After painting a group of Strelets British Line Infantry standing at ease earlier this year, I received some very kind feedback from my friend, diorama supremo Pat who challenged me to use some of the remaining figures to produce some men of his favourite regiment; the 95th Rifles.
The 95th are, of course, instantly recognisable in their green uniforms. I’ve had to make changes to account for differences between the line infantry and the rifles. Pat will no doubt be able to correct me if I’m wrong anywhere here but my adjustments have included the following;
With no white bars across the coat, there should be just three lines of buttons which because of accoutrements will barely show at all.
Cuffs are far simpler for the Rifles, being black with white edging.
The Baker rifle is shorter than the Brown Bess musket and, where I could, I’ve cut the musket down to size a little.
The badge shows a Light Infantry bugle which I’ve, very roughly, approximated on the shakos.
It is the first time I’ve painted the 95th in their Napoleonic guise and I just hope they meet with Pat’s approval!
Also ready to join their standing comrades finished from last month, I conclude with two officers and an NCO of the 37th (North Hampshire) Regiment.
I haven’t taken fussed at all over the flag, simply slapped some paint on it to resemble a British Napoleonic regimental version.
And finally, men of the 37th and the 95th standing together:
“The Coldstream Guards Regiment was formed in 1650 as a unit of the Commonwealth Army. It was the only Regiment of the Parliamentary Army that was not disbanded at the Restoration in 1660. The illustration shows the uniform worn by Sergeants in 1832.”
Number 8 of 25 from “British Uniforms of the 19th Century” – a cigarette card series issued by manufacturer Amalgamated Tobacco (Mills).
Based and almost ready for action: men of the 37th (North Hampshire) Regiment of Foot stand at ease.
Prior to basing, they experienced a pre-emptive strike by my young cat, Marnie. She accidentally knocked them all off the table and they consequently suffered a little from a hard landing on the kitchen floor. I’ve tried to cover over areas of chipped paint but a few areas inevitably have been missed, I’m afraid.
I like the individuality of the figures, I’m particularly fond of this little private conversation going on in the rear rank…
The 37th Regiment featured in many significant campaigns and battles of the 18th century, including the battles of Blenheim, Quebec, Dettingen, Culloden, and Brandywine, amongst others. It spent much of the Napoleonic Wars on garrison duty in the West Indies and Gibraltar but did, however, serve in the closing stages of the Peninuslar War in 1814 where it won a battle honour.
It was absent from the Waterloo campaign, being sent for service in Canada. So perhaps it’s quite appropriate that these Waterloo-era figures to appear in such a casual and relaxed state?
As we are in Spring here in the UK, I’ve based them in a springlike meadow with flowers and lush grass. Bees are buzzing and birds are singing in this pastoral lull with the thought of hostilities far from their minds.
Below, a private in the rear rank seems more interested in the pleasures of the baggage train to the rear than any enemy to the front…
Tricky to pick out the details but nevertheless great fun to do. I’ve still got some officers to share for this group, whenever I get around to finishing them.
For a fabulous example of what can be achieved with this range of Strelets ‘non-combat’ figures, hop on over to Pat’s 1:72 Military Diorama’s blog and view his Peninsular War “Retreat to Corunna” diorama – endlessly interesting and with nearly 270 figures, a damn sight more ambitious than my own little line up!
As for me, I do still have a couple of sprues spare and was thinking of producing some Rifle Brigade or Belgian Infantry figures sometime too.
I always appreciate the opportunity to paint troops in poses which aren’t depicting combat. The dramatic choreography of such in-battle poses is all well and good, but they can have a certain sense of the melodramatic about them. For the majority of soldiers, the old adage that ‘war is long periods of boredom punctuated by moments of sheer terror’ applied.
Figure manufacturers naturally tend to focus overwhelmingly on those ‘terror’ moments – the combat which is the purpose of wargaming – and avoid the mundane. Recently however, Ukrainian manufacturer Strelets have been releasing a series of boxes featuring 1/72 scale Napoleonic infantry who are in non-combat poses, being either ‘on the march’, ‘standing shoulder arms’, ‘standing to attention’ or ‘standing at ease’.
Strelets are producing a range of these figures including (at present) Napoleonic French Line infantry and Old Guard, Austrians, Highlanders, Prussian infantry and Landwehr, but it is the British Line Infantry Standing at Ease which I’ve selected as my foray into this series.
The figures are typical of what is becoming familiar as the ‘new-style’ of Strelets sculpting; more realistically and delicately sculpted, taller and more slender. The detail consequently is a little less crisp and clear than before which presents, I think, more of a challenge to paint than the nice chunky details of yore.
So it’s taken some time and care to pick out all that intricate detail on the plastic to produce these guys: men of the 37th (North Hampshire) Regiment of Foot. Still on the painting table are a couple of their officers.
My source for their uniform has been a Richard Simkin image from the book “Uniforms of the British Army: The Infantry” edited by WY Carmen which features some of Simkin’s illustrations of the 37th Foot. The regiment has yellow facings with white turnbacks on the coat.
Incidentally, the Hampshire Regiment museum is in Winchester, one of a number of great regimental museums in the town and well worth a visit, something I did myself a few years ago.
Although there are a few campaign figures I’m painting I have managed to include some non-commissioned officers including two pioneer sergeants and another sergeant carrying a spontoon.
The plan is to stand them all together on a single base once all their command figures are done. Better get thinking in a little more detail about that…
When this Regiment was raised in 1685, it was designated “Princess Anne of Denmark’s Regiment”. The title was changed when George I came to the throne, this time to “The 8th Foot”. The drawing shows a Sergeant wearing the uniform of 1828.
Number 7 of 25 from “British Uniforms of the 19th Century” – a cigarette card series issued by manufacturer Amalgamated Tobacco (Mills).
The 16th Regiment of Foot, of which we show a private in 1828, was raised in 1688. In 1782, the regiment received the county title of “The Buckinghamshire Regt”. The Hertford Militia became a battalion in 1881 when the regiment became known by its present title.
Number 6 of 25 from “British Uniforms of the 19th Century” – a cigarette card series issued by manufacturer Amalgamated Tobacco (Mills).
The first Battalion became the 30th Foot (Cambridgeshire) Regiment in 1782 and it was amalgamated with the 59th Foot (Nottinghamshire) Regiment in 1881 to form The East Lancashire Regiment. The drawing shows a Private of the old 30th Foot in 1815.
Number 5 of 25 from “British Uniforms of the 19th Century” – a cigarette card series issued by manufacturer Amalgamated Tobacco (Mills).
“The drawing shows a private of the 12th Regiment of Foot in 1806. The regiment was raised in 1685 by James II at the time of the Monmouth Rebellion. It was numbered 12th Foot in 1782 and received the title of ‘The Suffolk Regiment’ in 1881.”
Number 1 of 25 from “British Uniforms of the 19th Century” – a cigarette card series issued by manufacturer Amalgamated Tobacco (Mills).
As the fourth year of Suburban Militarism on WordPress comes to a close and a New Year looms, it’s a time for reflection. Swedish Napoleonic cavalrymen; Ottoman Turkish artillerymen; Serbian and Austrian infantry of the Great War; Belgian Carabinier cyclists; 28mm Yeomanry figures based on illustrations by Marrion; Saxon Cuirassiers and not forgetting some Napoleonic Poles back in January.
So, here’s a brief pictorial overview of some of the figures painted over 2018.
Looking forward to 2019, I know well enough by now not to forecast my painting plans in any great detail as distractions lead me on to other unforeseen areas over the year! However, currently demanding my attention are:
My Ottomania project – now well under way with the artillery corps progressing nicely;
The Great War project – I have a number of excellent kits I intend to tackle as I continue to develop my WWI collection;
Recently, I’ve enjoyed getting the fake snow out for basing my Christmas Artillery figures and as the temperature drops here in the UK and December looms, it’s the perfect time of the year to do it, too.
In December of last year I added to my growing contingent of Strelets French army figures marching through the snow. I’ve just painted another dozen men to add to this already large group and am now planning to add something extra too to it too. This snowy retreat from Moscow will now include “Strelets French Army Sledge Train 1“, set.
Strelets produced four separate sets of sledge trains back in 2015, two for the French army and two for the Russians. Needless to say, as these sets are depicting Napoleon’s retreat from Moscow in 1812, the Russians are looking decidedly healthier and better equipped on their sledges than their French counterparts!
So, let’s take a look at the figures in the box:
First of all – the sledge with its horse in harness. The sledge is a simple wooden affair on skis, as you might expect. Strelets have depicted a suitably thin horse with plenty of bones on display, suggesting that the hardships were not confined to the men. Often, I find Strelets horses too bulky and stocky – one of the reasons no Strelets cavalry set has ever found its way into the Nappy Cavalry Project. This starving horse brings the anatomy pleasingly into more believable proportions.
The driver below looks like a lancer of the guard who has fortunately purloined a warm coat from somewhere. There’s a real problem as to where to put him as he appears to be sculpted to sit on something but the sledge unfortunately does not come with an armchair! I’ll work something out, maybe I’ll have him standing but in crouching position?
The set also comes with walking stragglers. The figures are very pleasingly old-style Strelets, which is to say each figure is full of great character and eccentric attention to detail. Recent sculpting is more refined but lacks a degree of personality.
Below Left: Appears to be a Chassuer a Cheval of the guard who unsurprisingly has chosen to wear his fur-lined pelisse to keep out the cold. He is also an amputee, leaning on a crutch. His chances of hopping the 1000km from Moscow back to Vilnius are slim, I’d imagine!
Below centre: This poor fellow ‘s helmet suggests he is a dragoon. The blanket around his shoulders looks inadequate for a Russian winter. His bare feet puts his chances of survival very low indeed.
Below right: Like the sledge driver, this man wears a polish czapka suggesting he might be a soldier of the Polish legion, or simply an infantryman wearing any discarded head protection he can find. Uninjured and with a long coat, my money is on him being the most likely of the trio to get home.
The fellow below has two burdens to carry through the snow; a drum and a small drummer boy clinging to his shoulders. It’s a touching idea and one that reminds us that children and families also accompanied the French army and shared in the appalling suffering of the retreat.
There’s always one who seems to look after himself while everyone else suffers. This man is lucky enough to be riding in the sledge. He also has a very warm fur coat and a pair of fur lined peasant boots. A hat and hood protect his head and he appears to have glasses or even goggles. Instead of a child, he cradles a barrel of something alcoholic to keep out the cold. He also has a handy seat in the form of a locked casket which, presumably, contains food or even money with which to buy all the best winter clothing!
Riding next to him in the sledge is an officer, identifiable by his cocked hat. The officer is again fortunate, no doubt thanks to his rank, to have a full length coat and a ride in the sledge.
So that is a preview of the sledge occupants and stragglers accompanying the column of French infantry I’ve been building up in recent years. Hopefully, now well under way with just a few figures to paint I should be able to update on my progress soon.
In the meantime, here’s a bit of light music to accompany the post, though I’m not entirely sure Leroy Anderson had Napoleon’s retreat from Moscow in his mind when he composed “Sleigh Ride”…