nd West York Yeomanry
They are in excellent condition considering their great age. Coming with their own generously sized mounts, they are 45cm x 55cm in dimensions, so they are really quite large for a suburban domestic property. My wife has generously agreed to their being displayed in the spare upstairs room as soon as I source some appropriate frames.
So what’s the story behind these prints?
They are from a series of prints titled “Fores’s Yeomanry Costumes“. Each print is dated to a specific day of issue, between 1844 and 1846, and state that they are published in London by “…Messrs Fores, at their sporting and fine print repository & frame manufactory, 41 Piccadilly, corner of Sackville Street.”
‘Messrs Fores’ were the sons of Samuel William Fores. He was an illustrator and publisher based in London. Fores Senior was the son of a cloth merchant and established his business as a print seller in 1783, specialising in popular satirical caricatures. Yeomanry had featured in Fores publications prior to the 1840s. the most infamous of which was by George Cruickshank who created a biting satire on the 1819 Peterloo Massacre. The sarcastically titled “Manchester Heroes” are the men of the ‘Manchester and Salford Yeomanry’ who are sabreing defenceless men, women and children, to the anguished cries of “Shame!”
After S.W. Fores’s death in 1838, his sons took over the business and moved their output from satire to sporting scenes and fine art. This series of yeomanry costumes, begun a few years after their father’s death, was probably a part of that intentional move away from the satirical publications that had made his fortune.
The prints are plates numbered 1, 3, 4 and 6 from a series of eight, so far as I can tell, in total. The drawings are by Henry Martens, a military artist whom I’ve mentioned before on Suburban Militarism after seeing copies of some of his paintings displayed at the Royal Norfolk Regiment Collection, The 2017 Anglo-Sikh Wars exhibition and also at the Staffordshire Yeomanry Museum last year. I also saw a print from this very series when I visited the Shropshire Yeomanry Museum earlier this year. The print (plate 5 in the series) featured the South Salopian Yeomanry and was reproduced on my report on the Shropshire Yeomanry earlier this year.
Martens painted a great deal of military scenes in the early 19th century, notably on the Sikh and Xhosa wars. He was, however, apparently also well known for his depiction of British army uniforms released between 1839 and 1843 under a different publisher (Ackermann). The Yeomanry Costumes drawings appears to have been a natural continuation of his successful uniforms series with Ackermann.
Martens’ works were often engraved and hand-coloured by a lithographer called John Harris, and this is indeed the case with my own prints. The ridges of carefully applied paint on the prints can still be felt on the fingertips!
I’m well used to seeing the beautiful and prodigious work by Richard Simkin in his depictions of the yeomanry during the 1880s and 1890s. Henry Martens, it seems, can be placed in a tradition of faithfully recording the exotic dress of Britain’s yeomanry regiments, a tradition which was carried on by Simkin.
As I’ve indicated, I believe, at least four more paintings were produced in this series. These depicted the West Essex Yeomanry, the Buckinghamshire Artillery Corps, another scene of the Long Melford Troop from Suffolk and, as previously mentioned, the South Salopian Yeomanry. It’s interesting that two were produced for the Long Melford Troop and two for troops from Buckinghamshire and Yorkshire. Some of the prints (notably not the Long Melford Troop) includes a dedication to a local dignitary and the ‘Gentlemen of the Corps’. It’s possible that sponsorship was received by the publisher for this series from those willing and able to pay for the privilege.
There may be more than 8 prints in the series. I’ll keep my eyes peeled for any other bargains, though wall space for any more will be limited! I doubt another in a similar and affordable price range will turn up any time soon, however!
Some weeks ago now, I posted on a 54mm figure which had been lost many years ago – then found – lost again – and then found again! The figure was of a trumpeter belonging to the 3rd County of London yeomanry, also known as the Sharpshooters. This figure was a direct copy of Robert Marrion’s illustration on the cover of the Sharpshooters book from the Smith and Harris’ “Uniforms of the British Yeomanry Force” series.
The largest scale that I’ve painted hitherto is 28mm, 20mm being my usual scale, and so 54mm is a big step up. I’ve enjoyed the new challenge of painting it. It’s nice to focus on one figure rather than a whole kit of them.
I don’t think my painting technique is perfectly suited to these bigger scales, but I admit to being reasonably pleased with the result.
And that’s not all.
I’ve discovered a seller on eBay who has been selling off her late father’s old stock of figures. Clearly, the chap was a fellow of good taste, his collection includes lots of 54mm figures, most splendidly painted with some soldiers still untouched. These have included yet more Dorset Model Soldier Company figures taken from the illustrations on the covers of Smith and Harris’ series. Namely;
Officer, Undress, c.1903-1905 – 3rd County of London (Sharpshooters):
Another figure (or rather 2 figures – they came as a pair) also from the cover of the 3rd County of London (Sharpshooters) book, this time being modelled on the officer in the all-green undress. Unfortunately, both figures are without the sword that the officer is supposed to be resting his hands on. He could nevertheless be taken for simply clasping his hand together.
Sergeant, Sussex Imperial Yeomanry, Service Dress, c.1905:
Another Dorset figure that I’ve come into is based on the very 1st book in the series on the Sussex Yeomanry Cavalry. It is the figure of the Sergeant on the far left wearing the bandoleer, Stohwasser gaiters and slouch hat. It’s a very impressive figure, I think, though some preparation will be needed as his riding crop remains attached to his right arm and there’s quite a bit of flash to remove.
There is one other figure I’m expecting which will be similar to the Sergeant-Major second from left on the cover (wearing a khaki lancer-pattern uniform and red forage cap). Still currently on its way through the post, this figures has a slouch hat instead of the red cap and photographs of the Sussex Yeomanry in this manner of Full Dress uniform can be seen in the Barlow and Smith book. So, it’s not strictly a Robert Marrion figure, but should, I imagine look similar to the one he illustrated 2nd left.
I’m intrigued to know how many of these 54mm model figures and of which regiments were made from the Yeomanry Force series. Having discovered three from the 1st and 5th books alone, I must assume that there are more from some of the remaining 13 other books.
Meanwhile, I’ve sourced a base for the trumpeter of the Sharpshooters that I’ve painted, which will hopefully come through the post in the coming week. Once properly mounted and presented, I will share in a future post. It seems that my humble tribute to R.J. Marrion is emerging as a long term ongoing project…
Using time off over the Bank Holiday period, I was emptying out some old magazines when I made a wonderful discovery. Let me explain…
About two years ago, my parents handed me a small metal figure in a little plastic bag which they had discovered deep in their loft. Knowing that it was probably one of my old model figures from my childhood, and furthermore well aware that I’m always painting soldiers nowadays, they brought it over.
It was a 54mm figure from Dorset (Metal Model) Soldiers Ltd, which I presume is the same company still going today but under the name The Dorset Model Soldier Company. I guess I must have purchased it from a Victorian Military Society fair in the mid 1980s. The bag also contained a square wooden plinth and a little green baize to mount it on. The figure was from a series called “Armies of the World” and represented a Trumpeter in Drill Order from the 3rd County of London Yeomanry (Sharpshooters) during the period 1902-1907.
I was particularly pleased to rediscover this figure as Yeomanry is a great interest of mine. Having (naturally…) the entire fifteen books from the terrific Ogilby Trust series; “The Uniforms of the British Yeomanry Force 1794-1914″, I pulled out my copy of the 5th book in the series on said regiment to do some research.
There on the cover was the very figure I was researching – and, what’s more, in exactly the same pose! I guessed that the sculptor must have used the excellent Robert J. Marrion image on the far right of the cover as a guide, such is the similarity. Furthermore, the illustration in kind must have been based upon the trumpeter seen in the above photograph.
Finally, the figure came with a hand-written painting guide which, confirming the inspiration behind it, indeed recommended that for further details and colours I should see “No.5 in the series “The Uniforms of the British Yeomanry Force 1794-1914”.
And then it was lost.
Gone. Disappeared. Vanished. The figure was last seen in a generic plastic bag. I threw the bag out but took care to remove the figure first. I’m sure I did. Didn’t I? All that remained was the little wooden plinth that the figure would have been mounted on. I searched everywhere for the figure, fruitlessly turning the house upside down for days. Appalled, I finally became convinced that I must have thrown it out by accident. Two years passed by…
…Until I discovered it yesterday! It turned up secreted at the bottom of a magazine rack. Heaven knows how or why it got there, and how it evaded my searches for so long. Now it has returned, I’m tempted to finally have a go at painting it. Heaven knows, I’ve got enough on at the moment, so it may be a little while yet before I make a start.
Trouble is, not only have I already clumsily broken the plume off (hastily re-glued), but I am now unable to locate the wooden plinth which ironically has possibly been thrown out after the figure was given up as lost. Never mind; I’ll fashion a replacement!
I now want to end by saying some words about R.J. Marrion, the artist who inspired the Trumpeter figure and illustrated for the entire British Yeomanry Force series. Bob Marrion was a former police officer, firstly a dog handler and then latterly, after injury, a police draftsman. He illustrated dozens of books and articles on the subject of military uniforms including the entire Ogilby Trust series on the British Yeomanry Force.
Sadly Bob Marrion passed away in 2015 to the great regret of many with an interest in and appreciation for military history, uniforms and artworks.
Tantalisingly, from this forum it is suggested that in the 1970s Bob Marrion even sculpted, or at least designed, his own Victorian-era figures under the name Olive Figures. Something to look out for, perhaps?
So painting this figure becomes, perhaps, a kind of belated personal tribute to the late Bob Marrion and his essential contribution to the hobby. What more appropriate way for me to do this than bringing to life a sculpted manifestation of one of his illustrations? Having not painted anything greater than 28mm, 54mm scale is something very different and so should be an interesting challenge.
Currently, I’m still finishing off the Zvezda Saxon Cuirassiers, which should be definitely finished some time this week, I reckon. After that, following what has been over 3 decades of being lost and found, I’d say it’s about time this lost sharpshooter – one of Bob Marrion’s artistic visions – was finally brought to life!