Another one from the Crimean Personalities series.
As I’ve indicated before, none of the French “Last Assault on Sevastopol” figures are named individuals as in other sets, but it is possible to positively identify at least one more of them from some Roger Fenton photographs. And here she is below:-
The photograph shows a ‘vivandiere‘, or equally a ‘cantiniere‘, a woman attached to a French infantry regiment. They primarily provided food and drink, organised washing, ran the canteens and tended to the infirm or wounded.
These ladies were formally enrolled into the army, they were subject to its discipline and rules, and were assigned next to the musicians in the Order of Battle, parading whenever necessary with their attached regiments in uniforms which closely echoed the men’s.
Though traditionally called vivandières, during the time of the Revolutionary Wars it seems such women became known as cantinières (i.e. those serving wine in canteens). With the restoration of the Bourbon Monarchy, the army was instructed to eliminate the title of cantinière and officially restore the more traditional vivandière. Regardless, the troops themselves simply continued to use cantinière, however.
During the time of the French 2nd Empire, the cantinière had become a romantic icon of the French Army and Napoleon III doubled their numbers in time for the Crimean War with at least one assigned to each regiment.
So it was no surprise that Roger Fenton should encounter one and indeed seek to capture some images of these remarkable female soldiers.
Strelets figure certainly bears some resemblance to the lady in the photograph. They have reproduced the cane in the photograph as being a riding crop, but the addition of some brass paint makes it a little more cane-like again. For the colours, I’ve simply chosen something appropriate to match a French infantryman. The eyes however appear to have been sculpted – and painted – into a squint or wink!
I was planning to hold back on this figure until next FEMbruary, but with that challenge being so far off it seemed wrong not to paint her at the same time as the rest of her Crimean French compatriots.
Of course, the proliferation of French cantinières were not the only female presence on campaign in the Crimea. Roger Fenton took other images of women including the formidable Mrs Fanny Duberley, a popular wife of a captain in the 8th Hussars. She kept a very entertaining journal of her experiences which can be read online here. Another modeller, Tony at Tin Soldiering On blog, recently created his own brilliant version of this spirited lady (see links below) by altering an old mounted Airfix Maid Marion figure. Brilliant!
As for me, jut one last post still to come on my own Crimean personalities…