The Girl I Left Behind Me

An interesting metal soldier figure came up on an auction site recently which I immediately recognised as being a recreated scene from a painting. The canvas in question is “The Girl I left Behind Me” by Victorian artist Charles Green (1840–1898).

The Girl I left Behind Me by Charles Green, Creative Commons.

The original canvas is fairly large and hangs in the New Walk Museum and Art Gallery in Leicester and postcards of this painting are available in the shop. In fact, I remember that I sent one of these very postcards to a hobby friend in Germany.

The painting has many elements of the very narrative and (to some modern eyes at least) somewhat mawkish style of Victorian art. We see troopships awaiting in the distance as loved ones and locals take their leave of the departing regiment. An old fella shakes the hand of one young soldier, while a consoled young lady looks down at her baby in sorrow as if already widowed. The headgear suggests these Napoleonic-era soldiers are off to Belgium for the coming Waterloo campaign, or perhaps for the latter stages of the Peninsular War.

Waterloo shakos waved aloft. Green, Charles; The Girl I Left behind Me; Leicester Arts and Museums Service; http://www.artuk.org/artworks/the-girl-i-left-behind-me-81029

I believe there are some errors with the uniforms; the drummer boys should be in reversed colours to the troops, for example. I like how the artist contrasts these regimented, marching drummer boys with the running of the kids alongside them at play, reminding us that while they are called to battle they are still essentially children.

The colour yellow seems to be a feature of the young women in the crowd, I notice, which puts me in mind of the old song “Tie a Yellow Ribbon”. Wikipedia says of the song:

The song/poem “She wore a yellow ribbon” has appeared in various forms for at least four centuries. It is based upon the same general theme: A woman of destiny is under some sort of test or trial as she waits for her beloved to return. Will she be true to him?

All of which seems to be the central theme of the painting. The centrepiece of the painting is the young lady (in yellow dress) clinging to her beloved as he marches off to war. The fortune of their relationship appears to hang in the balance as his death in war, and her fidelity at home, threatens its future.

Get to the point, Marvin!

Oh yes, the figure I saw was a 54mm recreation of this couple in Green’s painting. There are minor differences of course, but the composition and their poses are near identical. It is by El Viejo Dragon Miniatures, a Spanish manufacturer which seems to specialise in ladies wearing rather less clothing than our regency lady here! Curious that a Spanish manufacturer has recreated it.

The auction listing states that this model is of “a soldier in the Inniskilling 27th foot and his sweetheart around 1814 before Waterloo. Hand painted in Ulster by Rainey Miniatures.” 

The paint job is quite nicely done, though overall the shading appears a little ‘grubby’ for my tastes. I would also have wanted to recreate the scene in Green’s painting more closely with the yellow dress and the soldier’s white breeches, etc. Perhaps the painter was unaware of the inspiration behind this scene or, more likely, they wanted to create a more meaningful and local scene for themselves, and so set it in Ulster.

Unfortunately, the price for the figure is a little more than I want to pay, the family ‘war chest’ just won’t take any more model soldier purchases of late!

Wait. There’s an option to ‘Make Offer’? ….I really shouldn’t, or my own ‘girl’ will place her arm around my neck – and not in a fond way either!


The Song:

“The Girl I left Behind Me” is a folk song said by some to date back to the Elizabethan era and is commonly associated through the ages with being played whenever soldiers left for war and set sail. Consequently, the title of the painting was drawing on a tune traditionally associated with the drama it was depicting.

The tune, incidentally, aside from being the title of a painting showing troops heading to Belgium in 1815, can be heard playing in the 1970 film Waterloo at the moment when Wellington orders the whole Allied army forward in victory.

O ne’er shall I forget the night,
The stars were bright above me
And gently lent their silv’ry light
When first she vowed to love me.
But now I’m bound to Brighton camp
Kind heaven then pray guide me
And send me safely back again,
To the girl I left behind me.

The Illustrated London News, Sept. 26th, 1863…

For some time, I’ve had my eye on acquiring one of the many Victorian newspaper illustrations of rifle volunteers from the movement’s heyday in the 1860s through to the end of the century. It was an abstract concept until Mark from Man of Tin drew my attention to such a print on display over his painting desk. It looked so good that it convinced me to do likewise.

The image I’ve chosen featured in a recent post and is taken from The Illustrated London News, September 1963. The caption reads: Review of the Norfolk Volunteers on Mousehold Heath: Lady Suffield presenting the prizes won at the Norfolk Rifle Association meeting.

A spare frame and a cheap picture mount does the job nicely.

I chose this one because of my interest in military volunteers from Norfolk, being a county I lived in years ago. What’s more, the illustration is a good scene of Victorian volunteer soldiery together with depictions of men and women of the local community taking a keen interest in proceedings. The dark-coated men lined up are from the local Volunteer Rifle Corps.

To either side are the mounted Norfolk Light Horse in their scarlet coats, wearing black dragoon helmets with falling white plumes, a force which I posted about earlier this year. This short-lived formation were attached to the local rifle corps. Other mounted military men in the distance appear to be officers wearing a variety of headdress and I can even make out a hussar.

The mounted man in the foreground appears to be an infantry or militia officer.

In the centre with the cocked hat could even be the Lord Lieutenant of Norfolk which at the time of this event would have been Thomas Coke’s son**.

And so, the artistic militarisation of my household walls continues…


** Incidentally, this week it was announced in the Eastern Daily Press that Norfolk has appointed its first female Lord-Lieutenant of the county in 470 years of the role.

British Infantry Uniforms of the 19th Century: #8

8. The Coldstream Guards

“The Coldstream Guards Regiment was formed in 1650 as a unit of the Commonwealth Army. It was the only Regiment of the Parliamentary Army that was not disbanded at the Restoration in 1660. The illustration shows the uniform worn by Sergeants in 1832.”

Number 8 of 25 from “British Uniforms of the 19th Century” – a cigarette card series issued by manufacturer Amalgamated Tobacco (Mills).

Frame and Glory: Fores’ Yeomanry Costumes

A short post to celebrate the display of all four of my 1840s prints of Fores’ Yeomanry Costumes, which are now all framed and up on the wall at home.

  • Top; the 2nd West York Yeomanry
  • Bottom; the Buckinghamshire Hussars

And below, a reminder of my first two framed prints from last year;

  • (Left) The Yorkshire Hussars
  • (Right) The Long Melford Troop of Yeomanry Cavalry

You can read about the origin and history of these artworks in my original post from last year by clicking on the link below: