In the meantime, as the shocking Storm Dennis rages outside it is at least an opportunity to add some paint to those War of the Spanish Succession horses which arrived from Irregular Miniatures some weeks ago.
These are first metal 20mm figures I’ve ever had the pleasure to paint, so I’ll have to see how the riders go. It’s also a toe in the water for some other classic metal 20mm figures which I’ve received.
Right – I’d better nip outside now and check for any storm damage…!
“This regiment was formed in 1881 and adopted the name of “Princess Charlotte of Wales Regiment”. In 1885, the regiment was granted the title of “Royal” in recognition of the service of the 1st Battalion at the action of Tofrek in 1885. The drawing depicts a private of the old 66th Foot in the uniform of 1855.“
Number 13 of 25 from “British Uniforms of the 19th Century” – a cigarette card series issued by manufacturer Amalgamated Tobacco (Mills).
“This regiment was raised in 1689. In the Royal Warrant of 1713 it was described as the “Royal Regiment of Welsh Fuzileers”. The present form of spelling “Welch” was adopted in 1920. The drawing shows a fusilier in 1849.”
Number 12 of 25 from “British Uniforms of the 19th Century” – a cigarette card series issued by manufacturer Amalgamated Tobacco (Mills).
Queen Vic-straw-ia and her Grainadier Guard, my family’s submission to a local village scarecrow-making competition is complete and ready for the crowds of people that visited the displays last year. My wife and daughter created Her Majesty (a very fine job indeed, I’m sure you’ll agree) and I made the guardsman (naturally enough).
In my last post I had finished making the head out of papier mache. Next, I stuffed his uniform with straw and stuck his head to a cardboard tube.
For a belt, I’ve stuck some white paper on to one of my old belts. I notice that the buttons on my uniform are grouped in threes which therefore makes it a Scots Guard! No plume is worn by that regiment, just a bearskin, so that made it easier for me.
For the rifle, I’ve borrowed some (toy) military hardware from the young son of a friend – on the understanding that it is returned to him in the same condition. So, as some temporary modifications I’ve used some brown paper to cover what was a bright green plastic stock. I’m intending to make it less like a lime-green Space Marine’s assault rifle and a tiny bit more like a .303 Lee-Metford or Short Magazine Lee Enfield. The orange end of the barrel seen in the photos above I’ve since covered in black tape.
The hands were a late addition. I was hoping for skin coloured marigolds or maybe white gloves but they’ll have to do. A couple of sturdy wooden poles up the legs and hammered into the ground will, I’m hoping, keep the whole thing upright and standing to attention!
Wait a minute – what’s this just around the corner from our pitch…?
Goddammit! Another one! And we’re gonna need a bigger bearskin! I’m seeing four buttons on the tunic and yet there’s no blue plume? Pah! Clearly these amateurs don’t know the Irish Guards uniform very well… 😉
As a final flourish, I’m planning to play “Soldiers of the Queen” on repeat from my military band music collection. Hopefully, Queen Vicstrawia and the Guardsman might even attract a few votes from the visitors to the competition? Wish us luck!
“The Durham Light Infantry was formed by the linking of the ’68th Foot or Durham Regiment’ with the 106th Bombay Light Infantry in 1881. The 68th Foot became a Light Infantry Corps in 1808. The drawing portrays a Private of the 68th in 1846.”
Number 11 of 25 from “British Uniforms of the 19th Century” – a cigarette card series issued by manufacturer Amalgamated Tobacco (Mills).
“The Gordon Highlanders were formed in 1881 by the amalgamation of the 75th Stirlingshire Regiment and the 92nd Highlanders. The Duchess of Gordon played an active part in the recruiting of the regiment by bestowing a kiss on each intending recruit. The drawing depicts a private of the regiment about 1840.“
Number 10 of 25 from “British Uniforms of the 19th Century” – a cigarette card series issued by manufacturer Amalgamated Tobacco (Mills).
After painting a group of Strelets British Line Infantry standing at ease earlier this year, I received some very kind feedback from my friend, diorama supremo Pat who challenged me to use some of the remaining figures to produce some men of his favourite regiment; the 95th Rifles.
The 95th are, of course, instantly recognisable in their green uniforms. I’ve had to make changes to account for differences between the line infantry and the rifles. Pat will no doubt be able to correct me if I’m wrong anywhere here but my adjustments have included the following;
With no white bars across the coat, there should be just three lines of buttons which because of accoutrements will barely show at all.
Cuffs are far simpler for the Rifles, being black with white edging.
The Baker rifle is shorter than the Brown Bess musket and, where I could, I’ve cut the musket down to size a little.
The badge shows a Light Infantry bugle which I’ve, very roughly, approximated on the shakos.
It is the first time I’ve painted the 95th in their Napoleonic guise and I just hope they meet with Pat’s approval!
Also ready to join their standing comrades finished from last month, I conclude with two officers and an NCO of the 37th (North Hampshire) Regiment.
I haven’t taken fussed at all over the flag, simply slapped some paint on it to resemble a British Napoleonic regimental version.
And finally, men of the 37th and the 95th standing together:
“The Coldstream Guards Regiment was formed in 1650 as a unit of the Commonwealth Army. It was the only Regiment of the Parliamentary Army that was not disbanded at the Restoration in 1660. The illustration shows the uniform worn by Sergeants in 1832.”
Number 8 of 25 from “British Uniforms of the 19th Century” – a cigarette card series issued by manufacturer Amalgamated Tobacco (Mills).
When this Regiment was raised in 1685, it was designated “Princess Anne of Denmark’s Regiment”. The title was changed when George I came to the throne, this time to “The 8th Foot”. The drawing shows a Sergeant wearing the uniform of 1828.
Number 7 of 25 from “British Uniforms of the 19th Century” – a cigarette card series issued by manufacturer Amalgamated Tobacco (Mills).
In the process of painting some more Crimean War personalities, I’ve been particularly concentrating on a specific character who, though unnamed on the box artwork, bears an unmistakable resemblance to the 7th Earl of Cardigan.
Strelets’ “Into the Valley of Death” set dedicated to the Charge of the Light Brigade was purchased about 5 years ago and the figure in question is wearing the uniform of a hussar. Given the set’s topic, this means that it must belong either to the 8th (King’s Royal Irish) Hussars or 11th (Prince Albert’s Own) Hussars.
Plastic Soldier Review feel they can identify him – “The [figure] could well pass for Lord Cardigan, the man who actually led the charge.” There’s certainly a strong resemblance. The Light Cavalry Brigade’s commander was Major General James Brudenell, the 7th Earl of Cardigan of the 11th Hussars.
Arriving some months after the Battle of Balaclava, photographer Roger Fenton took some images of officers of the 11th Hussars, survivors of the charge, but not of the Earl of Cardigan himself. Below are his images of Cornet Wilkin and Lt. Yates of the 11th. Also below is Fenton’s famous image he titled “The valley of the Shadow of Death” itself, a gulley strewn with spent cannonballs.
So anyway, who’s Ronald?
That’s Ronald above, Cardigan’s charger shown as a small detail in Caton Woodville’s painting of The Charge. He was a thoroughbred chestnut gelding coincidentally sharing the same russet-colour as his owner’s ginger whiskers. Ronald was the horse that led the Charge of the Light Brigade, over 670 men (and their horses), into – and out of – the ‘valley of death’.
As with his aristocratic rider, Ronald was indeed incredibly fortunate to survive having ridden at the very head of the brigade right into the teeth of the Russian artillery position, escaped from being surrounded by Cossacks, and then returned all the way back again unscathed. Of the famous charge, a shocking 475 other horses failed to do the same. Furthermore, he should be considered very robust for even surviving the trip over to Crimea by troop ship (many horses did not), and then making the same arduous journey back home again.
Ronald continued to prove particularly durable, managing to enjoy life until 28th June 1872, nearly 18 years after Balaclava and a full four years after the passing of his master. There are, it seems, a number of tributes to Ronald on the web. Including:
Of his many depictions, I’ve based my painting of Ronald on the Alfred Frank de Prades portrait. This shows Ronald to have markings consisting of two white ‘stockings’ and one white ‘sock’, although other portraits I’ve seen occasionally differ. I do know (thanks to the perfect preservation of his head!) that he had a star on his forehead and a snip near his right nostril, all of which I’ve been careful to try and reproduce on my own little tribute in 20mm figure form. Strelets horses certainly aren’t their strongest feature (the leg positioning on this figure isn’t quite right, I feel), but otherwise it’s not too bad a sculpt.
The Earl of Cardigan himself is a pleasing figure, I think, and Strelets have captured something of his features and ornate uniform. I’ve used a darker red than I commonly use to achieve the cherry colour of his busby bag and overalls, a feature unique to the 11th Hussars which gave rise to their nicknames “The Cherry Pickers” and “The Cherry Bums” or, for when ladies were present, “The Cherubims”!
On Cardigan and Ronald’s return to the Brudenell home in Deene Park, it became apparent that their adventures had found them considerable fame and both were greeted as heroes by the thronging crowds. Such was the fervour that many tried to pull out poor Ronald’s hair for a keepsake as he passed! A well-deserved long retirement for Ronald ensued until the Earl of Cardigan passed away in 1868, at which point his famous steed was required to follow as part of the cortege. However, it seems that the old war horse very nearly didn’t make the funeral procession thanks to a very comical series of mishaps:-
“However, the old horse, having endured ghastly sea journeys, life on the foreign front, the atrocity of battle, near starvation and probably deep terror, found the whole prospect of a funeral procession far too exhilarating and became boisterous. To avoid the solemn pageantry of the day being ruined by the over-excited horse, they administered laudanum. But, in the heat of the moment the dose must have been inadvertently overdone, for then no one could move the dozing charger. Eventually an inspired individual called for the sounding of the cavalry charge. Stirred to duty, Ronald jumped into wakefulness and set off as required.”
Such was the affection felt for Ronald by the Brudenell family and the British public that, when he did eventually die, the Brudenells preserved his head and tail which continues to be displayed at his home in Deene Park, Northamptonshire. His hoof was turned into an inkwell (a popular tribute for beloved horses of the time) with a sculpture of him and his master atop.
To me, it has sometimes seemed that some of Tennyson’s famous lines on the men of the Light Brigade could have equally applied to the brave horses like Ronald who suffered so much in the charge, dutifully carrying their riders through hell:
Theirs not to make reply, Theirs not to reason why, Theirs but to do and die.
I’ve handful more ‘personalities’ I’m working on, which I’ll doubtless share in due course.