Another of my 54mm Mitrecap Miniatures Yeomanry chaps. Although not inspired by R.J. Marrion or E.A. Campbell, or indeed any other illustration that I know of, this one is of particular interest to me as it’s my local volunteer force, the Leicestershire Yeomanry.
The uniform is a hussar pattern and recall similar items of uniform which I’ve seen before in the Leicestershire Yeomanry museum.
Much to my surprise after the usual chaotic and alchemical process of paint daubing and wash applications, the face has come out nicely. The shading is subtle, as is my style, but (I like to think) convincing enough.
The painting instructions by Mitrecap did not always accord with other evidence. The busby, for example, was described as dark brown fur but the examples seen in the museum were very definitely black – so I’ve gone with that.
Likewise, the ornate braid is described as being “silver” by Mitrecap. A Richard Simkin print which I have framed shows the braid as being a silvery shade of white.
Hopefully my blend of white and silver does the job.
The rest of the uniform is dark blue with scarlet piping on the legs, scarlet cuffs, collar and busby bag.
The flimsy plume had all but broken off when I received the figure so with some difficulty, I’ve managed to reattach it.
It’s a nice pose and excellent sculpting by Mitrecap, as I’ve come to expect from them. This yeoman joins another Leicestershire Yeomanry pair of figures, (Napoleonic era) which I painted just the other day. I know of only one other model representation of the Leicestershire Yeomanry, a plaster 150mm figure by “The Sentry Box”. Something to keep an eye out for?
Sited on the usual alder-wood Ukrainian-made plinth, this chap makes for the 11th 54mm yeomanry figure in my slowly growing collection. There’s more to come and given how pleasurable they are to paint, who’s to say it won’t be soon!
The purchase of some old unpainted Mitrecap Miniatures figures, which I mentioned in my previous post, included a Lieutenant of the Surrey Yeomanry c.1905.
This figure appears to have been inspired by this 1943 illustration by Edward A. Campbell seen in R.G. Harris’ “50 Years of Yeomanry Uniforms”:
The Campbell plate was itself based upon a photograph of the commander of A Squadron, Captain P. Noble Fawcett. Doubtful whether Mitrecap’s captain can be pinned down specifically as he, however, as I note that their figure does not sport his bushy moustache.
I posted recently on a portrait of an officer of the Surrey Yeomanry from the early 19th Century. The regiment in this early incarnation survived intermittently until disbanding in 1848. It was not then re-raised until 1901 when the Surrey Imperial Yeomanry were the first of a number of new yeomanry regiments raised after the inception of the Anglo-Boer War. Their uniform was originally based on that of the New South Wales Lancers, a unit which had attracted much admiration when they arrived in Britain as a delegation from Australia for Queen Victoria’s diamond jubilee in 1897.
In adopting this khaki uniform, the newly formed Surrey Yeomanry were correctly obeying the new instructions regarding the colour of Yeomanry service dress uniforms. The text accompanying a plate of a 1911 Surrey yeoman by P.H. Smitherman explains;
“In an attempt to curb the extravagance of dress in the mounted branches, Yeomanry regiments formed after the South African war were encouraged to confine themselves to khaki service dress…The trooper in this plate (see below) is wearing the type of uniform that all yeomanry regiments should have adopted after the Boer War, but which few of them did. As can be seen, it is a smart and practical dress, although not perhaps as flamboyant as was customary for the yeomanry. It is a dress of lancer pattern with cap lines although the regiment never wore the lance cap.” (P.H. Smitherman “Uniforms of the Yeomanry Regiments 1783-1911)
It’s interesting to note that despite the push to place Yeomanry troops in khaki, “few of them did”. R.J. Smith and R.G. Harris acknowledge that “the Yeomanry have always had the reputation of being a law unto themselves concerning some aspects of military regulations…” (“The Yeomanry Force at the 1911 Coronation”).
The Marrion’s, Smitherman’s and Campbell’s interpretation of the colour of khaki worn varies considerably, so I’m happy that my figure’s khaki exists somewhere between these extremes. Below is R.J. Marrion’s vision of a Surrey trooper at the time of the 1911 coronation:
I confess to making a mess of attaching the hat and left hand to the figure. It took me a while to work out how it was to be held but, after spreading glue liberally in places it wasn’t needed, I finally got it about right.
The face of the yeoman appeared to me to wearily have his eyes closed, the consequence of a long day in the saddle. After the application of paint, it seemed to work well so – possibly for the first time – I’ve painted a figure with his eyes shut.
Once again, a lovely piece of sculpting by Mitrecap. I’m not sure whether I’ve done it justice or not but I’ve enjoyed painting this figure which now takes it’s place as the 9th 54mm yeoman in my collection.
Stop Press! In typical style, I forgot to add a small silver badge to the turned up side of the slouch hat. To be fair, the sculptor hasn’t included it either, but it’s something I’ll include anyway.
It appears to be this white metal cap badge. This Other Ranks version being the crest of Lord William St.John Freemantle Brodrick, 9th Viscount Midleton, Hon. Colonel of the Regiment. The Surrey Imperial Yeomanry wore this badge on the turned up side of their slouch hats.
Brodrick was Secretary of State for war and gave his name to an unpopular British army undress cap of the time.
I mentioned in a post recently that I’d won a figure in auction to add to my steadily growing 54mm Yeomanry Cavalry series (aka Marrion’s Men). I’d missed out on this figure a year or so ago and so was understandably delighted to get my hands on it this time around. It’s an officer of the Sussex Yeomanry, circa 1908. The pose though not identical is very similar and the painting guide actually directly references the Marrion illustration seen below.
This illustration by Bob Marrion features on the cover of the first book in the Ogilby Trust series on British yeomanry uniforms which ran between the late 70s and the early 90s. On the same cover is another illustration of an officer which I’ve previously painted in 54mm (see below).
Mitrecap Miniatures was, so far as I can find out, established by Dennis Johnson in 1979 and did well until it eventually was brought to a close possibly sometime in the early-mid 2000s with the proprietor’s emigration to Spain. Names of some of the sculptors for Mitrecap that I’ve seen referenced elsewhere are Keith Durham and Peter Loxley.
This July 1984 edition of Modelworld News announced that “a new name to us is Mitrecap Miniatures 23 Queen’s Road, Sheffield, South Yorks. They have quite a big range of 54mm cast figures in kit form, including the British yeomanry (i.e. TA cavalry) regiments of the pre-1939 period…“
Recently, I discovered that my previously unsourced Westmorland & Cumberland yeoman figure in the Marrion series (painted back in 2018), is indeed another Mitrecap Miniature. Sure enough it is featured in their list of ‘figurines and accessories’. Their entire list demonstrates that they did a good line in volunteer troops of all kinds (militia, volunteer associations, rifle volunteers, etc).
These “Turn of the Century” figures, for example, include yeomanry of:
The Oxfordshire Hussars (1900)
Westmoreland & Cumberland Yeomanry (1900)
The Leicestershire Yeomanry (1910)
Yorkshire Dragoons (1900)
Yorkshire Hussars (1900)
Worcestershire Yeomanry (1900)
East Riding of Yorkshire Yeomanry (1908)
Westminster Dragoons (1909)
Fife & Forfar Yeomanry (1895)
Surrey Yeomanry (1905)
Sussex Yeomanry (1908)
Great to hear there were other yeomanry figures made under this manufacturer.
Now I know that the Sussex and Westmorland & Cumberland Yeomanry figures are inspired by Bob Marrion illustrations, I wonder how many of the others are too? Bob Marrion certainly produced illustrations of the Yorkshire Hussars, the Yorkshire Dragoons, the East Riding of Yorkshire Yeomanry, the Worcestershire Yeomanry and the Westminster Dragoons; all of which are listed by Mitrecap. So plenty of scope for another Marrion-inspired Mitrecap figure there.
…But now I’ve snapped up two more Mitrecap yeomanry figures which came up for auction this week for a very reasonable price indeed!*
*Honestly, Mrs Marvin!!
Neither of these figures are taken from the Marrion series of illustrations. However, on opening their still-sealed packets, I discovered that the figures were actually inspired by another artist well known to me. The painting guides reference Plate 25 and Plate 32 from “50 Years of Yeomanry Uniforms” by R.G. Harris and I thankfully have a copy of this 1972 book – a Christmas present received a couple of years ago.
One of these figures is based on this below illustration of a Lieutenant of the Surrey Yeomanry. Similar to the pose shown below in Campbell’s painting, the 54mm figure has his slouch hat detached and held in a hand:
The other figure references a plate of an officer of the East Riding of Yorkshire Yeomanry wearing a lancer uniform. This time the sculptor depicts the soldier wearing his lancer cap rather than following the illustration. The painting guide for this figure points to Plate 32 of Harris’ book and also Military Modelling’s 1983 April and May Issues.
The plates in this book are all work by the artist and former volunteer soldier, Edmund A. Campbell, who died in 1951 leaving behind a considerable number of military artworks from his extensive and first hand research. I suspect that the Mitrecap figures listed for the Fife & Forfar Yeomanry and the Oxfordshire Hussars at least could well be inspired by their respective Campbell plates (nos. 4 and 21). So it may be that I find myself developing a 54mm yeomanry series referencing the work of another military artist: Campbell’s Cavalry, perhaps?
I’ve been happily painting up another French infantry regiment from the War of the Spanish Succession. As these near completion, I’ve also been casting my eye over some other figures from the same Lace Wars period which could nicely enhance my collection.
The figures I have in mind are from Strelets’ Court and Army of Peter the 1st (aka the Great), some of which (above) I used for this year’s FEMbruary challenge which included the Empress Catherine, two ladies of court, an officer and some guards.
“Another senior government minister who became a privy councillor. He successfully negotiated a treaty with the Ottoman Empire but eventually fell from grace.“
‘Officer of Cavalry’
“Carrying a very short, stubby sword and apparently wearing a cuirass under his coat, so perhaps an officer of cavalry?“
You may note that I’ve removed his odd-looking “very short, stubby sword” so that he simply stands to attention. Helpfully, the end of his scabbard is hidden under his arm, so the absence of a sword won’t be a problem.
To accompany these ‘bigwigs’, I’ve assigned some additional guards to be painted also:
Part of the attraction for painting these personality figures is that they offer some possibilities for creating personalities of an imagi-nation of some sort. I’ve been thinking of how my burgeoning collection of early-18th century armies could be used to game the military travails of such an imaginary nation. Indeed, I have a specific nation in mind, but more on this perhaps in a future post…
After a brief hiatus, I’ve been dipping into the Strelets Lace Wars figures once more by adding the Sun King’s army with another French Regiment. Introducing the Regiment de Poitou, which in the Blenheim campaign consisted of a small battalion in Prince Isenghein’s Brigade.
They wear the usual white-grey coat with blue cuffs, white gaiters and a tricorne with yellow trim. I think they make a nice contrast to their sister regiment, the de Montfort.
I’ve used the other loading and firing figures which came with Strelets French Fusiliers (Early War) box, using the same two figures to further emphasise the regimental distinction.
I’m pleased with my officer figure who carries a spontoon. This figures fully justifies the “Lace Wars” label with his exuberant wig, frilly white neckerchief, white fur trim on the tricorne and lacy sleeves. Unfortunately, I seem to have yet to paint his white gloves which remain a distinctly less-than-foppish-dandy shade of black. I’ll reach for the brush soon to put that right!
I’ve not fussed with the shade of grey-white worn by the regiment and I think they look better for it. At John of Just Needs Varnish suggestion, I’ve staggered the two ranks in the firing line, front firing rank to the left and rear loading rank to the right, so the bases still line up;
The loading pose:
The firing pose:
I know that Strelets are working hard on the production of more WSS boxes including the very recent release of French grenadiers and marching musketeers. Some British cavalry masters have already made an appearance on their website too. Distribution in these troubled times remains a problem however, so modellers and wargamers may have to be patient for a while yet.
Detail on these HaT figures is a little vague here and there, but I’ve done my best to pick out as much as I can. Never HaT’s strongest point, the horses sculpting are acceptable rather than great, but they’ll do.
The Imperial Mounted Infantry would have looked a little rough and ready. In a muted painting style, I’ve tried to hint at this dusty and threadbare chic and also aim to add a little dust on to their boots when basing.
A private of the 90th Foot in the uniform of the Imperial Mounted Infantry.
Retaining his regimental tunic, he wears corduroy riding breeches, a leather bandolier instead of a belt, riding boots with spurs and carries a Swinburne-Henry carbine.
In my squadron, I’ve included representatives from some of the different regiments which supplied 1st squadron, Imperial Mounted Infantry with troops: mostly the 24th Foot (green facings) and the 80th, (red with yellow collar tabs), but also a few from the 3rd Foot (buff), and the 13th Light Infantry (dark blue).
The mounted poses look perfect for vedettes and scouts, a key role of the MI. Virtually all of their fighting would have been done on foot as infantry, so it’s good there’s some nice dismounted poses too.
This rediscovered old box of figures seems to be missing five horses and until I find replacements, some will have to remain ‘unmounted mounted infantry’:
So, they’re not based yet and I may even stall that process until I find some extra horses for them but I’ve glued some on to spare off-cuts of plastic card ready for when I do! At least, after nearly a decade, these accidental equestrians have finally been painted!
You’ll notice that I’ve thrown some sand down to act as an ersatz parade ground and pressed my 18th century country house into action once again (last seen acting as a St. Petersburg palace).
Forming a hollow square, my Old Guard are waiting to listen to him say a final farewell, prior to leaving for exile on the island of Elba.
Eventually, he appears before them, wearing his traditional bicorne hat and long grey coat. The emperor is visibly emotional. His voice, passionate and breaking, echoes across the parade ground as he begins…
You can now view the epic scene in this YouTube movie what I made:
Alternatively, the non-video version of my scene is below:
To help my painting of Strelets’ Boney, as a guide I settled on some portraits of him wearing a grey overcoat and the uniform of a colonel of the Chasseurs a Cheval. He seems to be consistently shown wearing a silver medal with a red ribbon, so I’ve reproduced that too.
Is it me, or does my Napoleon have more than a passing resemblance to Marlon Brando?
There was also the small matter of finishing my pioneer sergeant. Admittedly, it looks a little like he’s wearing a skirt with an apron but, given the size of his axe, I won’t be saying that to his face.
And with that, this submission for “Paint the Crap You Already Own” is complete. Needless to say, there’s plenty more I could get my teeth into and with some days left yet of April, I may yet even have a go at something else.
Until then, I say – goodbye my followers, goodbye my visitors, and goodbye my children!!!!
Ann’s Immaterium has issued forth a challenge for the month of April – “Paint the Crap You Already Own!” The aim is to pitch into some of our collectively large pile of unpainted crap (aka our precious collections) and the restrictions of national lockdown are providing the perfect conditions to do just that.
Rifling through my excessive mountain of unpainted kits, I randomly picked up one of a number of the Napoleonic ‘standing’ sets by Strelets that I own. There’s lots of these type of sets available from Strelets. They feature anything from Highlanders to Prussian Landwehr, all in poses which range between ‘order arms’, ‘shoulder arms’, ‘at ease’, ‘at attention’ or ‘on the march’.
Painting figures which are just standing around waiting seems a strangely appropriate choice in while in ‘lockdown’…
So, I’ve picked up my “Old Guard at Attention” box which I bought in 2018/19.
So here they are, les Grognards – about 30 ‘grumblers’ – currently all standing to attention and stoically awaiting some paint.
I notice that Old ‘Boney’ himself is included in the box, so perhaps i will include him also? I think the aim was to provide the painter with the means of recreating the scene where Napoleon takes his leave of the Old Guard prior to going into exile for the first time on the island of Elba.
Soldiers of my Old Guard, I bid you farewell. For twenty years you have been my constant companions on the road to honour and glory!
I sincerely hope all visitors are staying healthy and following the advice during this horrendous pandemic. During this difficult time, any slight sense of normality is welcome and it’s more comforting than ever to occasionally engage in the act of immersive act of figure painting. I’ve been finishing off my Les Higgins War of the Spanish Succession cuirassiers.
The Bavarian army during the War of the Spanish Succession initially included three cuirassier regiments (the Arco, Wieckel and La Tour regiments). This later increased to four with the raising of the Wolframsdorff Regiment. With their “lobster-tailed pot helmets” and metal cuirassies, these troops looked like something familiar from the previous century. During the English Civil War, the so-called Haselrig’s Lobsters wore this armour, not too dissimilar from the Bavarian cuirassiers of 60 years later:
I’ve chosen to paint these Les Higgins figures as the Arco Cuirassier Regiment, led by Cavalry General Johan Baptist Graf von Arco. Although the numbers in the regiment could vary significantly, a Bavarian cuirassier regiment at this time could have anything up to 900 men, organised into 8 -12 companies.
All the Bavarian cuirassiers during the War of the Spanish Succession wore grey coats with colours of cuffs & lining being distinctive to each regiment. The Arco Regiment was distinguished by mid-light blue facings and horse cloth. The original Robert Marrion illustration below, originally depicting the Wieckel Regiment, has been doctored by somebody with Arco facings and posted online.
All my Les Higgins’ Arco Cuirrassiers are wielding a pistol, which looks a convincing pose, I think.
As soon as I took these photos and uploaded them I found a post-it note to myself with the words “cuff buttons” and “stirrups” written on it, not coincidentally the exact same things I’ve forgotten to paint on these figures! (my friend Pat will know that feeling well). Ah, well. I’ll attend to it in due course. Nevertheless, I’m feeling quite pleased with my first WSS cavalry regiment, and my first metal Les Higgins figures too.
Hoping all visitors to this blog keep themselves and their loved ones healthy and we get through this together soon. In the meantime, when I’m not figure painting, I’m NHS employed and so will be playing a very tiny part in the national response during this time.
Just wanted to share some progress on my Les Higgins War of the Spanish Succession cavalry, sample figures courtesy of John Cunningham. There’s still a little corrective paint required on one or two of these figures, nonetheless I’ve been creating (from left to right):
a trooper of the Bavarian Arco Cuirassier Regiment
a French dragoon of the Royal Regiment
a dragoon of the Danish 5th Jydske Dragoon Regiment
a trooper of the Regiment du Roi, a French Horse Regiment
Still work to be done, but they’ve given me the template for creating an entire regiment of each. Yesterday, I received more of these wonderful old Les Higgins miniatures so I can set to work when I’m ready. These, along with the other mountain of figures should at least keep me well occupied in these troubling times of global pandemic.
For anyone interested in purchasing Les Higgins recast figures, please visit this page on Vintage Wargaming Figures for more information.