After receiving bad news this week, I had a much-needed pleasant surprise this week when a parcel came through the post with a postmark of Rio de Janeiro, Brazil. I do have a Brazilian sister-in-law but she lives in the UK now, so I was unsure what this could be.
The parcel contained two tiny figures sent as a gift from the sculptor, a figures forum member from Brazil known as Jaques. Last September, he showcased his handmade 1:72 scale figures on the forum and with a few others, I expressed admiration.
The figures are recreations of the comedy duo Stan Laurel and Oliver Hardy in their 1931 Beau Geste film pastiche known as Beau Hunks.
Beautifully handmade, the figures come in parts with separate guns and packs, while Stan Laurel’s head is plastic rather than metal. I hope to get around to converting these ‘silver screen’ lilliputian legionnaires to full colour paint at some point in the hopefully not-too-distant-future.
The Legionary on the march is a cheerful person, even when encumbered with from sixty to eighty pounds of kit, besides a rifle and ammunition, and marching on his own feet under a temperature of 100 degrees in the shade…
Strelets new “French Foreign Legion: Desert Patrol” box includes 6 camel-mounted legionnaires and 8 marching figures. I’m sharing the latter in this post and will follow up with the camel riders in a following post.
Each of the eight marching men is in a unique pose:
This next figure is carrying a Lewis machine gun. Not manufactured until just before WWI, this is something of an anachronism with this uniform which, according to Plastic Soldier Review, can be best dated to no later than 1912. As they concede however, “you can find the Legion using this weapon in films”, and so fits the cinematic vibe of this set.
All in all, a lovely set of figures by Strelets. My criticism as a figure painter would be that the detail is very subtle in parts and I like crisper detail. My other criticism is that for a force well known for its brutal marches through hostile desert (march or die!), 8 isn’t enough – I want more!
The remaining 6 camel-mounted legionnaires will follow in my next post, until then here’s Laurel and Hardy on the march to ‘Fort Arid’ in their classic Foreign Legion spoof Beau Hunks.
In one way, the Legionary is like an animal of the jungle. Put him in barracks with their monotony and he becomes surly and dangerous to himself and others, place him in his proper surrounding – the march, or battlefield – and he becomes what he is by nature, the soldier par excellence.
I know it’s ‘hump day’, but what’s this? Have I ditched horses for dromedaries?
Yes, I have! For the time being, anyway. This is my first attempt at painting camels and I’ve enjoyed it a lot. These ‘ships of the desert’ are courtesy of Strelets new “French Foreign Legion: Desert Patrol” release. I think Strelets’ camels are well sculpted, the proportions (so far as I my limited knowledge of dromedaries goes) seem perfectly good. Plastic Soldier Review, however, are – shall we say – less than impressed with their gait!
It features 8 walking legionnaires and 6 mounted camel riders dressed in the classic late 19th / early 20th century uniform familiar to us from the movies.
The concept of camel-mounted legionnaires from the 1890s/1900s is entirely fanciful according to Plastic Soldier Review who scoff that “no legionnaire ever patrolled while riding a camel until after 1945“, recommending that we find some mules for the riders and use the camels as baggage carriers, or even throw them away. Not me!
There are three different camel poses for the 6 riders to choose from:
France did later create companies of camel cavalry within their North African army (but not in the Legion). These were known as Compagnies Méharistes Sahariennes“, whose ranks were filled by local Arab and Berber tribesmen. These same camels turn up in other Strelets sets; the British, Turkish and Australian Camel Corps sets which each include 3 nice additional poses including a sitting camel. My three poses also reappear in another newly released set “Rif Rebellion“. Perhaps their Arabic riders might also pass for some Méharistes?
With nothing factual to go on, I’ve painted their tassled drapes in dark red rather than the blue I’ve seen used by Méharistes, just to give my figures a little extra colour. The saddle is a leather cover draped over a wooden seat.
Like me, PSR at least appreciate the theatricality and romance of the set stating that “if you want to recreate movies like Beau Geste (1939) or March or Die (1977) then this set is great” – and I say ‘who wouldn’t want to do that’? The legionnaire figures themselves are in progress and I’ll share the rest of my hot and thirsty ‘desert patrol’ when they’re finally done.
For all things French Foreign Legion related, you could do a lot worse than head on over to the fabulous Mon Legionnaire blog which has lots on La Legion in wargaming, in history, and it’s portrayal in art and popular culture.
“…And then appeared upon the scene the only man I have ever met who seemed to me to be bad, wholly bad, evil all through, without a single redeeming virtue save courage.” John Geste
It must be the heat. This endless 2018 UK heatwave has brought about my own bout of le cafard. In my sultry ennui, thoughts have turned to the desert. And when I think of the desert, I think of my WordPress avatar. He is an old Esci 1/72 scale figure of the French Foreign Legion from my childhood collection. Some time ago I dubbed him Sergeant Lejaune, after a character from Beau Geste. The little fellow had something of the bearing of a tough and experienced NCO about him.
Such was the terrific quality of the sculpting that it was possible to reveal a face of real character.
I think I painted him about 5 or 6 years ago along with a handful of other Legionnaires from Esci’s now very rare set “French Foreign Legion”.
In P.C. Wren’s iconic novel about the French Foreign Legion, “Beau Geste”, Colour-Sergeant Lejaune is first described by Major Henri de Beaujolais of the Spahis, who had discovered his body in the deserted Fort Zinderneuf:
“Lying on his back, his sightless eyes out-staring the sun–lay the Commandant, and through his heart, a bayonet, one of our long, thin French sword-bayonets with its single-curved hilt! No–he had not been shot, he was absolutely untouched elsewhere, and there he lay with a French bayonet through his heart.”
So begins the mystery of Fort Zinderneuf with its eerie garrison of dead legionnaires still arraigned propped-up at their posts in the embrasures. John Geste describes his first meeting with this fearful sergeant thus:
“He came from the regimental offices, a fierce-looking, thick-set, dark man, with the face and figure of a prize-fighter; glaring and staring of eye, swarthily handsome, with the neck and jowl of a bull-dog. He also had the curious teeth-baring, chin-protruding jaw-thrust of a bull-dog, and there were two deep lines between the heavy beetling brows.
…This was Colour-Sergeant Lejaune, a terrible and terrifying man, who had made his way in the Legion (and who made it further still) by distinguishing himself among distinguished martinets as a relentlessly harsh and meticulous disciplinarian, a savagely violent taskmaster, and a punishing non-com. of tremendous energy, ability, and courage.
…To his admiring superiors he was invaluable; to his despairing subordinates he was unspeakable… He took an actual delight in punishing, and nothing angered him more than to be unable to find a reason for doing it…
At this point you’re probably beginning to realise what a thoroughly unpleasant character Lejaune is. Not perhaps the best name for a welcoming avatar! In the book, we learn a little of Lejaune’s history. He came from service in the Belgian Congo, a colony which had a reputation for appalling brutality towards its indigenous inhabitants even amongst the widespread colonialist attitudes of the day.
And later, through the coming to the Legion of a deserter from the Belgian army, we learnt a sinister, significant, and explanatory fact… Lejaune had been dismissed from the Belgian Congo service for brutalities and atrocities exceeding even the limit fixed by good King Leopold’s merry men.
Looking again at my avatar, however, although I dubbed him Sergeant Lejaune, he has a distinctly kindly face with more than a hint of a warm smile about him. He’s more of a favourite uncle than a fearful NCO. Perhaps he’s the alter ego of Wren’s Lejaune? Belgian sadist his namesake may be, but as my avatar he’s quite a welcoming face to visitors.
Here are a few of his ‘chums’ from the French Foreign Legion. Bear in mind that I painted these back in 2012/13, I believe, when I’d only been painting 1/72 scale for a matter of months. I think they stand up pretty well!
I said that this Italeri set is very rare, but boom times are coming to lovers of Beau Geste in miniature scale. In some great news, I understand that Italeri are soon reissuing this set of figures, although it seems only as part of a big “Beau Geste: Algerian Tuareg Revolt Set” which comes with a fort, Tuareg tents, Tuaregs and more. At 64 euros, I may have to think carefully about that! What’s more, Strelets are also apparently working on their own fine-looking set of Foreign Legion and Arabs!
Lejaune and the Movies
The character of Colour-Sergeant Lejaune has been depicted in film a number of times since Wren’s novel was first written. Here’s a brief overview of how he’s been portrayed:
Beau Geste (1926)
This early version of Wren’s famous tale was a silent movie and starred Ronald Colman as Beau Geste with the actor Noah Beery playing the role of the Sergeant Lejeune.
Interestingly, Noah Beery reprised his role as Sergeant Lejaune in 1939 in a radio play, starring alongside Orson Welles and Laurence Olivier (Olivier had previously played Beau Geste on stage) as part of the CBS Campbell Playhouse radio series. In reprising his role, Beery was switching from a silent-only role to a voice-only performance, demonstrating an impressive range of ability. You can listen to the play, with Welles at the beginning introducing Beery as “your favourite villain” below:
Beau Geste (1939)
The very splendid blog “Movies a la Mark” posted on the 1939 Hollywood production of Beau Geste starring Gary Cooper. The brutal sergeant, this time instead known as Sergeant Markoff, in this film was played by Brian Donlevy. The site has this glowing tribute to Donlevy’s loathsome Legionnaire portrayal:
“Best of all, and what gives the picture real guts and grit is Brian Donlevy’s famous performance of ‘Sgt. Markoff’, next to whom the Sahara is no big deal. Brutally sarcastic and about as sadistic as the Production Code would allow, this remains one of foremost villain roles of the 30s.
For whatever reasons, the other cast members did not like Donlevy at all – maybe he was a method actor ahead of his time? On-set relations probably did not improve when Ray Milland accidentally stabbed Donlevy in the abdomen with a bayonet, bad enough to leave a lifelong scar.”
‘Accidentally’? One has to wonder given the strained relations on set!
Beau Geste (1966)
1966’s update had Telly Sevalas playing the infamous nemesis of the Geste brothers. This film took great liberties with the original plot; the British Geste brothers were now American and had been reduced to just two. As with the 1938 film, our sergeant had been renamed again to Sergeant-Major Dagineau. Dagineau is revealed to be a former St. Cyr military school educated officer who was broken to the ranks once his previous troops under his command had deserted to a man.
Beau Geste – BBC TV Series (1982)
I well recall eagerly watching this series as a boy when it was released, greatly enjoying the depiction of these soldiers on television. The brothers Geste were played by Benedict Taylor, Anthony Calf and Jonathon Morris. In the 1982 BBC series, John Forgeham played the sadistic sergeant. A character actor noted for his ability to play less than sympathetic roles, the 6-foot tall Forgeham was very well cast, exuding menace and violence in every scene.
The series stayed much closer to plot than other films and the name of Sergeant Lejaune was retained. The production also notably paid very close attention to authentic legionnaires uniform and equipment, the troops even shown singing the legion’s famous marching song “Le Boudin”. In Wrens’ book, Lejaune also calls for them to sing this song;
“Now, my merry birds,” said he, “you’re going to sing, and sing like the happy joyous larks you are. We’ll let our Arab friends know that we’re not only awake, but also merry and bright. Now then–the Marching Song of the Legion first. All together, you warbling water-rats–Now.” And led by his powerful bellow, we sang at the tops of our voices.
The BBC budget restricted the outdoor filming location to a less authentic, but nonetheless vaguely convincing, Dorset sandpit. It was not the first film of the Foreign Legion to have its desert scenes shot in the south of England, the 1967 Carry-On film “Follow that Camel” substituting the Sahara for Rye and Camber sands!
An Update: It seems that the Foreign Legion is all the rage in this hot weather. My good friend Mark at Man of Tin Blog has coincidentally just posted on his own band of 15mm Peter Laing Legionnaires, complete with palm trees courtesy of Danish chain “Flying Tiger”. I wonder if there’s a Sergeant Major Lejaune amongst them too?
“If the Legion doesn’t get you, the desert will. If the desert doesn’t, the Arabs will. And if the Arabs don’t, then I will. I don’t know which is worse.” Major Foster in the 1977 movie ‘March or Die’.
I’d spent some free time in the day yesterday painting my Artizan legionnaires, which are progressing nicely. After everyone had gone to bed, I decided to watch a movie and what could be more appropriate than the 1977 movie on the French Foreign Legion “March or Die!”?
Digging out my DVD copy, I sat down and watched it into the small hours. As with other narratives on the FFL, the familiar motifs were there; the brutality and loneliness; the wide expanse of desert sands; a band of desperate social outcasts drawn together by ‘la legion’; and of course the ever-present menace of the fierce Tuareg tribes.
The Legion marching song was a common musical presence in the film, and is something that has been going through my head ever since receiving the figures through the post. All together now…
Tiens, voilà du boudin, voilà du boudin, voilà du boudin
Pour les Alsaciens, les Suisses et les Lorrains.
Pour les Belges, y en a plus, pour les Belges, y en a plus,
Ce sont des tireurs au cul. (bis)
March or Die, as with Beau Geste, is a good yarn rather than a work of art. Nevertheless, it was hugely enjoyable to watch, the scenery was terrific and it was an inspiration to keep me going with painting those figures.
Ah, the figures. I spend a probably unhealthy amount of time wondering whether my painting technique for 28mm figures is a successful one. I’m sure there are better or more effective ways of painting at this scale. Don’t get me wrong, I am pleased with them, but I sense that I could make them look better with more 28mm experience. I’m still experimenting and finding out new things as I go along at this scale but the first batch of legionnaires are virtually done. I’m now just waiting for some desert-type scenic sand to come through the post so that these chaps will be suitably Saharan.