I sincerely hope all visitors are staying healthy and following the advice during this horrendous pandemic. During this difficult time, any slight sense of normality is welcome and it’s more comforting than ever to occasionally engage in the act of immersive act of figure painting. I’ve been finishing off my Les Higgins War of the Spanish Succession cuirassiers.
The Bavarian army during the War of the Spanish Succession initially included three cuirassier regiments (the Arco, Wieckel and La Tour regiments). This later increased to four with the raising of the Wolframsdorff Regiment. With their “lobster-tailed pot helmets” and metal cuirassies, these troops looked like something familiar from the previous century. During the English Civil War, the so-called Haselrig’s Lobsters wore this armour, not too dissimilar from the Bavarian cuirassiers of 60 years later:
I’ve chosen to paint these Les Higgins figures as the Arco Cuirassier Regiment, led by Cavalry General Johan Baptist Graf von Arco. Although the numbers in the regiment could vary significantly, a Bavarian cuirassier regiment at this time could have anything up to 900 men, organised into 8 -12 companies.
All the Bavarian cuirassiers during the War of the Spanish Succession wore grey coats with colours of cuffs & lining being distinctive to each regiment. The Arco Regiment was distinguished by mid-light blue facings and horse cloth. The original Robert Marrion illustration below, originally depicting the Wieckel Regiment, has been doctored by somebody with Arco facings and posted online.
All my Les Higgins’ Arco Cuirrassiers are wielding a pistol, which looks a convincing pose, I think.
As soon as I took these photos and uploaded them I found a post-it note to myself with the words “cuff buttons” and “stirrups” written on it, not coincidentally the exact same things I’ve forgotten to paint on these figures! (my friend Pat will know that feeling well). Ah, well. I’ll attend to it in due course. Nevertheless, I’m feeling quite pleased with my first WSS cavalry regiment, and my first metal Les Higgins figures too.
Hoping all visitors to this blog keep themselves and their loved ones healthy and we get through this together soon. In the meantime, when I’m not figure painting, I’m NHS employed and so will be playing a very tiny part in the national response during this time.
For some time, I’ve had my eye on acquiring one of the many Victorian newspaper illustrations of rifle volunteers from the movement’s heyday in the 1860s through to the end of the century. It was an abstract concept until Mark from Man of Tin drew my attention to such a print on display over his painting desk. It looked so good that it convinced me to do likewise.
The image I’ve chosen featured in a recent post and is taken from The Illustrated London News, September 1963. The caption reads: Review of the Norfolk Volunteers on Mousehold Heath: Lady Suffield presenting the prizes won at the Norfolk Rifle Association meeting.
I chose this one because of my interest in military volunteers from Norfolk, being a county I lived in years ago. What’s more, the illustration is a good scene of Victorian volunteer soldiery together with depictions of men and women of the local community taking a keen interest in proceedings. The dark-coated men lined up are from the local Volunteer Rifle Corps.
To either side are the mounted Norfolk Light Horse in their scarlet coats, wearing black dragoon helmets with falling white plumes, a force which I posted about earlier this year. This short-lived formation were attached to the local rifle corps. Other mounted military men in the distance appear to be officers wearing a variety of headdress and I can even make out a hussar.
The mounted man in the foreground appears to be an infantry or militia officer.
In the centre with the cocked hat could even be the Lord Lieutenant of Norfolk which at the time of this event would have been Thomas Coke’s son**.
And so, the artistic militarisation of my household walls continues…
KAMAR of Germany supply a great range of 1:72 scale figures including their own range of figures ranging from the Viking era to WWII. They also stock other manufacturers including Phersu’s ancients and Stenfalk’s magnificent animal range, to name but two. From KAMAR, I ordered this small group of four 1815 Dutch Carabiniers in metal, thinking, that despite their small number, they might make for a pleasing and unusual addition to the Nappy Cavalry Project.
These figures are supposed to depict the Dutch Carabiniers dating specifically from 1815, referring to their part in the 100 Days campaign and the battle of Waterloo. They were part of Tripp’s Heavy Cavalry Brigade at Waterloo which consisted of three regiments from the Netherlands:
1st Dutch Carabiniers (pink facings and red turnbacks)
2nd Belgian Carabiniers (red facings)
3rd Dutch Carabiniers (yellow facings)
I’ve elected to represent the 1st regiment which wore the unusual pink facings. Across the internet, it appears that there is some confusion over the headdress worn by these Dutch Carabiniers during the Waterloo campaign. It seems that most sources depict both the 1st and 3rd Dutch Carabiniers wearing bicornes whilst their Belgian comrades in the 2nd Belgian Carabiniers wore steel dragoon helmets.
In my copy of the ever-reliable The Waterloo Companion, however, Mark Adkin actually has the 1st Dutch Carabiniers wearing the steel helmet and this is further depicted in one the book’s plates.
Eventually, I discovered a comment from a blogger which might offer an explanation for all the confusion. This blogger suggests that;
“…the uniform with the bicorne and long tailed and lapeled coat was prescribed by the Souvereign Order of 31st December 1813. The regulations of 9 January 1815 ordered a short tailed single breasted coatee and the Belgian (steel) helmet. They were to be fully implemented on 1st May 1816. So both regiments went to war in 1815 in the old uniforms.”
So, it’s probable that KAMAR’s figures are suitable for Waterloo. Incidentally, the Italian manufacturer, Waterloo 1815, have produced a set of 6 metal / resin Belgian Carabiniers with steel helmets and which would compliment my Dutchmen very nicely. Well, I suppose I might consider a purchase…
There’s plenty of colour to paint in this regiment; pink, blue, red and white and you may also notice that these troops wear an orange cockade in their bicornes, in recognition of the Dutch Royal House. I think the most pleasing aspects of the figures is their relaxed state, swords drawn but otherwise passive with their standing horses nonetheless looking pleasingly animated and alive.
To conclude, some pictures of my first metal figures in the 1:72 scale Napoleonic Cavalry Project, followed by a brief regimental biography:
Regimental Biography: The 1st Dutch Carabiniers and Waterloo
During the Waterloo Campaign, the 1st Dutch Carabiniers were part of the Dutch Heavy Cavalry Brigade under Maj-General Tripp. The regiment numbered 446 sabres across 3 squadrons and in command was Lt-Col Coenegracht.
They were initially held in reserve behind Wellington’s centre. However, after the Household Brigade had been badly mauled in their epic counter-charge against the main French infantry assault, Tripp’s heavy cavalry became the only intact heavy cavalry formation left to Wellington. Consequently, they were heavily engaged against the French Cavalry for the remainder of the afternoon.
The Dutch Carabiniers initially counter-charged the French Cuirassiers which had been pursuing the remnants of the Household Brigade. A fierce melee ensued until the French were forced to withdraw.
As the battle continued, the 1st Dutch Carabiniers were called upon to counterattack on a number of occasions costing them 102 casualties (25% of the regiment) including a number of their senior officers including Lt.Col. Coenegracht himself, who was mortally wounded.
A flavour of the exhausting and bloody nature of the fighting experienced by the 1st Dutch Carabiniers at Waterloo can be gleaned from this quote by Maj-General Jonkheer (respectfully reproduced from the brilliant General Picton blog):
“After resting in this position, I noticed enemy’s cuirassiers which were advancing to charge the English squares. I saw a perfect moment to charge the enemy and ordered the 1st Regiment of Carabiniers attack the enemy as they were disordered around the squares. After the charge there were numerous enemies dead and wounded left on the ground. At the moment when the 1st Regiment rallied, the enemy sent in a second charge, in this action there were more than one French cuirassier regiment. These were equally repulsed by the 2nd and 3rd Regiment, many cuirassiers were left in our hands.”
It is early October in the year 1798. Leaves have started to fall in the grounds of Holkham Hall in Norfolk and a mild autumnal day is ahead. If we gaze out of the windows of the majestic stately home, we shall see that the south lawn of the estate today presents an extraordinary scene; for drawn up before us are 100 horsemen of the newly raised Holkham Yeomanry Cavalry. From across the lawn comes the sound of jangling tack and the cries of horses, punctuated by occasional shouts of military instruction. From our vantage point by the window, we can clearly make out the elegant red dress of Mrs Coke. Suddenly, an officer rides up to her and dips his sabre in salute. In her hand she holds out to him what appears to be a richly decorated standard…
In recent weeks I finished painting my version of the Holkham Yeomanry Cavalry, a local troop of horsemen raised by Thomas Coke of Holkham Hall, Norfolk during the French Revolutionary wars. Further information on this topic, can be found in previous posts:
Interestingly, the provincial paper, the Norwich Mercury, recorded the moment that the Holkham Yeomanry Cavalry’s standard was first bestowed upon the new troop. The correspondent recorded that, on October 6th, 1798:
“The two troops of Holkham volunteer cavalry, commanded by Major Coke, received their standard from the hands of Mrs. Coke. At eleven in the morning the troops, proceeded to the chapel, where the standard was consecrated by the Rev Henry Crowe.”
The account continues:
“At twelve o’clock the troops were drawn up on the South lawn, within a short distance of the house, when with some ceremony, the standard was given into the hands of Captain Edmund Rolfe. After the ceremony, the troops were entertained by their commanding officer, Major Coke, in Holkham House.” From “Records of the NYC”.
Thanks to the keen eye of Mark at Man of Tin blog, I managed to source some metal 1:72-scale Georgian-era civilians from KAMAR, a German manufacturer of excellent military figures. These figures have helped me recreate the scene and you will note that my troop of Holkham Yeomanry have arrived in force also:
List of local dignitaries at Holkham Hall:
I’d like to introduce some of the local dignitaries attending the presentation, beginning with the host and Major Commandant of the Holkham Yeomanry Cavalry:
Mr Thomas William Coke of Holkham
In 1798, Thomas Coke had fallen significantly out of favour with His Majesty King George III. He had been a vocal supporter of both the rebelling American colonists and also the French Revolutionaries, eventually feeling forced to repudiate the allegation of being an outright republican. A man of the ploughshare and not the sword by nature, Coke even initially opposed the establishment of local yeomanry forces in 1793.
By 1798, he felt moved to raise his own yeomanry force in the district of Holkham; ‘ eager to show my zeal in defence of my King and Country at this alarming crisis… ‘ and was petitioning the Prince of Wales for permission to base its uniform upon the Prince’s own 10th Light Dragoons. Coke was appointed to the rank of Major-Commandant of the HYC on the 19th July 1798.
On the 6th day of October 1798, the newly formed and trained Holkham yeomanry were to receive their standard in the grounds of Holkham Hall. For the purposes of my scene, I have chosen to depict Coke acting in his role strictly as host at Holkham Hall and dressed in civilian attire. Perhaps there’s even a very vague passing resemblance? It is quite possible that he would have been dressed in his military uniform, I suppose, but on such an occasion but I wanted to reproduce something of the man, and the agriculturalist, I’ve seen in a number of portraits.
Mrs Jane Coke (neé Dutton)
Mrs Coke, far from being a passive wife was, like her husband, a committed abolitionist and keen supporter of social welfare. At the time of the presentation in October 1798, Jane had been married to Thomas Coke (apparently for love) for nearly 23 years. She had born him three daughters: the eldest, Jane (21), being already married; Anne Margaret (19) the middle daughter; and the youngest, Elizabeth, who was only 3 years old.
For Mrs Coke’s figure, I’ve dressed her in a dark red dress, hopefully referencing the dress seen in her portrait, below right. I’ve even reproduced the white flower and leaves pinned as a brooch that she wears.
Jane died tragically at 47 years old, just 18 months after performing her essential role in the presentation ceremony. Her portrait now appears up on the wall in the Manuscript library (seen above) alongside that of her husband. Jane’s face is now seemingly forever gazing across to the standard which she had bestowed upon the regiment just months before her untimely death. I confess that I appear to have made the replica standard a tad larger in proportion than in reality…
Lady Jane Elizabeth Howard (neé Coke)
The eldest daughter of Thomas Coke and “a renowned beauty” according to Wikipedia. By the time of the presentation of the Holkham Yeomanry’s standard, 21 year old Lady Jane had been married for two years to Charles Nevinson Howard, styled as Viscount Andover.
Only 15 months later, her husband Charles was to be killed in a tragic shooting accident, the consequence of an ‘accidental discharge of his fowling piece’. They had no children.
Jane was to remarry 6 years later, having this time a more lasting union to Admiral Sir Henry Digby, a veteran of the battle of Trafalgar. This marriage gave rise to 3 children. Interestingly, their daughter, also called Jane, grew up to be a ‘scandalous adventuress” and her story is an astonishing one in its own right!
Charles Nevinson Howard, Viscount Andover
Charles Nevinson Howard, in the peerage known as Viscount Andover, was 22 years old at the time of our presentation. The son of the 15th Earl of Suffolk, he had married Coke’s eldest daughter, Lady Jane Coke, on 21 June 1796.
The site of the Holkham Yeomanry presentation was to prove to be also the place where he was to die a mere 15 months later. The estate was designed explicitly for the hunting of game and on the 11 January 1800, aged just 24, Viscount Andover was killed by the accidental discharge of his gun whilst out shooting in the grounds of Holkham Hall.
A reporter from ‘The Mercury’
One of my remaining figures I’ve fancied to be the reporter from The Mercury, the provincial newspaper which happily covered the event in such detail.
You will not that our correspondent’s top hat is cream coloured, the inspiration being a character I found in a satirical print on Thomas Coke dating from 1821.
Finally, one last local dignitary is included in my scene. In one hand, he holds a green bottle which we might imagine contains some port. In the other hand, he raises a glass, no doubt toasting to the future success of the newly-formed Holkham Yeomanry Cavalry! And to that we all give three hearty cheers!
And just to conclude this project, I’ve taken some more shots of men of the Holkham Yeomanry Cavalry drilling and manoeuvring with the entirely appropriate and glorious spectacle of Holkham Hall in the distance. Please note that any feint impression of tall obelisk in the distance that you may spot is a figment of your imagination, as clearly such an edifice would not have been built for another 50 years…
“The Durham Light Infantry was formed by the linking of the ’68th Foot or Durham Regiment’ with the 106th Bombay Light Infantry in 1881. The 68th Foot became a Light Infantry Corps in 1808. The drawing portrays a Private of the 68th in 1846.”
Number 11 of 25 from “British Uniforms of the 19th Century” – a cigarette card series issued by manufacturer Amalgamated Tobacco (Mills).
There’s a documentary TV series running on the BBC which features the work of the Household Cavalry. On a very recent episode, the cavalry (horses and soldiers both) were shown on their annual summer camp. Once a year, over 100 men and horses head off to Norfolk to undergo training including a ride over Holkham beach, plunging into and out of the surf.
This is all happening just a stone’s throw from Holkham Hall where, nearly 221 years ago, the Holkham Yeomanry Cavalry were first raised by Thomas Coke from amongst local volunteers. Surprisingly, it seems the mounted cavalry tradition continues in Holkham right up to this day!
Whereas the Household Cavalry are regulars, Coke’s Holkham Yeomanry were part-timers, local men to the area and were equipped by the wealthy Coke with some assistance from the government with its military supplies.
Research has led me to believe they would have looked similar to the 10th Light Dragoons, Coke having petitioned the Prince of Wales (the regiment’s honorary colonel) to adopt the same colours. Two sergeants of the 10th were ordered up by the Prince of Wales to train the troop in the standards of the British army’s light cavalry drill.
My Holkham Yeomanry’s uniform consists of:
blue jacket with white edging
pale yellow facings
white braid (white-silver for officers)
tarleton helmet with a black turban and silver chains
brass chain wing shoulder scales
For added decoration, I painted on to the figures some brass chain wings on the shoulders rather than going with the sculpted straps. It’s a style I’ve seen on other yeomanry troops of this era, including the Sussex and Warwickshire cavalry.
I spent a little time on the helmets to include a brass rim around the peaks and also silver chains holding the turban in place, not included by the sculptor.
In my previous post on the horses, I mentioned the pale yellow shabraques including a device in the corners with a black shape on a red background to indicate the ostrich device seen on the Holkham Yeomanry’s standard on display in Holkham Hall.
I’ve extended this theme for the officer’s sabretaches – being a yellow background, edged with red, with a central device in the centre and a gold crown above (not seen in these photographs but since corrected!). Three black dots to the side and below indicate the H, Y and C initials of the troop.
For the officers, they have a crimson sash around the waist and a little extra braiding which I added to create some ornate Austrian knot cuffs. To better differentiate the two figures, I’ve given one a twist of the head and arm. I’ve also provided him with greying hair thinking he could serve as the middle-aged Thomas Coke (the same age as yours truly – there’s time to raise my own regiment yet…). Instead, I have other plans for Coke and will perhaps instead nominate the figure to be his Troop’s 2nd-in-command, Captain Edmund Rolfe;
The other officer I propose to be Lieutenant George Hogg;
For the trumpeter figure, I’ve kept it simple. No fancy trumpet cords, just the brass instrument itself. Also, no expensive uniform in reverse colours or bandsman’s epaulettes; just the grey horse distinctive to all cavalry trumpeters.
With my men and horses now painted. There is one more element to my Holkham Yeomanry Cavalry project still to come: a recreation of a scene reported on by the local paper where the standard was presented to the troop by the lady of Holkham Hall, Mrs Jane Coke. I’ve now ordered my chosen figures for this scene and am awaiting delivery…
Just leaves me to conclude with a gallery of some more pics of the troop (click to ’embiggen’), followed by a brief regimental history.
Biography: The Holkham Yeomanry Cavalry [Great Britain]
Raised by Thomas Coke of Holkham Hall after petitioning the Prince of Wales in May 1798.
Coke appointed Commandant, 19th July 1798.
The HYC receive their standard on the south lawn of Holkham Hall, 6th October 1798.
Initially consisted of 2 troops numbering approx 50 men each.
Officers consist of Major Commandant Thomas William Coke; Captain Edmund Rolfe; Lieuts. George Hogg and Martin Folkes-Riston; Cornets Jason Gardner-Bloom and John Ward.
Briefly disbanded in 1802 (following the Peace of Amiens) but re-raised again the following year.
Attached to the 1st Regiment of the newly organised Norfolk Yeomanry together with the Norfolk Rangers, the Lynn & Freebridge, the Smithdon & Brothercross, and the Marshland Troops.
The whole regiment later adopts the Norfolk Rangers’ uniform (green jackets).
Disbanded for good, 1828.
The links below to my previous posts also provide further information: :
“The Gordon Highlanders were formed in 1881 by the amalgamation of the 75th Stirlingshire Regiment and the 92nd Highlanders. The Duchess of Gordon played an active part in the recruiting of the regiment by bestowing a kiss on each intending recruit. The drawing depicts a private of the regiment about 1840.“
Number 10 of 25 from “British Uniforms of the 19th Century” – a cigarette card series issued by manufacturer Amalgamated Tobacco (Mills).
Earlier this year, I visited and posted about the Queen’s Royal Lancers and Nottinghamshire Yeomanry Museum in Thoresby Park, Nottinghamshire. The museum included within the collection exhibits related to one of Nottinghamshire’s two yeomanry regiments; the South Notts Hussars, including the mess dress uniform shown below.
This reminded me that I had a 54mm figure of the regiment which I had lying around unpainted and it seemed a perfect spur for me to dig it out and finally get some paint on it.
My figure is an officer of the South Notts Hussars Yeomanry from 1908. It’s from the 54mm “Squadron Range” sold by Tradition of London. As you can see, I’ve mounted my yeoman on the same style plinth as all my other 54mm yeomanry range figures. Also as usual, I’ve put the name of the regiment on the front and some details of the figure on the back.
Information on old yeomanry uniforms is not always clear-cut but I note that the Uniformology website disagreed with the sculptor about the number of caplines around the busby, insisting the line went around the headdress four times instead of the more usual two shown here.
The trickiest part of the figure for me was creating the Austrian knot details on the cuffs which were very indistinct on the figure. A check of the internet helped me gain an understanding before I quickly attempted some freehand work which, I like to fool myself, looks okay for a first attempt.
I’m quite pleased with the pouch belt which I gently brushed with a mix of gold and gold-yellow to reveal its very subtle pattern.
This figure arrived last year as part of a huge collection being sold on by the family of a collector who had passed away. I am mindful of being but the latest custodian and always aim to do them some justice. The other figures from this collection formed most of my “Marrion’s Men” series of yeomen.
The pouch is black with a silver cover and a gold emblem and other metalwork on the belt is gold. Headdress consists of a black fur busby, a gold-laced red bag, and a white over red plume.
I think it’s a really nice figure and a great example of a late 19th / early 20th Century hussar’s uniform. However, at nearly £50 a painted figure + P&P from the Tradition website, I think I’ll stick to the far more enjoyable activity of painting my own!
Some great images of the regiment can be found on The British Empire website including a photograph of the regiment on the march dated the same year as my figure; 1908. It’s a great scene of the regiment mounted in Full Dress with ladies and children walking on the path alongside.
The nearby ceiling light reflects off the glass case and from the floor the sign inside was barely visible to the (shorter than average height) visitor, but thanks to holding my camera high up to take the photo, I could confirm that it reads “Norfolk Light Horse Volunteers“. It contains a Full Dress sabretache and a pouch.
Nothing particularly remarkable here, perhaps. The reason I’m posting about this obscure object is because I’ve been lately furthering my knowledge of Victorian military volunteers by reading W.Y. Carman’s “Light Horse and Mounted Rifle Volunteers 1860-1901“. This is an interesting guide to the short-lived phenomenon of Victorian mounted volunteers; not part of the yeomanry as such, but an adjunct to the wider Rifle Volunteer Movement which began in 1859. In 1862, it is thought that approximately 1218 mounted volunteers comprised up to 28 troops of both Light Horse and Mounted Rifles. By 1881, the demands, costs and complexities of maintaining these forces had seen them dwindle away, leaving only 5 units remaining totalling 530 men.
The Norfolk Light Horse, whose sabretache was up on the wall in the Muckleburgh Collection, lasted only 5 years, forming in September 1862 but disappearing well before the end of the decade (August 1867). They had their genesis in the newly formed Norfolk Mounted Rifles and, after evolving into a Light Horse formation, went on to number up to 60 men in total.
”The uniform consists of a scarlet tunic with blue facings, white cross belt, white breeches, and Napoleon boots, the head dress is a busby with blue bag ; the forage cap is blue trimmed with white. A number of the troop have daily appeared in the city during the week, on their way to drill ; they are exceedingly well mounted and certainly present a very imposing appearance… The Norfolk Chronicle, 6th April, 1861.
Initially wearing the busby described above, this troop soon adopted a dark blue / black dragoon helmet with a white plume and an unusual triangular leopardskin patch on the front. By 1863, although still wearing the red tunic, the white breeches had gone and the men are depicted wearing blue overalls with side stripes.
The painting below dates from 1862 and depicts the local 1st City of Norwich Rifle Volunteers in their grey uniforms but also shows some men of the “Norwich Light Horse Volunteers” (as they were known locally for a while), easily noticeable in their scarlet-coloured undress uniforms. Officers Captain Gurney and Cornet Grimmer are said to be amongst them. It’s a nice scene and great impression of volunteer soldiering in the Victorian era.
Particularly interesting to me is the view in the background of a rifle range, a topic I posted on back in 2017. The backstop, the targets and the flag can all be made out and also a very high second embankment on the hillside above, no doubt to stop badly aimed rounds from ricocheting up high off the rising ground. I think it’s also just possible to see the rest of the red-coated Light Horse troop mounted on the hill in the far distant skyline.
Mousehold Heath seemed to be a popular location for activities relating to Norfolk volunteer activity, so it’s perhaps no surprise to discover pictorial evidence of a rifle range. Part of this heath still exists today, albeit surrounded by new development on the outskirts of Norwich. The area is the opposite side of the city centre to where I used to live, so I am not particularly familiar with it. I wonder if there’s evidence of the range still to be found there?
In it’s brief existence, the Norfolk Light Horse played a colourful part in a number of local events and occasions. The Records of the Norfolk Yeomanry Cavalry describes something of the unit’s brief existence, including the review on Mousehold Heath seen in the newspaper illustration at the top of this post and reported enthusiastically by the local paper. Examples of their appearances at local events include;
1861 – (As the ‘Norwich Mounted Rifle Volunteers’), a volunteer review at Holkham Park.
1862 – A volunteer fete at Crown Point.
1863 – A ‘grand military parade’ in Norwich in celebration of the marriage of the Prince of Wales.
1863 – Annual volunteer review at Mousehold Heath.
1864 – A volunteer review at Gunton Park, notably with the “band of the 1st Norwich Light Horse” in attendance.
1866 – Escort duty for the Prince of Princess of Wales visiting Norwich – particularly prestigious for the NLHV as the King’s Dragoon Guards were reduced to merely lining the streets!
The Chronicle’s reports on such occasions could be warmly evocative:
‘The 1st Norwich Light Horse, commanded by Capt Hay Gurney, marched with the Lancers from the Cavalry Barracks… As soon as the cavalry had reached Tombland, the other troops fell in and the entire body moved off amid the cheers of the spectators, who by this time were numerous… Every window was filled with lookers on, for the most part ladies, whose bright smiles and cheerful faces, betokened the delight they took in the spectacle.” The Norfolk Chronicle, 14th March, 1863.
Returning to the sabretache and pouch I’d seen in the Muckleburgh collection, I wonder whether W.Y. Carman had access to these original objects when he published the book in 1991. In the passage on the Norfolk Light Horse, he writes;
“A Full Dress sabretache is known. It measured 10 and a half inches high and 9 and a quarter inches at the base. The ground was bright blue or ultramarine with silver lace around the sides and base showing a red outer edge. The regulation crown was set over a ‘VR’ cypher and a three-part scroll. The latter was of red cloth and had silver letters and edging, reading ‘Norfolk / Light / Horse’. W.Y. Carman
Smith and Harris’ “The Yeomanry Cavalry of Norfolk”, gives the dimensions as below, distinctly different to Carman’s measurements, and are surprised by the sabretache being the “smallest on record” with a pouch for holding papers, maps, etc as broad as the sabretache. This is perhaps explained by the sabretache being of such small dimensions whilst the need for a pouch large enough to provide utility still remained.
“The sabretache is of particular interest as it is the smallest specimen on record, the width of no more than 7 inches at the top and 8 inches at the bottom, overall depth 9 inches…strangely the pouch is almost as broad as the sabretache.” Smith and Harris.
The clear differences in dimensions, not to say other minor differences in the size and shape of the crown, cypher and other details, make me wonder if they really aren’t two completely different sabretaches. I feel the shape of Carman’s ‘tache further confirms this suspicion.
Carman also describes the pouch:
At the same time a Full Dress pouch was seen, the flap being black velvet edged with silver lace and the embroidered crown with a crimson lining was over N L H V in silver letters. The precise date of these items is not known. Another pouch had an ultramarine flap.”W.Y. Carman
Military artist Bob Marrion probably got a first-hand look at the Muckleburgh sabretache (even though his illustration was published around the same time as Carman’s work) as his sabretache on the cover of Vol.12 of the Uniforms of the British Yeomanry Force book seems to match the one in the collection very closely.
So, the items I saw in the Muckleburgh Collection in 2017 are either;
different to the ones written about by W.Y. Carman
or the pouch and sabretache which he reports as ‘last seen in 1958’ are one and the same with the Muckleburgh Collection’s and must have somehow resurfaced to find their way there.
Either way, it’s a shame that these relics, some of the few remaining items relating to the existence of this short-lived local mounted force, should be positioned so discreetly in the collection. Over 150 years ago, that humble sabretache would have once been a small part of the grand reviews and colourful parades which brought pleasure to many across the county.
The Royal carriages, escorted by a detachment of the Norwich Light Horse, appeared in sight. The autumnal tints of the trees, the bright uniforms of the Volunteers, the genial sunshine, and the hill and dale of the road, these with the long train of carriages contributed to form a delightful picture…” The Norfolk Chronicle, 3rd November, 1866.
Postscript! – Also high up on the same wall as the Norfolk Light Horse sabretache was another but from a different yeomanry regiment which has also thrown up something of interest. More on that in another post…
I have already presented the painted horses for the latest regiment in my Napoleonic Cavalry Project, so now it’s time to show them with their riders in-situ. I can announce that the 33rd regiment is Napoleon’s Chasseurs à Cheval of the Imperial Guard.
Wait a minute! That regiment has already appeared in the project, so I’ve got some explaining to do. I felt it was worth attempting this set for a number of reasons;
When they first appeared it was as a mere 5 mounted figures, (certainly not a full ‘regiment’) and were acting simply as an escort to Napoleon himself.
Those figures were by a different manufacturer; Italeri, not Revell.
Italeri’s figures had the men wearing full dress uniform with a pelisse and a plume and bag on their kolpaks. Revell’s men appear in plainer service dress.
Finally, both figures were of sufficient quality as to demand inclusion, these Revell ones being just too good not to attempt.
Unlike the 5 mounted and 2 unmounted figures in the Italeri French Imperial General Staff set, there are plenty of figure in Revell’s Mounted Guard Chasseurs set – a whopping 18 in total which includes a single standing figure.
Did I say they were of ‘sufficient quality’? That undersells it a bit as these Revell figures are very good. My only observation is that the detail is just so finely produced that it makes the painter’s task very tricky. Larger, crisper details may not be reproducing details accurately to scale but it makes the details pop out better to the eye. I’ve matched the basing to my original Italeri versions from 2015. They go together pretty well, I think, the difference between the styles of dress and sculpting can be seen when comparing them to the crisper Italeri versions I painted.
I was particularly impressed with Revell’s officer figure. The pose of his rearing horse with it’s leopard-skin shabraque is an audacious piece of sculpting and works well, I think, with the officer mounted. It’s a piece of dramatic hero posing that’s really memorable.
Other unique figures included in the box was this chasseur below standing on guard with musket and fixed bayonet. The trumpeter meanwhile is unmistakable with his dramatic white colpak and sky blue uniform.
It’s been a pleasure to work with these figures. What a shame that Revell aren’t producing any more Napoleonic cavalry – these guys are over 26 years old now! They didn’t make many Nappy cavalry sets, (aside from reissuing Italeri figures, their only other original set being the excellent British Life Guards), but what they did produce was a real boon to the hobby.
In time-honoured tradition, that just leaves me to share more of the finished figures with a regimental biography to follow:
Biography: Chasseurs à Cheval of the Imperial Guard [France]
The Chasseurs à Cheval of the Imperial Guard originally began life as a part of a regiment of Guides raised by Napoleon when just a general in the Revolutionary Wars in 1796. They would go on to become one of the most prestigious regiments in the army, providing the personal guard to the Emperor and nicknamed by some ‘The Pet Children’!
In 1800, a single company was raised of Chasseurs, commanded by the emperor’s stepson, which formed a part of the prestigious Consular Guides. This company took part in the narrow victory at the battle of Marengo. By 1802, they finally became a full regiment consisting of around 1000 men with a single company of Egyptian Mamelukes joining them as a part of the regiment later.
They performed a distinguished role at the battle of Austerlitz, badly mauling the Russian Imperial Guard. Missing the battle of Jena in 1806, the 1st Hussars (a regiment painted earlier in this project) had the privilege of escorting Napoleon on that occasion. They would return to personal escort duties in time for the triumphal entry into Berlin. They later took part in the great charge of Murat’s cavalry at the battle of Eylau in 1807.
During the Spanish campaign, this regiment performed well but was surprised, outflanked and badly cut up by British cavalry, their commander, Général de Brigade Charles Lefebvre-Desnouettes, being wounded and captured.
In the war of 1812, once more under the command of the returned General Lefebvre-Desnouettes, the regiment (as with the rest of the army) lost heavily over the course of the campaign, though distinguished themselves protecting their emperor from a particularly threatening attack by Cossacks.
During the final campaign that led to Waterloo, they formed part of the Light Cavalry Division of the Imperial Guard, numbering some 1200 sabres. Though leading the initial advance on Quatre Bras, they were not seriously engaged and suffered light losses. At Waterloo, they were deployed as part of the cavalry reserve. The Guard Chasseurs were sent in leading the 2nd wave of fruitless attacks against the Allied squares in the afternoon and thus their proud history as Napoleon’s favoured cavalry regiment would finally come to an end.
Notable Battles: Marengo, Austerlitz, Wagram, Eylau, Somosierra, La Moskowa, Quatre Bras, Waterloo.