Last year, I complained in a post about my inability to source another R.J. Marrion-inspired yeomanry figure after being comprehensively outbid on an auction site for one. The bidder fortuitously – or perhaps graciously – withdrew their winning bid and the figure came into my possession.
After making such a terrible fuss back in September over acquiring it in the first place, I thought it about time to finally commit some paint to the figure. So here he is, mounted on a plinth in the same manner as the rest of my Marrion Men.
About the uniform:
The figure is based on an R.J. Marrion illustration on the front cover of “The Yorkshire Hussars” by L. Barlow and R.J. Smith. This was the third edition of the Ogilby Trust series, “Uniforms of the British Yeomanry Force 1794-1914”. This man is described in the footnotes as being an ‘Officer, Undress, 1852’.
I have a 1846 print of an officer of this regiment displayed in the house. It displays the officer in his Full Dress finery, quite a contrast to the plainer Undress version that I’ve painted.
The Undress uniform worn by my figure was first adopted in 1834. Barlow and Smith describe it in these terms;
Officers adopted a new Undress frock coat in 1834 (shown on the front cover). It had a roll collar and 6 black olivets down the front, two at the waist behind and two cloth-covered buttons at each wrist. It was worn with a crimson waistcoat showing at the neck…and, after 1850, with a scarlet, silver braided waistcoat.
In quarters, and when the men were in stable orders, only the crimson and gold Hussar sash was worn with this garment; when on duty, the Full Dress pouch, sword belt (worn under the sash) and the black sabretache were worn.
Barlow and Smith also describe the overalls being adopted at the same time;
In 1832 new cloth overalls of a dark grey mixture — the shade being practically black — were issued, with a single broken bias lace stripe for the officers, and white for the men.
Some further changes occurred around 1850. Although “the same Undress frock coat and overalls were worn as in 1834”, the cap was now as seen on my figure. Barlow and Smith;
A scarlet cloth forage cap with 1 and half inch silver Granby lace band and the York Rose in outline in triple silver braid on the crown.
I think my cap looks more crimson, than scarlet… but never mind!
Barlow and Smith again;
The dress pouch-belt was worn with a black patent leather pouch, the flap edge of which was bound with silver, with a silver York Rose in the centre;
Originally, not paying close enough attention to the text, I painted my ‘black patent leather pouch’ in red blindly following the inaccurate example of another painted version of this figure which I found on the internet. I’ve now corrected it using “glossy black” for the patent leather, which is maybe a tad too shiny?
…the sabretache was plain black, with a silver Rose; slings and sword knot of black leather.
So here’s how the figure compares to Bob Marrion’s illustration:
These ‘Marrion Men’ are as rare as hen’s teeth, it seems, though I try to keep scouring the auction sites for examples. Until and if any more appear, this Yorkshireman remains the last of my Bob Marrion tributes. Other figures in the series can found here;