Various Lincolnshire small and independent troops were raised in 1794, becoming eventually the single North Lincoln Regiment of Yeomanry Cavalry until it was disbanded in 1847. The county was then without a yeomanry regiment until the “Lincolnshire Imperial Yeomanry” was raised in 1901 following a call for volunteers to serve in the Imperial Yeomanry in the Boer War. The nominated regimental commander was the Earl of Yarborough.
The full-dress uniform the regiment adopted was that of a lancer regiment, Lincolnshire being one of five newly-raised, post-1900 yeomanry regiments to adopt this pattern of uniform (see my East Riding of Yorkshire and Surrey figures as being among the others). It is this full-dress uniform that Chota Sahib have depicted.
Previous yeomen in the project have been manufactured by Dorset Metal Model Soldiers, Mitrecap, Tradition and Ensign Miniatures. My Lincolnshire yeoman figure is by Chota Sahib, the very first that I’ve painted from this manufacturer who produced (so far as I’m aware) at least six yeomanry figures in this scale.
I did visit the Museum of Lincolnshire life in Lincoln some years back and, though the memory fades since 2014, I don’t recall any yeomanry in their military gallery, although I understand it must have been there. Instead, I relied on a postcard and some some books already in my collection, including the plate below by Edmund A. Campbell taken from R.G. Harris’ “Fifty Years of Yeomanry Uniforms”. Harris provides a good description of the uniform in question.
It’s most likely that Campbell’s illustration directly influenced the Chota Sahib sculptor as the year and details of both (nearly) match. What’s more, all the other figures in their range also appear in Harris’ book, their Loyal Suffolk Hussars figure being identical in practically every way.
I found an extract from an old Chota Sahib catalogue online which had this below image of a painted version of their Lincolnshire Yeomanry officer. From the low-resolution photo I can still tell how beautifully painted it is. The painter has included a white falling plume whereas the Harris/Campbell book and the postcard of the same uniform all agree that the plume by 1911 was green, R.G. Harris confirming that “a silver cockade with green-velvet front carries a green plume of cock’s feathers.” Apparently, a trial-pattern only, full-dress uniform in 1902 did include a white plume, so presumably this influenced the painter.
Hidden under that green falling plume is a very nicely sculpted cap plate of white metal carrying “the arms of Lincoln – argent, a cross charged with a Fleur de Lys – surrounded by a laurel wreath and surmounted by a crown. the Regimental title on triple-scrolls below“. All of which seems to have been beautifully sculpted on this figure only for the plume to sadly hide it all away! An image of the cap at the Museum of Lincolnshire Life is available and shown below.
The lance cap is otherwise made of black patent leather (I’ve used glossy black for this), with white panels and silver cord quartering the top.
The lancer cap itself, as with the rest of the Lancer uniform, was apparently based on that of the 17th Lancers. The principal difference presumably being the green rather than dark blue cloth. The green is supposed to be a shade called ‘Lincoln-Green’, “a lighter shade than dark rifleman’s green”. I’ve not fussed as to interpreting what this subtle colour difference could actually mean and simply painted it something that looks green! Both E.A. Campbell’s and Brian Foster’s (below) illustrations seem to look pretty much like rifleman’s green to me!
The plastron is white (a la 17th Lancers) and the pouch belt and pouch is silver for officers. I’ve also picked out in silver the cap lines, the pricker, plate and chain, as well as all the buttons.
The shoulder cords are silver and the edges of the tunic are white as are the flaps to the rear.
The overalls are green with two broad white stripes down each leg.
The girdle around the waist is silver with two scarlet-silk lines within it, although “The Yeomanry Force at the 1911 Coronation” says this is green.
The figure required some gluing, both the arms and the plume were attached separately. No doubt down to my ham-fisted assembly efforts, I was left with a centimetre gap between the scabbard slings. Thankfully, I found some nickel strips which I used to bridge the gap I hope convincingly enough.
Trouble attaching the figure to the plinth has left me with the scabbard hanging a few millimetres high in mid-air rather than rested on the ground but I think it’s barely noticeable. It’s the sort of thing that flock or grass scatter would hide if he wasn’t based on bare wood.
It’s all finished off with the usual engraved plates detailing the regiment (front) and rank / year (rear).
After serving in the First World War, Lincolnshire lost it’s yeomanry regiment once again after it was disbanded in 1920 and the notion of a British lancer uniform in Lincoln Green became history.
I often find myself tinkering and making small improvements to my 54mm painting even after the figure is varnished and based on the plinth. I will probably do the same with this officer too as there are a few small things I still want to attend to. I’m pleased with my first Chota Sahib figure. It’s very very slightly more slender than my other yeomanry figures, but otherwise fits in very well.
I’ve also been working on my more familiar 1/72 scale lately. More on that soon!
This trip was actually a revisit to a museum which I’d last visited some 5 or 6 years ago, prior to this blog’s current incarnation and its series of museum reports. The Queen’s Royal Lancers & Nottinghamshire Yeomanry Museum is situated in Thoresby Park, deep in the picturesque Nottinghamshire countryside. Entry is completely free and its displays include the combined collections of:
The Queen’s Royal Lancers and their antecedents, namely;
5th (Royal Irish) Lancers
16th (The Queen’s) Lancers
17th (Duke of Cambridge’s Own) Lancers
21st (Empress of India’s) Lancers
The Sherwood Rangers Yeomanry
The South Notts Hussars
On this visit, I was particularly keen to take a closer look at displays connected to the two local yeomanry regiments; the Sherwood Rangers and the South Nottinghamshire Hussars.
Nottinghamshire’s Yeomanry Regiments:
One of the first things that I encountered on entry was a cabinet which included two ancient yeomanry tunics. The first had white facings and was dark blue in colour with tightly packed rows of silver braiding covering the front of the tunic from base to shoulder – 26 rows of loops and buttons (count ’em). The garment was described as belonging to the Worksop Independent Troop, Nottinghamshire Yeomanry, c. 1820.
All that silver braiding continues elsewhere on the tunic too, with some Austrian knot detailing on the cuffs and trefoils on the back and even around the sides.
The other tunic in the cabinet dated from 1815 and belonged to the Newark Troop, Nottinghamshire Yeomanry. This coat was red with white facings, having three rows of 18 white metal buttons but without all the lace seen on the Worksop cavalry tunic above.
The shoulder scales were made of metal links, in contrast to the Worksop example’s cord braid on the shoulders.
An illustration of the 1798 uniform of this troop was available for purchase in the shop both as a postcard and notebook cover. It shows men of the Newark Troop in front of their home town’s castle ruin and the River Trent. Although the style of the coat (17 years older than the one displayed) is very different, the scarlet colour remains the same. Facings and turban appear to be a shade of orange or gold.
The above image also shows the guidon which remarkably is still in existence and appeared high up on the wall of the museum. The Royal Standard (below) was “presented on the 14th July 1795 to the Nottinghamshire Yeomanry in the name of Thomas Webb Edge and Mrs Lumley Saville. The needlework was her own. The guidon was re-presented to the Sherwood Rangers Yeomanry on the 4th May 1840…[and was] always carried by the Newark Troop”.
Tucked away in an alcove elsewhere in the museum, and partially covered by another display propped up against it, appeared to be a Victorian print of a cavalryman. It reminded me of my own collection of Henry Martens series of Yeomanry illustrations, so I took a closer look.
Frustratingly, my close up photos of the title and artist/engraver didn’t come out at all, so I’m left guessing on those details now but I know it wasn’t a Martens. What I do know is that the artwork was a local production, “Printed for the compilers by Stevenson and Co., Middle Pavement in Nottingham” in 1848. This was just a few years after the Fores’ Yeomanry Costumes by Henry Martens were published. The compositional style is very reminiscent of Martens.
Interestingly, the red shako shown in the print was said to be an exact copy of that worn by the Chasseurs d’Afrique. What makes Yeomanry uniforms particularly interesting to me is this freedom that individual regiments could enjoy to mimic and reference other styles, even colourful and ‘exotic’ foreign ones such as this.
As with my Fores’ prints, this one comes with a dedication; “To Lieut. Colonel Holden, the officers, non comm’nd officers & privates of the Nottinghamshire Cavalry.” A little research informs me that the scarlet shako was adopted in 1847, just one year before the painting was published. The falling plume was black and there are yellow lines of cord on the shako depicted. The hussar uniform is blue, although it appears as a kind of light grey in the faded print. The pouch belt is black and the scabbard suggests a heavy cavalryman’s straight sword rather than a hussar’s curved sabre.
In the same display case as the tunics was this above helmet described as a “Notts Yeomanry Cavalry helmet c. 1837, probably manufactured for the regiment.” This regiment eventually became the Sherwood Rangers. It’s in terrific condition and appears to be made of ‘japanned’ (heavy black lacquered) leather. The horsehair plume is red and there are ventilation bars in the sides of the crest. Under the royal coat of arms gilt badge there is brass bar engraved with the title “Notts Yeomanry Cavalry”. A beautiful object!
The above 1845 shako badge displays the name of the South Notts Yeomanry Cavalry, forerunner to the South Notts Hussars. The hugely informative British Empire blog also has an image of the regiment’s shako with this sunburst design badge in place.
The uniforms shown above were unlabelled. Clearly not lancers, they look to be from the local yeomanry of the late 18th century and being navy must belong to the South Notts Hussars (the Sherwood Rangers wore a striking green hussar uniform). The five braiding loops tunic appears to be Mess Dress with a gold and red waistcoat underneath.
Incidentally, I have lying around a 54mm metal figure of the South Notts Hussars awaiting some paint, although a different order of dress, it’s five braiding loops closely matching the Simkin illustration seen above. Perhaps sometime soon might be a good time to make a start on it?
The 17th (Duke of Cambridge’s Own) Lancers:
The regular lancer regiments in the museum had a varied and dramatic history. The 17th Lancers being particularly well-known for their part in the Charge of the Light Brigade at Balaclava. I think that they possibly have the most recognisable cap badge in the British Army; the macabre skull and crossbones, sometimes seen with the legend “Or Glory”. Seen on their 1815 Light Dragoon shako, it reminds me much of the headgear of the famous Prussian ‘Death’s Head’ Hussars, although they would have looked at the time more like my 13th Light Dragoon figures from 2015.
Their motto ‘Death or Glory’ was a reference to General Wolfe who fell mortally wounded at Quebec, 1759. I still have a “Death or Glory Boys” coaster taken from a visit I must have made to the 17th Lancers museum as a small child when it was still based in Belvoir Castle – looking pretty good after all these years!
More headdress of the 17th was on display, including one which saw use during the famous charge itself:
There is some controversy surrounding which bugle actually sounded the Charge of the Light Brigade, but the one on display in this museum has a very strong claim. The hole smashed through the end was caused by a Cossack piercing it with a lance, attempting (and failing) to pick it up off the ground and to take away as a trophy. An astonishing object in many ways.
An audio recording of a surviving trumpeter who was present in the charge was played on loop in the museum and you can hear it online, Trumpeter Kenneth Landfried blowing on a Waterloo bugle recorded on wax cylinder in 1890:-
Below: uniforms of the 17th through the ages on display:
a replica of the attractive light blue uniform worn in the American War of Independence;
an officer’s service uniform from the Zulu War (other ranks had white crossbelts without the silver pickers and plate);
a scarlet uniform from the time of George IV, a monarch determined to see all of his cavalry regiments wear red!
The 21st (Empress of India’s) Lancers:
A neat display dedicated to the 21st Lancers concentrated mostly on their famous charge at the battle of Omdurman. This is unsurprising given their relative newness, being formed in 1858 for the East India Company and not brought within the British army until 1862. Three regiments had previously been designated the 21st Regiment.
Being dogged by its lack of battle honours and experience (“thou shalt not kill” was unkindly suggested as the regimental motto), its reckless charge at the Dervish tribesman in 1898 seemed to some to be motivated by a need to restore some honour. Notably attaching himself to this wild charge was a young Winston Churchill of the 4th Hussars.
As a reference to its Indian origins when it was part of the EIC’s Bengal cavalry, the 21st Lancers wore French Grey facings, an example of which could be seen clearly in this late 19th Century Full Dress uniform.
The 16th (The Queen’s) Lancers:
The 16th Lancers were known as ‘The Scarlet Lancers” after successfully petitioning to retain the existing scarlet coatee when in 1840 it was ordered that all the Light Cavalry should revert back to the blue uniforms. An example of their unique scarlet lancer coat can be seen below.
The 16th Lancers famous action at the Battle of Aliwal in the Anglo-Sikh Wars was given due prominence. At this action, the regiment charged a Sikh force many times its own size, dispersed their cavalry and then broke the Sikh infantry squares, taking many casualties in the process but doing much to secure outright victory.
The 5th (Royal Irish) Lancers:
Concluding this report, this magnificent copper kettle drum below was described as being ‘used by the 5th Royal Irish Lancers’. Being that it appeared in a cabinet dedicated to the 18th century, I presume that this instrument is an antique belonging to the original regiment’s guise as the 5th Dragoons.
Notably, the 5th Regiment of Dragoons was disgraced after being infiltrated by Irish rebels during 1798. It was erased from the army list, with nothing existing for many years between the 4th and 6th cavalry regiments. This mark of disgrace lasted until it was reformed as lancers in 1858. An excellent example of the regiment’s pre-1798 uniform was on display; this lovely c.1745 mitre cap and c.1770 jacket of the 5th Royal Dragoons (note the links on the shoulders very similar to the Newark Troop’s example earlier).
The interesting display included a garment of their adversaries, Sudanese jibbahs, coats made of white cotton with additional patches sewn on.
With the exception of a thriving cafe, Thorseby courtyard seemed largely deserted of shops when I visited, so I wonder if the museum would do better in a much more accessible location, particularly so for those without a car. For those who are able to visit, with free entry and a rich collection of history to be found in nicely presented premises, the Queen’s Royal Lancers & Nottinghamshire Yeomanry museum is highly recommended!
My 32nd regiment in the Napoleonic Cavalry Project reaches its completion with the basing of Merveldt’s Uhlans (Uhlan Regiment No.1). The figures are by Mars about whom’s merits I discussed in a recent post.
I won’t pretend that they were the easiest paint, and I can’t exactly say that they’re perfection incarnate, but I do reckon I’m satisfied with the end result! It’s good to have some Austrians as part of the project at last.
The most tricky aspect of the figures was perhaps the attachment of the lances to the figures. The hands were very indistinct and so I simply attached some old Esci Polish Lancers versions to the hand area with a blob of glue. Job done.
The curious horse poses allow for only certain figure combinations. Hence, one horse appears to be charging hard into the ground, presumably felled by a bullet. The only figure which satisfactorily sits with this equine this the man leaning backwards in a kind of counter-balance. Three of these figures means that a quarter of my regiment is in the process of being felled by a volley! It makes for a unique, dramatic and interesting pose, though.
The rearing horse allows for two standing figures, who, in another pleasing pose, appear to be desperately holding on to their agitated mount by the bridle. This was likely a not uncommon situation in battle.
A spare figure without any horses left to hold I simply gave a lance to, thrusting his weapon in the air and urging his comrades on… or perhaps admiring it… or waving it for attention… OK, possibly an unconvincing pose!
Austrian Uhlan officers would not have had lances and so I’ve attached a sword which came with the Mars set to one of my officers but left the other simply gesturing heroically to his men. They have black pouch belts with gold edging.
The remaining figures include this one urging his horse forward and thrusting the lance.
Also, there is the figure with his arm held high in the air. Another slightly curious gesture, but not a bad one by any means once the lance is attached.
So that concludes regiment number 32 in the old ‘NCP’. Slated as the next regiment in the endless project are some figures which may see me make a return to painting some French cavalry. More on this anon. Until then, I continue the tradition of a sort-of-biography of the latest completed regiment.
Austrian Uhlans were effectively Polish lancers and were dressed as such. Their country came under the leadership of the Habsburgs after 1772 when that empire gained part of the territory (Galicia). The first uhlan unit, the “Uhlan Pulk” was raised in 1784 with 600 men intended for use against a rebellion in the Netherlands. Later it was renamed the “Uhlan Freicorps”.
In 1785, this unit was sent to Vienna and broken up into various uhlan units attached to a variety of chevaux-leger regiments. The first Uhlan Regiment, No.1, was raised on 1 November 1791 from those Uhlans existing in the Kaiser, Karaiczai, Lobkowitz and Levenehr chevaux-leger regiments.
This 1st regiment of Uhlans were known as Merveldt’s Uhlans in 1796, after the regiment’s proprietor (a position similar to that of honorary colonel), Maximilian, Count von Merveldt. Merveldt garnered considerable experience in the Revolutionary and Napoleonic wars against the French and he was considered a very able commander of cavalry, rising to the rank of general.
The No.1 regiment’s headquarters moved over the years, in 1791 it was based in Sárospatak in Hungary, ending the Napoleonic wars in St. Floeian, near Linz. It’s recruiting area was Galicia and most of the uhlans therefore were made up of either ethnic Polish or Ukrainian men.
Uhlan Regiment No 1, as with the three other Austrian Uhlan regiments, wore jackets of green (initially ‘grass green’ but later ‘dark green’) with red facings. The pennons on their lances were black over yellow. Trousers were also green with red stripes with the lower part covered in black leather near the boots, although grey overalls could be worn when on campaign. The sheepskin over the saddles appears to have been black, though this is open to question. The only regimental distinction was the colour of the czapkas; No.1 having yellow czapkas and numbers 2, 3 and 4 being green, red and white respectively.
At Austerlitz in 1805, a handful only of Merveldt’s Uhlans were in the 1st Cavalry Brigade, otherwise the regiment was not represented. During the 1809 War of the Fifth Coalition, the regiment fought at Ursensollen-Amberg. One detachment was at the blockade of the Oberhaus fortress. Parts of the regiment were also involved in the Regensburg battles and later at Stadt am Hof. In July 1809, they were in Bohemia and fought against Saxons in the battles of Gefrees and Nürnberg.
Merveldt’s Uhlans did not take part either in the Battle of Aspern-Essling, being instead kept in defence on the Danube later harassing the French rear lines of communication. After the Battle of Wagram, it retreated to Bohemia when the campaign ended.
The 1st regiment towards the end of the Napoleonic Wars was fighting in the Northern Italian campaign of 1813-14 alongside its sister uhlan regiment No.2 (Schwarzenberg). Consequently, having largely missed out on the key battles of Austerlitz and Aspern-Essling, they were also to find themselves absent from the decisive Battle of Leipzig in 1813. The regiment’s namesake, Count von Merveldt, however was present at the ‘Battle of the Nations’, where he was unfortunately captured when wandering too close to Saxon troops.
In Italy, his regiment continued to do great service however; patrolling, reconnoitring and, as can be seen in the following brief quote I discovered about the Battle of Feistritz, also putting the enemy to flight!
… Austrian Generalmajor Speigel responded quickly, and a very successful charge of the Merveldt Uhlans encouraged the French to withdraw.
The Defense of the Napoleonic Kingdom of Northern Italy, 1813-1814, G.F. Nafziger, M. Gioannini
A quick update on my Mars Austrian Uhlans. The figures are almost there, but there is a little more work to do including some paint still to be applied on the Czapkas amongst other things. The horses are next up on the painting table and also looming is the question of lances.
I’ve decided that the lances provided by Mars require too much effort removing from the flash. There are also no pennons provided and so would require their manufacture. Consequently, I’ve opted to source some lances from another set, possibly from some of my old Esci Polish lancers. The next challenge will be how on earth to affix them to the figures, the hands being extremely vague and amorphous!
Mounting them on horses will be another interesting challenge, a couple of the poses and postures being a little strange, I think. It makes for an interesting and different figure, however.
Aside from these technical issues, I’m pleased with how they’re looking now they’ve got some paint on them. An update, hopefully with mounted and lance-armed uhlans, to come in due course.
A glance through my venerable Napoleonic Cavalry Project tells me that since 2015, I’ve attempted sets from 6 different manufacturers representing 7 different nations. My next set of figures brings both a new nation and manufacturer to the project.
Mars are a Ukrainian manufacturer who, I believe, started out producing copies of other manufacturer’s figures (Matchbox, Revell, Esci, etc.) Although I can’t verify claims, some believe that this was effectively piracy of other companies’ work. However, in the plastic model soldier world, some felt that even this bootleg reissuing of out-of-production old sets at least made some old figures, often much in demand by hobbyists, available once more and was so to be welcomed. It’s a contentious issue for sure and one perhaps left to the lawyers to pass judgement over but since (I think) 2009, Mars have been making their own sets instead.
The quality of some of their own-brand work has been criticised as being disappointing by Plastic Soldier Review, amongst others, with PSR saying of one set; “This set is typical of Mars output in many ways. The sculpting is not attractive and the poses quite flat, with some of the faces being particularly messy. Accuracy is good and the selection of poses is adequate if uninspired. The subject itself is unusual and not widely known…”
Once again, however, criticism should perhaps be tempered by the fact that in today’s trading climate, a plastic soldier manufacturer is out there producing sets at all. Furthermore, as PSR suggested, Mars have often concentrated on eras overlooked by other companies, including an extensive 30-Years War range, Crimean Tartars, and the Lithuanian-Teutonic wars (see above). Fancy some late-Mycenaean Light Infantry anyone? Mars has that covered too!
Mars have largely steered clear of the ever-popular Napoleonic period, yet they have produced a few cavalry sets; Russian Dragoons, Russian Uhlans and Austrian Uhlans. The latter are particularly interesting as, to my knowledge, no one has produced Napoleonic Austrian cavalry with the sole exception of HaT’s early Curassiers and Chevauxleger sets in 1998/2000. For such an important participant to the Napoleonic Wars, this seems a real oversight (Great Britain has 11 sets with two more slated for release). Furthermore, it’s been said that during the Napoleonic Wars;
“Austrian cavalry was considered the best in Europe, and one of the best of the time anywhere”
(Fisher and Fremont-Barnes “The Napoleonic Wars”)
The ‘best Napoleonic cavalry in Europe’ surely needs a place in the Nappy Cavalry Project, but can Mars’ Austrian Uhlans figures justify that inclusion?
The set is a bit of an enigma in parts but there’s some real quality there for sure. Even PSR grudgingly admitted that “the sculpting of this set exceeded our admittedly low expectations.” The ‘riot of flash’ of the sprue for the weapons reported by PSR seems to be also present on parts of the figures too for me and I’ve had to spend some time trimming and cleaning them up – never a skill that I excel at!
It’s curious that whilst their Austrian Uhlans seem good, Mars’ Russian Uhlans set doesn’t quite match the same degree of quality. I can only really appreciate the standard of these Austrian’s once I’ve painted them up, so I’ll share how I get on and maybe you can judge for yourself!
So, for regiment number 32 in the Napoleonic Cavalry Project I will be attempting the Austrian 1st Uhlan Regiment (Merveldt’s Uhlans) who, like all Austrian lancers, were made up of Polish men.
A series of regular blog posts displaying images from “British Cavalry Uniforms of the 19th Century”; a set of trade cards issued by Badshah Tea Co. of London in 1963.
#20: The 6th (Inniskilling) Dragoons
“Our picture shows a sergeant of the “Inniskillings” wearing a small badge above the chevron representing Inniskilling Castle. The regiment, raised in 1689, received the above title in 1690 and amalgamated with the 5th Dragoon Guards in 1922.”
Sites of interest about the Inniskilling Dragoons:
The Enniskillen Castle Museum tells the story of the town of Enniskillen’s two regiments, The Royal Inniskilling Fusiliers and the 5th Royal Inniskilling Dragoon Guards.
Some 10 years or so ago, I painted some Waterloo-era Inniskilling Dragoons from the 25mm Prince August home-casting range. I will upload some photos one day…
A good summary of the regiment’s history here on the website “British Cavalry Regiments of the 19th Century”.
A series of regular blog posts displaying images from “British Cavalry Uniforms of the 19th Century”; a set of trade cards issued by Badshah Tea Co. of London in 1963.
#19: The 17th Lancers
“Raised in 1759 as Light Dragoons, this regiment was then converted to lancers in 1822. In 1922 it was amalgamated with the 21st lancers to form the 17th/21st Lancers. Round about the date 1830, an officer of the 17th Lancers would have worn this uniform.”
The truly excellent museum of The Queen’s Royal Lancers and Nottinghamshire Yeomanry includes many terrific exhibits and uniforms on the 17th Lancers, its precedents and sister regiments. It’s based in Thoresby Park which is near Perlethorpe in Nottinghamshire. I wish now that I’d posted a Suburban Militarism Day Trip post about this after my visit…
I have painted some 17th Lancers from Strelets’ Crimean War range. I will upload some photos one day but until then here’s the Plastic Soldier Review of the figures.
Finally, something different. A YouTube video featuring the music of the regimental Quick March “The White Lancer”!
For a light cavalry regiment, it’s been very heavy going getting these figures to completion. More lead than ‘légers’, one might say! Attempting 16 figures rather than my more usual 10 has made for slower progress. There’s lots of detail in the sculpting. Consider also the addition of attaching the separate lances with arms, and you may appreciate how the task takes longer than usual.
The set looks so good however that, although my momentum flagged once or twice, it was never an onerous paint job. Waterloo 1815 make some beautifully sculpted figures, both men and horses included, some questionable horse poses aside.
I was hoping to maybe produce at least one more regiment before Christmas but, having taken a while with these lancers, it looks unlikely I’ll complete one before the end of the year. Nonetheless, I can announce that the next regiment in the Nappy Cavalry Project will be… Russian Cuirassiers by Zvezda!
Anyway: those photos of the French 1st Lancers regiment:
Biography: 1er Régiment de Chevaux-Légers Lanciers [France]
Napoleon’s decree of 1811 created nine regiments of lancers. The easiest way to achieve this quickly was to convert one of the many existing regiments of dragoons. Consequently, the 1st Regiment of Dragoons duly became the 1st Regiment of Lancers (Cheveau Legers Lanciers).
The 1st Lancers soon participated in the 1812 invasion of Russia, initially covering the crossing of the Elbe before joining the 1st body of Reserve Cavalry of the Grande Armée. The first squadron took part in the battles of Smolensk and La Moskowa, where the squadron leader Dumanoir led charges.
Following the disastrous retreat from Moscow, the regiment reformed from conscription and the remnants left at the depot, immediately taking part in the Leipzig campaign of 1813. As part of the 1st cavalry corps of the Grande Armée, it fought in the battles of Dresden, Leipzig and Hanau.
During the following campaign in 1814, the regiment was part of 1st cavalry corps’ defence operations during the retreat to Paris. The 1st Lancers distinguished themselves during the battles of Vauchamps, Reims and Paris.
After Napoleon’s exile, the Bourbon regime renamed them (partly reformed with elements of the 9th) to become known as the Régiment des Lanciers du Roi (n°1) and retained this royal title up until the inception of the Hundred Days Campaign in April 1815, when the reference to the king was duly dropped once more.
During this their final campaign, they formed part of Baron Subervie’s 5th Cavalry Division, partnering the 2nd Lancers in the Colbert’s 1st Brigade. Deployed inconclusively on the French left during the victory at Ligny, it proceeded to follow up Wellington’s retreat to Waterloo, even attempting an unsuccessful charge during a thunderstorm.
On the 18th June 1815, Colonel Jacquinot led his 415 men of the regiment on the extreme right flank. It saw little of the serious fighting experienced by the 5th and 6th Lancers in countering the Allied Heavy Cavalry charge. Instead, the 1st Lancers did assist in confronting the Prussians as they emerged out of the Bois de Paris to threaten Plancenoit, attempting to check the irresistible advance of Bulow’s Corps.
After Waterloo, the 1st lancers were disbanded on Christmas Day 1815. The majority of men and horses were incorporated in the new 8th regiment of Chasseurs à Cheval de la Côte-d’Or. Lancers did not completely disappear from the French army, however, the reorganisation of 1815 stipulated that the last squadron of each regiment of cavalry be armed with lances.
Notable Battles: La Moscova, Dresden, Leipzig, Vauchamps, Ligny, Waterloo.
I’ve been painting lots of horses recently, a veritable herd of them in fact. I admit that it has been slow progress on the French Line Lancers set. I think painting up to 17 horses in one go is one factor in this slowness, but the herd is nearly finished. I’m reasonably happy with their progress but I can’t help but feel that I do better work in the summertime when there’s far more light than in these gloomy, dull November days in Britain.
Here’s “the herd” awaiting some final attention before their riders get attached.
And below is more or less what the finished figures will look like once I’ve concluded with those last bits of paint and glueing. These riders don’t fit on easily I note – (do they ever?) – and I’m expecting a bit of struggle to get them mounted!
It’s been a long time coming, but I can finally see the light at the end of the tunnel with these lancers. Hopefully, they’ll be finished and photographed before the end of this week.
I admit it. There really hasn’t been much progress over the past couple of weeks with my lancers. Partly this has been due to the impact of domestic issues. My father suffered a minor stroke and, although it was thankfully minor and he’s recovering well, I seem to have lost my mojo somewhat since then. Bigger issues like family health seem to place more trivial things such as modelling soldiers into perspective.
I have, nonetheless, been able to basecoat most of the horses and paint / glue the lances. So, here’s a very quick view of some of those lancers with lances. I should point out that they do still need a little work.
There’s a flag bearer that’s still awaiting work on his flag. Hopefully, I’ll be able to find some time and get into gear soon. In the meantime, I’m being careful with those lances, they are all so delicate that I’ll be surprised if I don’t break some before completion!