I need to talk about Christmas. I know – it’s far too early to do that, but I need to make some preparations, you see? A feature of the season, for Suburban Militarism at least, is the tradition of painting some suitably seasonal soldiers to parade on the mantelpiece among all the tinsel, Christmas cards and decorations.
In previous years, I’ve exclusively painted soldiers from Revell’s Austrian Infantry of the 7 Years War. These troops have been painted purely for decoration in bright colours and the seasonal army so far consists of two infantry regiments. The 1st Noel Regiment of Foot were the first figures I produced some years ago. The Yule Grenadiers followed a couple of years ago. I’ve been quietly adding a handful of men to each of them each Christmas time.
This year, I thought I’d expand the seasonal army with the addition of another arm; the cavalry. Using Revell’s 7 Years War Austrian Dragoons and Prussian Hussars, I am creating the beginnings of two Christmas cavalry regiments;
The Christingle Dragoons
The Carolling Hussars
For the past week, I’ve been working on four figures from the Carolling Hussars using Revell’s Prussian Hussars. The uniform I’ve chosen is based upon a real regiment, the Puttkamer Hussars of the Prussian army. Originally named the White Hussars, they took on the name of their colonel Georg Ludwig von Puttkamer (who was subsequently at the brutal battle of Kunersdorf).
I thought the Puttkamer Hussar’s all-white pelisse looked suitably wintry for my seasonal hussar regiment. For the ‘light blue’ dolman and overalls, I selected the colour turquoise. To add a little festive cheer to that all-black Mirleton headgear, I’ve glued on a little piece of tinsel!
I haven’t painted Revell’s Prussian Hussars of the 7 Years War before now. They are as finely sculpted as other Revell cavalry I’ve painted such as the Napoleonic Life Guards.
Finally, as with all my other Christmas figures, I’ve depicted them riding in snow (…deep and crisp and even)! My 11-year-old daughter has previously designed flags for both the Yule Grenadiers and the 1st Noel Regiment. On seeing my Carolling Hussars, she immediately requested that she design their colours too. To do this, I might need to attempt a conversion of one of the figures (not a skill of mine!), as Prussian hussars didn’t carry colours into battle during the 7 Years War and therefore don’t appear in Revell’s kit.
With Advent looming, I’ve already begun four more figures for the other Christmas cavalry regiment; the Christingle Dragoons. More on those figures soon. Hopefully, they should be ready in time to take their place on the mantelpiece here at Suburban Militarism, alongside hand-picked representatives of the Carolling Hussars, the Yule Grenadiers, and the 1st Noel infantry.
Who once said “Christmas isn’t Christmas without model soldiers”? Well, it might have been me…
Finding myself in Norfolk for a couple of day’s holiday, I took the opportunity to visit the Muckleburgh Collection near Weybourne. Situated right on the north Norfolk coastline, it is the site of a former military camp dedicated to training anti-aircraft personnel. This privately owned museum today houses many impressive exhibits of 20th century artillery, armoured vehicles, heavy tanks and missiles, etc.
But it also contains the largest collection of exhibits from the Suffolk and Norfolk Yeomanry and, eschewing much of the modern military hardware on display, it was this collection that (unsurprisingly) attracted Suburban Militarism for a brief visit.
In preparation for the visit, I referred to two books in my possession; Volume 12 of the “Uniforms of the British Yeomanry Force” series on the Norfolk Yeomanry, and the excellently written 2012 book “The Loyal Suffolk Hussars” by Margaret Thomas and Nick Sign.
The gallery was a wealth of information and exhibits. It was unfortunate, however, that many of them were grouped behind a large glass partition in a separate area. The lighting was good however and one had to admire at a slightly greater distance than this military history nerd would have liked.
The Norfolk Yeomanry had an intermittent history, coming in and out of existence a number of times since its establishment. Forming and reforming thereafter in various guises until finally disbanding in 1867. It was not until after the Boer War in 1902 that the Norfolk Yeomanry was again re-raised as the King’s Own Royal Regiment. This was thanks in no small part to the keen interest and patronage of His Majesty King Edward the VII, the regiment’s own honorary colonel.
Such influence enabled it to resist the encroachment of khaki and also saw it involved in a number of prestigious royal escort duties. This re-raised KORR had a unique and attractive full dress uniform which included this glorious black-japanned helmet with a warm yellow falling plume, an ordinary ranks helmet that I found on display. Within the partitioned area, I later spied an officer’s version of this helmet with a central star inside the laurel wreath. To the left of the photo below can just be seen some yellow cord aiguilettes, possibly used by a bandsmen of A Troop.
The distinctive yellow facings could be seen on displayed mess jackets and also on an unusual lancer-style coat with this stark yellow plastron with Full Dress pouch (left). This unusual Levee Order tunic featured laced facings was worn between 1903-1914. The mess jacket on the right partially conceals an intricately ornamented cream mess vest underneath.
The Norfolk Yeomanry for a short time (1901-1904) switched to this Colonial Pattern helmet with a brass spike. Ordinary ranks had a plain drab pagri wrapped around the helmet, while officers were distinguished by a blue version as seen in the helmet I discovered below.
Unlike their northern brethren, the Suffolk Yeomanry managed to more or less maintain a constant presence since its inception, in part relying on recruiting additional troops from neighbouring counties whose yeomanry had disbanded, such as Norfolk. By 1855, the title of “The Loyal Suffolk Yeomanry” was in use, with the adopted uniform being of a rifle green hussar style uniform to match (see below). This later became navy blue with red facings, a colour which would also appear on their caps.
Examples of their busbies (red bags and white plumes) were displayed, together with officer’s epaulettes and undress headgear such as the red coloured pillbox and field service caps. The yellow cap seen below with the GviiR cypher is of the Norfolk Yeomanry.
Some of the most interesting helmets on display were the behind glass partition. These included a Tarleton in fine condition from the green-coated Norfolk Rangers (c.1789), a helmet of the Swaffam Troop missing its crest and badge (c.1798), an officer’s imposing bicorne hat, and three fine Suffolk Yeomanry Cavalry helmets from around 1815 (centre left photo).
Always a pleasure to discover interesting artworks and images on the walls of a collection, aside from the large canvas already mentioned, some others that caught my eye included these below.
Left: An oil painting of the Suffolk Artillery Brigade Militia parading with their artillery pieces just visible lined up in the background.
Right: A fine watercolour of the King’s Own Royal Regiment (Norfolk Yeomanry) in camp around the turn of the last century.
Also, these interesting images of:
Norfolk Volunteer Artillery mounted on a limber, photographed on Mousehold heath, 1895.
A very old pencil sketch of the ‘favourite charger of Major Edgar’ (Colonel of the Suffolk Yeomanry), found in a local market.
A number of accoutrements caught my eye including a fine brass pouch belt buckle of Norfolk’s Clackclose Troop of Yeomanry Cavalry (1796). Some of the exhibit labels confused me though; the labels for the Norfolk Yeomanry and the 3rd Norfolk Rifle Volunteer Corps belt buckles below appear to have been mixed up!
A visit to a yeomanry collection is incomplete without seeing some ornate sabretaches and this collection had plenty to view. The red Loyal Suffolk Hussars sabretache developed to include a reference to being the Duke of York’s Own. Other examples included the Suffolk Borderers (bottom left) and the Norfolk Light Horse (centre bottom) which were a mounted corps developed out of the Rifle Volunteer movement in 1860 and which lasted until 1867.
Finally, a particular interest of mine of late is the colourful and decorative yeomanry bands and it was pleasing to see the Norfolk Yeomanry’s own represented in the form of yellow cord aiguilettes, two drum banners and a pair of gilt embossed kettledrums. Note the portrait of an Norfolk Yeomanry officer wearing that Levee Order dress uniform mentioned earlier (left).
On a very final note, your reporter was delighted to find in the collection a whole separate room of model soldiers, more on this perhaps in another post…
It’s been a long while since I showcased some of my Strelets Crimean War range, so I thought I’d dig some out.
The Chasseurs d’Afrique (aka the “Chass d’Af”) featured memorably at the Battle of Balaklava, assisting the charge of the Light Brigade by clearing the Fedyukhin Heights of Russians.
As with many Strelets figures, the sculpting is an acquired taste. The figures have lots of life and character to them, but undoubtedly lack the finesse and anatomical accuracy of some other manufacturers, particularly with the horses, I think.
Furthermore, these were painted about 4 years or more ago, about the time I really took up figure painting properly as a hobby, rather than the occasional rough daubing of paint I had been doing. So my painting was still very much evolving at the time I painted these and I think it shows.
Strelets always have my gratitude for covering the Crimean War conflict in such detail and these Chasseurs d’Afrique make for a wonderful addition.
As the finishing touches were applied to my Perry Miniatures hussars, I discovered an interesting fact. The regiment that I have painted, the 19th Hussars, were known by the nickname of “The Dumpies”. Apparently, this was an unflattering reference to the below-average height of men in the regiment.
With its origins as an Indian army regiment (the 1st Bengal Light Cavalry), regulations concerning height restrictions were more relaxed than in other British cavalry regiments. As a consequence, the greater proportion of shorter men in the regiment earned them the nickname ‘The Dumpies’. Being a chap of shorter stature myself, this sounds like exactly my sort of regiment!
It seems that the 19th Hussars might have also acquired a more inspiring nickname; “The Terrors of the East”. At a mere 28mm in height, I personally think that “The Dumpies” is a name perfectly suited to my three hussar figures.
There are still nine more hussar figures in this range available from Perry Miniatures, Six of them feature more dynamic poses (charging) and the remaining three include a trumpeter, an NCO and an officer. I fully intend ‘at some point’ in the future to purchase these too and add them to my other ‘dumpies’.
As for my next painting assignment which I’ve been making plans for – all will be revealed in a forthcoming post…
It’s been a sad weekend for me. Receiving the news that my beloved 1-year-old cat Morris had been sadly hit and killed by a car, was a real blow. We shared a close bond, he and I, and I’ll sorely miss the little chap. I loved his comical ways, even when as a kitten he mounted a surprise sortie and captured and ran off with some of my plastic soldiers!
At such times, I find my hobby can be a welcome distraction and a consolation. Indeed, through these sad circumstances, I’ve nonetheless managed to carry on and progress with my 19th Hussars. I also managed to find some more depictions of the regiment rooting about my cigarette card collection, including (left) this fine illustration of the regiment’s Kettle Drummer issued by Gallaher in 1898 and (right) a corporal of the 19th Hussars from a collection called “Soldiers of the King” issued by Ogden’s in 1909.
On the 1898 card it can be seen that the 19th were known as Princess of Wales’s Own, yet by the time of the Ogden’s cigarette card issues they had become the Queen Alexandra’s Own Royal Hussars, following her husband King Edward VII’s accession to the throne after the death of Queen Victoria.
Back to the figures – below are a few photos to show the results of my progress. It’s difficult to see clearly on my photographs but I’ve tried to recreate the key dress features particular to this regiment, such as the yellow lines on the white bag on each busby. There are no plumes on these fellows who appear sculpted more ready for battle than parade!
The horses are now primed and awaiting the first lick of paint. An update of their development to follow…
Continuing my report on the Somerset Military Museum, I’d like to showcase next some of the splendid yeomanry uniforms on display. Mounted volunteers were often amongst the most attractively dressed forces in the British army, being less subject to the more practical uniform concerns brought about by foreign campaigning. Examples of Somerset Yeomanry dress on display included;
(Left) North Somerset Yeomanry cavalry, officer’s coatee, c.1843.
(Right) West Somerset Yeomanry cavalry, officer’s coatee, c.1812.
North Somerset Yeomanry, Officer’s coatee c.1843
West Somerset Yeomanry, Officer’s coatee, c.1812.
The coatee featuring a red plastron belonged to The North Somerset Yeomanry. This force was first raised in Frome in 1798, merging with The East Mendip Corps in 1804, and designated the North Somerset Yeomanry Cavalry in 1814. By the 1880s, the regiment was designated as a dragoon regiment.
The West Somerset Yeomanry was first raised in June 1794 as an independent troop at Bridgwater. In 1812, they were wearing this Light Dragoon style jacket intricately laced with gold braid. Their headdress at the time would have been Tarleton helmets. By the end of the century, they would have been converted to Hussars.
One of my very favourite items of headdress was the dragoon-style helmet worn by the Mudford Independent Yeomanry Cavalry a Taunton troop that was disbanded in 1838. Of a steel and brass construction it had a black crest and a Royal Coat of Arms on a sunburst plate. This troop of yeomanry was involved in suppressing the Reform Riot of 1831 then taking place in the town of Yeovil.
“The Mudford Troop of Yeomanry, under the command of Captain George Harbin of Newton Surmaville, assembled the following morning. The rioters were threatening to sack the town and pelted the Yeomanry with stones and other missiles. However the Yeomanry arrested two of the mob and took them to the Mermaid Inn where the magistrates were assembled. The Mermaid Inn was attacked, windows broken, and the rioters attempted to rescue those that had been arrested. Consequently the Yeomanry were instructed to fire “four in the air, and two at the rioters”. One of the rioters was wounded and the crowd dispersed although the Yeomanry had to provide constant patrols to keep the streets clear and maintain order….
Such were the occasionally unglamorous duties of Yeomanry during the 1830s. Being a volunteer force, their lack of experience might be seen to have contributed to an unfortunate incident during the riot where it was noted that;
One of the Yeomanry, a Trooper named Charles Cattle, accidentally shot himself in the leg.
The two scarlet coatees below are examples from the Mudford Troop of Yeomanry. The one on the right is a Sergeant-Major’s coat and the example on the left belonged to Captain Harbin who originally raised the troop.
The display of Yeomanry equipment was comprehensive enough to include artefacts relating to their horses too. The museum has this 1873 painting by John Alfred Wheeler of ‘May Queen’, a very fine steed belonging to the Bath Troop of the North Somerset Yeomanry Cavalry.
Items of horse furniture in the above painting could be compared to some real ones on display. In the bottom photo below can be seen an example of the white throat plume.
(top left) An officer’s white gauntlet gloves, spurs, pouch (with George V cypher) and shoulder belt,
(top right) North Somerset Yeomanry sabretache
(bottom) Yeomanry horse tack including decorative ear and bit bosses, a brown leather bridle with white throat plume, also a ‘bit’ with curb chain.
That doughty chronicler of the late-Victorian era British army, Richard Simkin, depicted the Somerset Yeomanry regiments at the turn of the century (then combined into the ‘4th Yeomanry Brigade’) thus;
Simkin’s painting shows clearly the different styles of headdress adopted by the two Yeomanry regiments; the West Somerset were dressed as hussars, and the North Somerset dressed as dragoons. Both styles of headdress were also on display in the museum (see below).
Below Left: North Somerset Yeomanry officer’s full-dress dragoon helmet, 1851-1914. (Also visible – an officer’s pill-box forage cap 1880 -1904 can be seen behind and to the right. This style of cap can be seen in Simkin’s painting too.).
Below Right: West Somerset Yeomanry full-dress hussar pattern busby, c.1881-1900 (also visible – a North Somerset Yeomanry officers staff pattern forage cap 1956-67.)
And that concludes the part II of the report, leaving a measly one more to go! In the final part will be reviewed the Somerset volunteer infantry forces and also a number of drums…
Italeri have produced a number of very impressive Napoleonic cavalry kits and I’m pleased to have finally tackled their Mamelukes set; possibly one of their best.
It has involved painting a lot of detail in a large range of colours, which in turn has meant a much larger investment in time to produce them. Was it worth it? I like to think so, they are unique in my collection and looks pleasingly colourful.
Whilst it’s taken quite a while to get them painted, but the sheer exotic value of their turbans, scimitars, etc, etc, has kept me going.
The Mamelukes made up a very small force in Napoleon’s cavalry, but the impact of their fame gave them an importance far beyond their limited numbers, and it’s no surprise that Italeri and HaT (amongst other manufacturers) have featured them in their range.
Well, I can now place these figures into the cabinet with the other Nappy Cavalry Project regiments. And that means I can finally get on with packing for my much-needed summer holiday! Until I return, I send my very best wishes to all readers of this humble blog and leave you with the usual regimental biography and photos!
Now, I wonder if there are any regimental museums where I’m going…
Biography: Mamelukes of the Imperial Guard [France]
The word “Mameluke” is an Arabic term meaning ‘property’, indicating the status of Mamelukes as being slaves. Since the 9th Century, the Mamelukes were an influential military caste of slaves which rose to become a power in Egypt eventually ruling as the independent Mameluke Sultanate until 1517, and thereafter ruling as vassals of the Ottoman Empire.
In 1798, Napoleon Bonaparte led his French ‘Army of the Orient’ to invade Egypt to both protect French trade and threaten Britain’s own. The most formidable force in the Egyptian army was undoubtedly the Mameluke cavalry. Equipped in an almost medieval fashion, sometimes including chain mail and iron helmets, they were expert horsemen and swordsmen. Armed with curved sabres of very high quality, they could out-fence most conventional cavalry and were observed to have actually sliced through French muskets.
Napoleon soundly defeated the Mameluke army at the Battle of the Pyramids where he repelled their massed cavalry attacks. The formidable Mameluke cavalry had impressed him, however, as the only effective arm of the Egyptian army. Consequently, on the 14th September 1799, French General Kléber established a mounted company of Mameluke auxiliaries which were soon reorganised into 3 companies of 100 men each known as the “Mamluks de la République”. In 1803, they were again organised into a single company attached to the Chasseurs-à-Cheval of the Imperial Guard.
Whilst the officers were occasionally French, the rest of the force were at various times made up of Greeks, Egyptians, Circassians, Albanians, Maltese, Hungarians, Georgians and Turks (amongst others. All were armed with a brace of pistols; a long dagger tucked into their waist sash; a mace; and later even a battle-axe.
The Mamelukes served in Poland, Spain and in Russia, fighting at the Battle of Wagram and most notably at the Battle of Austerlitz in 1805 where the regiment was granted an eagle and its roster increased to accommodate a standard-bearer and a trumpeter. Service in Spain led to a famous painting by Francisco Goya depicting their charge against the uprising of the citizens of Madrid on 2 May 1808, a massacre which in part led up to the Peninsular War.
In 1813, losses accrued over many campaigns meant that the Mamelukes were inevitably reinforced with Frenchmen who were designated as ‘2nd Mamelukes’. Of the 2 companies of Mamelukes, the 1st was ranked as Old Guard and the 2nd as Young Guard.
On his return to power in 1815, Napoleon issued a decree stating that the Chasseurs a Cheval of the Guard would include a squadron of Mamelukes. It is not known whether they formed a complete squadron at Waterloo, or simply attached themselves as individuals to various units; Mamelukes were almost undoubtedly present, however.
Following the restoration of the monarchy in 1815, there were widespread reprisals against individuals or groups identified with the defeated Napoleonic regime. These included the small number of Mamelukes who were still in the army. Eighteen of them were massacred in Marseilles by vengeful Royalists while awaiting transportation back to Egypt.
The brightly coloured Oriental dress and exotic weaponry of the Mamelukes gave them an influence far beyond the small size of their regiment; an influence felt beyond the battlefield into fashionable society! The Mamelukes loyalty to Napoleon was never questioned and they, fatally for some, became synonymous with him and his empire.
I’ve made some real progress on the Italeri Mameluke figures this past week, the 25th regiment in the Nappy Cavalry Project. These are beautifully sculpted figures, as fine as any other plastic 1/72 set out there.
Though they are a pleasure to paint, it’s been a slower and more complicated process than painting regular forces due to the great variety of colours required and which differ from one figure to the next.
With the exception of the red trousers (saroual) and headgear (cahouk), each figure requires a different colour scheme. Starting each single figure required some wardrobe decisions to be made, I felt like an insecure lady deciding what to wear on a first date!
Hopefully, I’ve made some reasonable choices.
It’s been interesting to paint the unusual accoutrements: the turbans; the daggers; the beautifully curved scimitars; and the pistol holders wedged into the waistbands.
Next for those horses, a task which one might think I’d tire of. I still enjoy painting them, thankfully, and these Italeri horses seem as well sculpted as their riders. Updates to follow in due course. I’m looking forward to painting those arabic saddles. With luck, I might even get the whole regiment finished before my forthcoming summer holiday in July!
Prussian Cuirassiers are a set that I’ve had in my possession for a few years now, a purchase from a closing down sale. Having painted them I can declare that they’re a fine set – although perhaps they’re bodies, and heads in particular, are a little bit on the large side. Plenty of nice crisp detail by Italeri makes for a pleasurable painting experience.
It’s been good to return to Italeri figures once again, and Prussians ones at that. I’ve particularly enjoyed painting something a little different from the other regiments; those bicorne hats and yellow jackets add real variety to my collection.
My ‘head-swap’ officer seems to look okay, although I originally intended to give his arm a twist downwards so that he’s not strangely holding out a piece of paper to his right. I like to think I can get away with it as his arm makes it look like he’s gesturing instead.
The trumpeter meanwhile wears a bicorne with a red crest and a white plume with a red tip, in addition to red shoulder markings:
So after that rather enjoyable kit, I’m wondering which cavalry regiment to tackle next in the project and I confess to being somewhat undecided. Furthermore, I fancy taking a brief break from Napoleonic cavalry; a change being as good as a rest, as they say. There’s plenty of figures of all types lying around and waiting for attention here at Suburban Militarism, so watch this space for developments on that.
So, as is traditional for the Nappy Cavalry Project, here’s a few more photos and a regimental biography of my finished Von Beeren Cuirassiers below!
Biography: Von Beeren Cuirassiers (nr.2) [Prussia]
The 2nd Cuirassier regiment in the Prussian army had its origins in 1666 at a time when early Prussian cavalry was simply designated as being Regiments of Horse (Regiment zu Pferde). Raised variously in accounts by either Colonel Count von Russow or Major-General von Pfuel, it immediately went on to serve in a variety of European theatres: against the French in Alsace; the Swedes in Pomerania; and against the Turks in Hungary.
Garrisoned in Brandenburg, it consisted of 10 companies in 5 squadrons. During the War of the Spanish Succession, it fought in the great battles of Oudenarde in 1708 and Malplaquet in 1709. In the War of the Austrian Succession (1740-48), it fought at the battle of Chotusitz, breaking through and routing two lines of Hungarian infantry regiments. In 1745, it took part in the battle of Hohenfriedberg where it destroyed a Saxon regiment. Later that year, it also broke through enemy lines at the battle of Soor with other cuirassiers and captured the Graner Koppe heights and 22 guns.
By the time of the Seven Years War, the regiment was wearing a tunic of ‘lemon yellow’ underneath its black cuirass, in contrast to the off-white of other cuirassier regiments. It took heavy casualties in the battle of Lobositz but recovered to also take part in the Battle of Kolin where it led the charge of a brigade, scattering several enemy infantry regiments. Later, it was involved in the disastrous Battle of Kunersdorf, losing over 200 men and being routed from the field.
In 1790 came the order that all cuirassier regiments were to abandon the cuirass. However, Von Beeren’s regiment were granted the distinction of retaining their yellow tunics which they had been wearing since at least the time of Frederick the Great. That yellow tunic had earned them the nickname “The Yellow Riders” (‘gelbe Reiter’).
Up until 1806, cuirassier units bore the name of their colonels, also called the Proprietor (Inhaber). In October 1805, Karl Friedrich Hermann von Beeren (1749-1817) became the regimental Colonel in Chief, succeeding his predecessor Generalmajor Schleinitz. As was the custom therefore, the regiment took the new commander’s name and became Cuirassier Regiment Von Beeren (Nr 2).
Armed with the pallash (a straight-bladed sword), Prussian cuirassiers enjoyed greater prestige than other cavalry such as the dragoons, uhlans and hussars. Being heavy cavalry, the men and horses were larger, stronger and were expected to charge en-masse to crush the enemy with their sheer momentum and force.
In 1806, as political tensions with Napoleon’s France were at their height, Prussian Cuirassier officers from the elite Garde du Corps famously inflamed the situation further by ostentatiously sharpening their swords on the steps of the French embassy in Berlin.
However, the woeful state of both staff and tactical organisation in the Prussian army was to be brutally exposed by Napoleon’s army during its subsequent invasion of Prussia. The Prussian cuirassier regiments were distributed throughout the entire Prussian field army – making it very difficult to co-ordinate large-scale, en-masse cavalry charges on the battlefield and greatly nullifying their effectiveness.
During the War of the Fourth Coalition in 1806, Von Beeren’s Cuirassier regiment fought at the disastrous battle of Auerstadt as part of its colonel-in-chief’s brigade (Kuhnheim’s division). After the battle, the regiment withdrew with Blücher’s Corps whereby the majority of the regiment surrendered at Erfurt and Ratekau on November 7. As the regiment was not subsequently re-raised, it effectively marked the end of the regiment. However, seventy men and horses escaped to East Prussia where they went into forming the nucleus of the new 4th Cuirassier regiment.
After the enforced Prussian military reorganization in 1806, cuirassier units were given numbers instead of colonel’s names. In 1808, Regiment Von Beeren had been incorporated into the Brandenburg Cuirassiers. Apparently, their famous yellow tunics were it seems retained and worn for some time thereafter.
No cuirassier regiments were present to see Napoleon’s demise at Waterloo. However, in 1815, Johann Carl Hackenberg watched Prussian cavalry ride through his home town of Elberfeld. This man had particular interest in seeing them as he was an artist who painted in colour all troops from 1813 – 1816. On the 2 February 1815, he observed the Von Beeren successors, the Brandenburg Cuirassiers, ride through the town wearing distinct ‘yellow cuirasses’. So it seems that even 10 years after the regiment’s destruction at Auerstadt, there continued, at least in some way, to be ‘yellow riders’ in the Prussian cuirassiers.
I’m about 80-90% finished on the 16 riders for Italeri’s Prussian Cuirassiers kit. They are certainly nice figures and look splendid in yellow. On the debit side however, the heads are a trifle oversized and the hats always seem to face the front of the body regardless as to whichever way the head is facing – which is a bit weird! To bypass this, I’ve chosen exclusively those figures whose hats are worn on the head at roughly the same angle.
However, I resorted to a drastic head-swap operation for the officer figure. I cut off a trooper’s head and used a tiny section of pin to hold it all in place. I got a bit carried away with a hot pin resulting in – ahem – some slight melting! But I think he looks okay, nonetheless.
Painting my chosen regiment, Von Beeren’s 2nd Cuirassiers, has been an unexpected challenge so far. Firstly, getting the yellow to look bright yet still vaguely akin to a natural fabric colour has been a learning curve. Secondly, some depictions of the regiment show a white crossbelt with red edges; my reproduction of this feature tested my painting skills considerably!
The trumpeter had some variation in details requiring a red crest on his bicorne, a red tip to his plume and some shoulder detailing.
In addition to working on these figures, I confess I’ve been musing on other diversions and topics to explore. Heaven knows, I’ve got enough kits to turn my attention to, should I want to take a short breather from Napoleonic cavalry. More on this perhaps in a future post as my ideas start to take shape…