Mon Dieu! I’ve now completed the French WWI Infantry by Caesar Miniatures! Before I present the rest of the box, I thought I’d first showcase my machine gunners. The box includes three sets of these machine gun crews and I attempted two of them:
In my limited knowledge of WWI armaments, I initially assumed the machine gun was a Hotchkiss, which took ammunition in the form of the long metal feed strip that one of the men can be seen holding, kneeling down and ready to insert into the side.
The French did adopt the Hotchkiss guns but only, it seems, as late as 1917. At the beginning of the Great War, the French were using another model of machine gun; the Mitrailleuse Mle 1907 T, otherwise known as the St. Etienne.
So, being 1914 figures, I must assume that they are using the St. Etienne Mle 1907 mitrailleuse (machine gun). This gun was a development from the disappointing Puteaux APX. Although superficially similar to the Hotchkiss, the St. Etienne was intentionally radically different in its design in a deliberate attempt by the French government to circumvent the patent held by the private firm Hotchkiss et Cie.
The St. Etienne fired it’s 25-round metal strips of ammunition at a rate of fire which was adjustable between 80 and 650 rounds per minute. At a high rate of fire, I imagine the men feeding the 25-round magazines would have had their work cut out! The bullets were the standard 8mm Lebel and, as with the Chauchat light machine gun seen in use by my recent Serbian infantry figures, the St. Etienne suffered gravely from stoppages and maintenance issues in the dirty and difficult conditions on the front line.
The Hotchkiss was to considered to be much more reliable than the St. Etienne and was eventually adopted in mid-1917. Many obsolete St. Etienne’s were then sent to reserve units and allied armies such as the Italian or Romanian. forces
While I’ve been painting these machine guns, a little thought was nagging me about a Great War painting I vaguely recalled being titled “La Mitrailleuse”. Sure enough, I discovered it was the title of a 1915 painting featuring French soldiers at a machine gun position by Welsh artist and Great War soldier, Christopher Nevinson.
A BBC article from a few years ago had this to say about Nevinson’s “La Mitrailleuse”:
“It is a portrait of this first experience of truly modern war – rooted, as it now was, in mass production and the mobilisation of organised industrial process. In the painting the men are drawn with the same hard, angular, rigid lines as the gleaming silver-grey gun they are operating – the men are robotised to become, with the fiercely powerful weapon they are wielding, complementary parts of a coordinated destructive enterprise, humanity absorbed into the killing machine.” The Faceless Men – by Allan Little
The men in the Nevinson painting are wearing metal Adrian helmets, having abandoned the red kepi. However, they all still have the blue overcoat and the soldier operating the weapon is clearly still wearing the famous red trouser. In this image, the echoes of romantic military uniforms from the past are fading fast, but not yet quite disappeared completely. Le Pantalon Rouge is the only vivid and bright colour appearing in the painting.
Looking at my figures, it does seem that some respects an incongruous image – a soldier wearing a 19th century-style colourful uniform sitting at an icon of industrialised killing. With the eventual change away from Le Pantalon Rouge into less colourful, camouflaged uniforms, these men would indeed merge ever more closely with La Mitrailleuse and become simply part of the industry of killing.
Praise is due to Caesar Miniatures for producing these machine gun teams which, even with my typically ham-fisted attempt at model construction, look rather impressive.
I’ll be presenting the remainder of the box of figures shortly…