Marrion’s Men #6: Officer, Duke of Lancaster’s Own Yeomanry

Well, it’s been over a year since I painted my last figure in the Marrion’s Men series of 54mm Yeomanry figures based on R.J. Marrion’s illustrations, but recently I posted on the unexpected discovery of another. This was a figure from the excellent Tradition of London shop, a captain of the Duke of Lancaster’s Own Yeomanry.

Though not identical, it closely matched the figure seen on the back cover illustration of #6 in the Army Museums Ogilby Trust series – “Uniforms of the British Yeomanry Force 1782-1914.” My figure’s doppelganger can be seen below right on my copy of the book, with his foot on a milestone and nonchalantly smoking a cigarette.

The Tradition figure’s notes state that it depicts an officer of the Duke of Lancaster’s Own Yeomanry (DLOY) from 1909 in Field Dress. 54mm high in metal, the figure comes from their Squadron Range and was designed by Alan Caton (who sadly passed away in 2015). The pose differs very slightly from the Marrion illustration – the foot rests on a wooden box; the sword and sabretache are missing; and the right hand now rests on a knee instead of holding a cigarette.

Otherwise, the uniform details match very closely indeed and the figure is indisputably inspired by Bob Marrion’s fabulous illustration.

Barlow and Smith’s book on the DLOY includes a photograph which, in turn, must have been the inspiration for Bob Marrion’s original artwork. It features someone looking much like our officer on horseback in 1900. He is identified as being Major J. Rutherford. I like the idea of the continuity of inspiration that has gone on behind this figure.

  • 1900 – Major Rutherford is photographed on horseback in Hightown Camp.
  • 1983 – Artist Bob Marrion uses the photograph as a template for an illustration.
  • 1990-2000? – Sculptor Alan Caton casts the master of a version of Bob Marrion’s drawing.
  • 2020 – Marvin paints Alan Caton’s brilliant figure for his collection.

The above caption reads: Fig.14 Major J. Rutherford in Mounted Field Dress at Hightown Camp, 1900. He wears the new service felt hat and the original pagri is just visible. The 1896 serge frock is worn with Undress white belt and slings, and the pantaloons have gold stripes; knee boots. The sabretache with gold ornament, introduced about 1895, can also be seen… (see also back cover, figure on right.)

Instead of the “gold stripes”, Tradition’s notes state they should be yellow. Given that Barlow and Smith state that “from 1903, the gold lace stripes on the overalls and pantaloons were replaced by yellow cloth“, my 1909 captain having yellow stripes is correct and, from a purely visual point of view, I do like the bright colourful contrast to his otherwise dark blue uniform.

The slouch hat was headgear which became popular following its appearance in the Anglo-Boer War of 1898-1902. Worn by the Imperial Yeomanry, amongst others, it may have been the lack of cork available for more foreign service helmets which led to its widespread adoption. Barlow and Smith offer a few words on our officer’s uniform and specifically his slouch hat.

During the annual training at Hightown in 1900, the slouch hats were served out for wear with the drill and working kit. The DLOY were one of the first yeomanry to wear this headgear on home service. The hat was of drab felt with at first a blue pagri but this was quickly replaced by a leather strap. The 1896 pattern serge frock… now bore shoulder chains for all ranks and brass collar badges…

Those colour badges appear to be gold with a red rose in the centre, according to Marrion’s illustration. So I’ve taken that as my guide and reproduced a tiny scarlet splash of the Lancastrian red rose in the badge.

The usual alder wood plinth and engraved plaques set the figure off nicely. It came with it’s own metal stand of a brickwork floor but I wanted to maintain the plinths I’ve used throughout the series:

Though I confess to accidentally dating him to be a year later than Tradition’s stated 1909! This matters not, I’m sure.

I confess to being very pleased with how this figure has turned out. What’s more, the painting of it was done quickly and with (for me) a relatively minimum amount of fuss. Sometimes simple uniforms can be strangely all the more difficult to get looking really satisfactory, I find, but this one seemed to come together nicely.

Tradition do a nice line in 54mm yeomanry figures, thanks to Alan Caton, and I confess to having my eye on one or two others (although no more are apparently based on Bob Marrion illustrations). I painted a nice figure of theirs last year depicting a man of the South Notts Hussars.

There’s something of the rakish, derring-do anti-hero about our Lancastrian captain. I can imagine Imperial Rebel Ork creating a clever character portrait and back story for this man.

And that’s not all – there’s more. I’ve only gone and won another figure for my Marrion’s Men series! It’s a figure which I’ve found on eBay and which I was outbid on some time ago! More on this anon but below are the display in my house of all my Marrion-inspired 54mm yeomanry with two prints of Bob Marrion’s artwork alongside.

Another Marrion’s Man?

My “Marrion’s Men” series features 54mm yeomanry figures whose sculpting appears to be based closely on illustrations by the great military artist R.J. Marrion. All of these illustrations are featured on the covers of a series of books called “The Uniforms of the British Yeomanry Force 1794-1914”, all of which were published between 1980 and 1992.

It now seems I may have discovered another 54mm yeomanry figure seemingly inspired by Bob Marrion’s illustrations from this series. This figure could be said to have been hiding in plain sight, being still freely available for sale from Tradition of London! The figure is of a yeoman from the Duke of Lancaster’s Own Yeomanry.

Officer, Duke of Lancaster’s Own Yeomanry by Tradition of London.

Number 6 book in the series is on the Duke of Lancaster’s Own Yeomanry by L. Barlow and R.J. Smith. Bob Marrion’s illustration of this officer appears on the back cover, alongside a sergeant and a mounted kettledrummer.

The authors state simply that it depicts “an officer in Field Dress in 1900”. The illustration itself is based on a photograph appearing inside on Page 14 showing a Major J. Rutherford wearing the same uniform while mounted.

“Fig. 14. Major J. Rutherford in Mounted Field Dress at Hightown Camp, 1900. He wears the new felt hat and the original pagri is just visible. The 1896 serge frock is worn with Undress white belt and slings and the pantaloons have gold stripes; knee boots. The sabretache with gold ornament, introduced about 1895, can also be seen.”

The pose on Tradition’s 54mm figure is not identical but is very similar and the uniform appears to be the same in all details. There’s no sabretache and sword (not to say any cigarette in hand either), also the stone distance marker on which the officer nonchalantly places his foot has been replaced by Tradition by a wooden box.

Despite all that, I think the clear and unmistakable similarities mean that for me it still qualifies as a newly identified “Marrion’s Man”.

Order placed with Tradition of London! 🙂

Marlburian Men

I am particularly delighted to have a book come through the post recently which is an indispensable guide to the era I’m currently painting. It’s a 2016 hardback edition of C.S. Grant’s “The Armies and Uniforms of Marlborough’s Wars”. This terrific book combines two previously separately released volumes on the topic and – best of all – is lavishly illustrated throughout with line sketches and lots of full-colour depictions of Marlburian-era soldiers by one of my favourite military uniform artists, the now sadly deceased R.J. Marrion (the author’s ‘great friend and collaborator’).

To anyone interested in the War of the Spanish Succession, I can only highly recommend it – if you can find or afford a copy, that is! Although recently published, it seems to be very rare and, from some sellers, hideously expensive. For an era whose records of military uniforms are sketchy at best, it is proving extremely useful to tap into Charles Grant’s ‘many years of research’ with this beautifully presented book.

I’ll be honest here, it didn’t come cheap but I think is worth every penny and is an essential help to one of my 2020 projects – wargaming the Marlburian Wars.

Yes, wargaming isn’t something I’ve ever done before but I’ve been steadily looking into it with a view to trying some solo games. I’ve already invested in a green baize table cover for the landscape and also secured some ‘buildings’. The intention is to explore putting my 1/72 scale Lace Wars figures into use on the wargaming table. This will be a slow-burn process involving steady research and development, specifically requiring:

  • developing my understanding of wargaming and how it works!!!!!
  • developing some Marlburian-era rules through research on the period
  • developing the armies themselves by painting the figures (1 regiment (Sankey’s) completed so far!)

Of course, I’ve plenty of other figures from different eras I could use for skirmishes, etc, but my Lace Wars figures are the first being developed with wargaming specifically in mind and this has already led to some development on the bases;

Grenadiers of Sankey’s Regiment – now with decorated caps!

By grouping the bases together instead of individually (I’ve grouped them in groups of 4, 2 and singles), it will facilitate rapid deployment and movement during the game, the individually based figures allow for any casualties/losses to be reflected on the table… Apologies to wargamers – this is all new to me!

So my first regiment is virtually completed. The British army is already represented by the above Sankey’s Regiment which consists of 24 figures including 2 sergeants, an ensign and an officer. I’ve deliberately used a simple, plain, green grass scatter on the bases to help reduce shedding of the grass through wargame use, and also to better match my dark green baize which they’ll be marching across.

The flag was a real pain to paint! I love the sculpting but trying to understand the fold of the flag and then reflect that fold with the painted cross of St. George resulted in a number of repaints. The end result is still not right but I’m sticking with it!

Given that the Act of Union was in 1707, British regiments at this time were for some time represented by either English or Scottish flags instead of the Union flag. So I have shown this English regiment carrying the cross of St.George into battle. The other regimental flag, the colonel’s colour, was much more open to individual interpretation often with any colour background and a design of the colonel’s own choosing.

I’ve already started on the other half of the box of Strelets’ advancing infantry by depicting a Scottish regiment – more on that in a future post!

Marrion’s Men #5: Officer, Yorkshire Hussars

Last year, I complained in a post about my inability to source another R.J. Marrion-inspired yeomanry figure after being comprehensively outbid on an auction site for one. The bidder fortuitously – or perhaps graciously – withdrew their winning bid and the figure came into my possession.

After making such a terrible fuss back in September over acquiring it in the first place, I thought it about time to finally commit some paint to the figure. So here he is, mounted on a plinth in the same manner as the rest of my Marrion Men.

About the uniform:

The figure is based on an R.J. Marrion illustration on the front cover of “The Yorkshire Hussars” by L. Barlow and R.J. Smith. This was the third edition of the Ogilby Trust series, “Uniforms of the British Yeomanry Force 1794-1914”. This man is described in the footnotes as being an ‘Officer, Undress, 1852’.

I have a 1846 print of an officer of this regiment displayed in the house. It displays the officer in his Full Dress finery, quite a contrast to the plainer Undress version that I’ve painted.

Detail from my 1848 print of an officer of the Yorkshire Hussars by Henry Martens.

The Undress uniform worn by my figure was first adopted in 1834. Barlow and Smith describe it in these terms;

Officers adopted a new Undress frock coat in 1834 (shown on the front cover). It had a roll collar and 6 black olivets down the front, two at the waist behind and two cloth-covered buttons at each wrist. It was worn with a crimson waistcoat showing at the neck…and, after 1850, with a scarlet, silver braided waistcoat.

In quarters, and when the men were in stable orders, only the crimson and gold Hussar sash was worn with this garment; when on duty, the Full Dress pouch, sword belt (worn under the sash) and the black sabretache were worn.

Barlow and Smith also describe the overalls being adopted at the same time;

In 1832 new cloth overalls of a dark grey mixture — the shade being practically black — were issued, with a single broken bias lace stripe for the officers, and white for the men.

Some further changes occurred around 1850. Although “the same Undress frock coat and overalls were worn as in 1834”, the cap was now as seen on my figure. Barlow and Smith;

A scarlet cloth forage cap with 1 and half inch silver Granby lace band and the York Rose in outline in triple silver braid on the crown.

I think my cap looks more crimson, than scarlet… but never mind!

Barlow and Smith again;

The dress pouch-belt was worn with a black patent leather pouch, the flap edge of which was bound with silver, with a silver York Rose in the centre;

Originally, not paying close enough attention to the text, I painted my ‘black patent leather pouch’ in red blindly following the inaccurate example of another painted version of this figure which I found on the internet. I’ve now corrected it using “glossy black” for the patent leather, which is maybe a tad too shiny?

…the sabretache was plain black, with a silver Rose; slings and sword knot of black leather.

So here’s how the figure compares to Bob Marrion’s illustration:

These ‘Marrion Men’ are as rare as hen’s teeth, it seems, though I try to keep scouring the auction sites for examples. Until and if any more appear, this Yorkshireman remains the last of my Bob Marrion tributes. Other figures in the series can found here;

Another Marrion’s Men post…

You’ll never guess what came through the post today. A couple of weeks ago, I complained about missing out on eBay on a Dorset Miniatures 54mm figure, another one for my “Marrion’s Men” series of yeomanry.

Marrion Yorkshire Hussar (3).JPG

Having been outbid, I was surprised to see the same figure quickly re-listed. Presumably, the original winner found themselves unable to commit to the purchase for some reason. I’m delighted to confirm that I subsequently won the figure – all of which makes for a happy me!

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So, I’ll be painting up this 1852 officer of the Yorkshire Hussars at some point. In the meantime, the lack of any finished figures appearing on this blog of late is not down to a total lack of endeavour on my part. Those Pegasus’ French WWI infantry are proving incredibly time-consuming. I’m creeping forward with them, so more on those whenever I finally get something worth sharing…

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Missing out on another Marrion Man…

I’ve some news of another Robert Marrion related figure which appeared on eBay recently. This was a superbly sculpted figure based upon Marrion’s illustration from the cover of “The Yorkshire Hussars”, the 3rd volume in the series “Uniforms of the British Yeomanry Force, 1794-1914”.

Yorkshire Hussars

The man that it is based upon appears fourth from right on the cover below;

Marrion yeomanry yorkshire (3).JPG

It represents an officer of the Yorkshire Hussars appearing in Undress from the year 1852.  He wears a scarlet cloth forage cap and an Undress frock coat and overalls from the same period depicted in my recently purchased 1844 print of the regiment by Fores. There appears to be a little flash to be removed from between the legs.

yorkshire-hussars-marrion.jpg

The rear view is always interesting to see revealed on such figures because that’s the view of the illustration I never get to see from the cover of a book. The pouch on the back would have been black patent leather with a central silver York rose. This rose motif also can be just seen on the sabretache.

Yorkshire Hussars2

I would have dearly loved to let my brush loose on those luxurious whiskers and characterful face…

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But I was outbid once again.

It is apparent that there is a particularly wealthy collector on eBay with a passionate interest in collecting lots of 54mm metal figures (apparently winning over 160 such figures every month)! Ah well, his win at least engenders a sigh of relief from my own sorry and beleaguered current account. Hopefully, the victor will find much pleasure in his purchase.

This well-heeled chap also comfortably outbid me for another Marrion figure a few months ago, this officer of the Sussex Yeomanry:

Sussex got away

That other figure collector is saving me a lot of money, but I confess to being a trifle downcast at my inability to source any more Marrion’s Men. I’ll of course keep looking for more but I wonder whether I shall be painting any more in the foreseeable future with such a formidable rival bidder on the scene!

Return of the Lost Sharpshooter

Using time off over the Bank Holiday period, I was emptying out some old magazines when I made a wonderful discovery. Let me explain…

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About two years ago, my parents handed me a small metal figure in a little plastic bag which they had discovered deep in their loft. Knowing that it was probably one of my old model figures from my childhood, and furthermore well aware that I’m always painting soldiers nowadays, they brought it over.

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ÂŁ1.50? I certainly have had it a very long time…

It was a 54mm figure from Dorset (Metal Model) Soldiers Ltd, which I presume is the same company still going today but under the name The Dorset Model Soldier Company. I guess I must have purchased it from a Victorian Military Society fair in the mid 1980s. The bag also contained a square wooden plinth and a little green baize to mount it on. The figure was from a series called “Armies of the World” and represented a Trumpeter in Drill Order from the 3rd County of London Yeomanry (Sharpshooters) during the period 1902-1907.

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Men of the 3rd County of London (Sharpshooters), c.1902. Note the Trumpeter in Drill Order, far right – that’s the very man who literally inspired my figure!

I was particularly pleased to rediscover this figure as Yeomanry is a great interest of mine. Having (naturally…) the entire fifteen books from the terrific Ogilby Trust series; “The Uniforms of the British Yeomanry Force 1794-1914″, I pulled out my copy of the 5th book in the series on said regiment to do some research.

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There on the cover was the very figure I was researching – and, what’s more, in exactly the same pose! I guessed that the sculptor must have used the excellent Robert J. Marrion image on the far right of the cover as a guide, such is the similarity. Furthermore, the illustration in kind must have been based upon the trumpeter seen in the above photograph.

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Illustration and figure clearly resembling one another…

Finally, the figure came with a hand-written painting guide which, confirming the inspiration behind it, indeed recommended that for further details and colours I should see “No.5 in the series “The Uniforms of the British Yeomanry Force 1794-1914”.

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“C Squadron riding out in Field Service Dress at Bisley Camp in 1904.” The mounted Trumpeter (centre) is sounding a call.

And then it was lost.

Gone. Disappeared. Vanished. The figure was last seen in a generic plastic bag. I threw the bag out but took care to remove the figure first. I’m sure I did. Didn’t I? All that remained was the little wooden plinth that the figure would have been mounted on. I searched everywhere for the figure, fruitlessly turning the house upside down for days. Appalled, I finally became convinced that I must have thrown it out by accident. Two years passed by…

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…Until I discovered it yesterday! It turned up secreted at the bottom of a magazine rack. Heaven knows how or why it got there, and how it evaded my searches for so long. Now it has returned, I’m tempted to finally have a go at painting it. Heaven knows, I’ve got enough on at the moment, so it may be a little while yet before I make a start.

sharpshooter lost

Trouble is, not only have I already clumsily broken the plume off (hastily re-glued), but I am now unable to locate the wooden plinth which ironically has possibly been thrown out after the figure was given up as lost. Never mind; I’ll fashion a replacement!

I now want to end by saying some words about R.J. Marrion, the artist who inspired the Trumpeter figure and illustrated for the entire British Yeomanry Force series. Bob Marrion was a former police officer, firstly a dog handler and then latterly, after injury, a police draftsman. He illustrated dozens of books and articles on the subject of military uniforms including the entire Ogilby Trust series on the British Yeomanry Force.

 

 

Sadly Bob Marrion passed away in 2015 to the great regret of many with an interest in and appreciation for military history, uniforms and artworks.

From Carryings on up the Dale blog:

From French Revolutionary Wargames blog;

From Planet Figure forum:

Tantalisingly, from this forum it is suggested that in the 1970s Bob Marrion even sculpted, or at least designed, his own Victorian-era figures under the name Olive Figures. Something to look out for, perhaps?

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So painting this figure becomes, perhaps, a kind of belated personal tribute to the late Bob Marrion and his essential contribution to the hobby. What more appropriate way for me to do this than bringing to life a sculpted manifestation of one of his illustrations? Having not painted anything greater than 28mm, 54mm scale is something very different and so should be an interesting challenge.

Currently, I’m still finishing off the Zvezda Saxon Cuirassiers, which should be definitely finished some time this week, I reckon. After that, following what has been over 3 decades of being lost and found, I’d say it’s about time this lost sharpshooter – one of Bob Marrion’s artistic visions – was finally brought to life!

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