Finding myself in the area for a short break last week, I paid a short visit to Holkham Hall once again. I was fortunate in that the hall was open during the brief time I could visit (it would usually have been closed) but, unluckily, a special event meant that the manuscript library, which holds the yeomanry standard, was closed off to public access.
Nonetheless, it was a very enjoyable tour and I had a good talk with one of the fabulous room guides there about the Holkham Yeomanry. As we talked, visible through the windows was the south lawn looking glorious in the sun – the scene of the presentation of the yeomanry standard over 200 years ago.
My newly purchased postcard of Thomas Coke by Gainsborough.
Although a celebrated agriculturalist first and foremost, his passion for hunting on his estate meant that he would have been well familiar with guns. Here, he is pictured reloading, with three gundogs and a dead woodcock in view.
However, despite missing out on seeing the HYC standard again, there was still a pleasant surprise to be found in a downstairs room which I don’t recall being visible to the public on my last visit.
Access into the room was restricted but I could see it contained a snooker table with the walls festooned with examples of antique taxidermy and also what appeared to be 30 identical flintlock muskets.
There was no guide in attendance anywhere near this area, so I was left to speculate that these could be left over from the time of the Holkham Yeomanry’s service. In fact, I’d previously seen other examples of the Holkham Yeomanry’s muskets in a case at the nearby Victoria Arms on the Estate. It seems very likely that these are also part of the original HYC arms cache, as I find it difficult to imagine why the household would otherwise have retained at least 30 muskets of a seemingly identical pattern.
I took some low-quality photos of the room on my mobile phone but when back at home, on closer examination at home I was surprised to discover something else very intriguing.
Close up on the low resolution photograph, on a mantelpiece, a grainy image appears of a mounted figurine. It’s difficult to tell, but might I suggest that the rider has a sword drawn and is – just possibly – wearing the same Tarleton crested helmet seen worn by my own modelled versions of the troop…
For over a decade now, I yearly visit that part of the country, so perhaps another trip in 2020 will reveal yet more information?
For some time, I’ve had my eye on acquiring one of the many Victorian newspaper illustrations of rifle volunteers from the movement’s heyday in the 1860s through to the end of the century. It was an abstract concept until Mark from Man of Tin drew my attention to such a print on display over his painting desk. It looked so good that it convinced me to do likewise.
The image I’ve chosen featured in a recent post and is taken from The Illustrated London News, September 1963. The caption reads: Review of the Norfolk Volunteers on Mousehold Heath: Lady Suffield presenting the prizes won at the Norfolk Rifle Association meeting.
I chose this one because of my interest in military volunteers from Norfolk, being a county I lived in years ago. What’s more, the illustration is a good scene of Victorian volunteer soldiery together with depictions of men and women of the local community taking a keen interest in proceedings. The dark-coated men lined up are from the local Volunteer Rifle Corps.
To either side are the mounted Norfolk Light Horse in their scarlet coats, wearing black dragoon helmets with falling white plumes, a force which I posted about earlier this year. This short-lived formation were attached to the local rifle corps. Other mounted military men in the distance appear to be officers wearing a variety of headdress and I can even make out a hussar.
The mounted man in the foreground appears to be an infantry or militia officer.
In the centre with the cocked hat could even be the Lord Lieutenant of Norfolk which at the time of this event would have been Thomas Coke’s son**.
And so, the artistic militarisation of my household walls continues…
It is early October in the year 1798. Leaves have started to fall in the grounds of Holkham Hall in Norfolk and a mild autumnal day is ahead. If we gaze out of the windows of the majestic stately home, we shall see that the south lawn of the estate today presents an extraordinary scene; for drawn up before us are 100 horsemen of the newly raised Holkham Yeomanry Cavalry. From across the lawn comes the sound of jangling tack and the cries of horses, punctuated by occasional shouts of military instruction. From our vantage point by the window, we can clearly make out the elegant red dress of Mrs Coke. Suddenly, an officer rides up to her and dips his sabre in salute. In her hand she holds out to him what appears to be a richly decorated standard…
In recent weeks I finished painting my version of the Holkham Yeomanry Cavalry, a local troop of horsemen raised by Thomas Coke of Holkham Hall, Norfolk during the French Revolutionary wars. Further information on this topic, can be found in previous posts:
Interestingly, the provincial paper, the Norwich Mercury, recorded the moment that the Holkham Yeomanry Cavalry’s standard was first bestowed upon the new troop. The correspondent recorded that, on October 6th, 1798:
“The two troops of Holkham volunteer cavalry, commanded by Major Coke, received their standard from the hands of Mrs. Coke. At eleven in the morning the troops, proceeded to the chapel, where the standard was consecrated by the Rev Henry Crowe.”
The account continues:
“At twelve o’clock the troops were drawn up on the South lawn, within a short distance of the house, when with some ceremony, the standard was given into the hands of Captain Edmund Rolfe. After the ceremony, the troops were entertained by their commanding officer, Major Coke, in Holkham House.” From “Records of the NYC”.
Thanks to the keen eye of Mark at Man of Tin blog, I managed to source some metal 1:72-scale Georgian-era civilians from KAMAR, a German manufacturer of excellent military figures. These figures have helped me recreate the scene and you will note that my troop of Holkham Yeomanry have arrived in force also:
List of local dignitaries at Holkham Hall:
I’d like to introduce some of the local dignitaries attending the presentation, beginning with the host and Major Commandant of the Holkham Yeomanry Cavalry:
Mr Thomas William Coke of Holkham
In 1798, Thomas Coke had fallen significantly out of favour with His Majesty King George III. He had been a vocal supporter of both the rebelling American colonists and also the French Revolutionaries, eventually feeling forced to repudiate the allegation of being an outright republican. A man of the ploughshare and not the sword by nature, Coke even initially opposed the establishment of local yeomanry forces in 1793.
By 1798, he felt moved to raise his own yeomanry force in the district of Holkham; ‘ eager to show my zeal in defence of my King and Country at this alarming crisis… ‘ and was petitioning the Prince of Wales for permission to base its uniform upon the Prince’s own 10th Light Dragoons. Coke was appointed to the rank of Major-Commandant of the HYC on the 19th July 1798.
On the 6th day of October 1798, the newly formed and trained Holkham yeomanry were to receive their standard in the grounds of Holkham Hall. For the purposes of my scene, I have chosen to depict Coke acting in his role strictly as host at Holkham Hall and dressed in civilian attire. Perhaps there’s even a very vague passing resemblance? It is quite possible that he would have been dressed in his military uniform, I suppose, but on such an occasion but I wanted to reproduce something of the man, and the agriculturalist, I’ve seen in a number of portraits.
Mrs Jane Coke (neé Dutton)
Mrs Coke, far from being a passive wife was, like her husband, a committed abolitionist and keen supporter of social welfare. At the time of the presentation in October 1798, Jane had been married to Thomas Coke (apparently for love) for nearly 23 years. She had born him three daughters: the eldest, Jane (21), being already married; Anne Margaret (19) the middle daughter; and the youngest, Elizabeth, who was only 3 years old.
For Mrs Coke’s figure, I’ve dressed her in a dark red dress, hopefully referencing the dress seen in her portrait, below right. I’ve even reproduced the white flower and leaves pinned as a brooch that she wears.
Jane died tragically at 47 years old, just 18 months after performing her essential role in the presentation ceremony. Her portrait now appears up on the wall in the Manuscript library (seen above) alongside that of her husband. Jane’s face is now seemingly forever gazing across to the standard which she had bestowed upon the regiment just months before her untimely death. I confess that I appear to have made the replica standard a tad larger in proportion than in reality…
Lady Jane Elizabeth Howard (neé Coke)
The eldest daughter of Thomas Coke and “a renowned beauty” according to Wikipedia. By the time of the presentation of the Holkham Yeomanry’s standard, 21 year old Lady Jane had been married for two years to Charles Nevinson Howard, styled as Viscount Andover.
Only 15 months later, her husband Charles was to be killed in a tragic shooting accident, the consequence of an ‘accidental discharge of his fowling piece’. They had no children.
Jane was to remarry 6 years later, having this time a more lasting union to Admiral Sir Henry Digby, a veteran of the battle of Trafalgar. This marriage gave rise to 3 children. Interestingly, their daughter, also called Jane, grew up to be a ‘scandalous adventuress” and her story is an astonishing one in its own right!
Charles Nevinson Howard, Viscount Andover
Charles Nevinson Howard, in the peerage known as Viscount Andover, was 22 years old at the time of our presentation. The son of the 15th Earl of Suffolk, he had married Coke’s eldest daughter, Lady Jane Coke, on 21 June 1796.
The site of the Holkham Yeomanry presentation was to prove to be also the place where he was to die a mere 15 months later. The estate was designed explicitly for the hunting of game and on the 11 January 1800, aged just 24, Viscount Andover was killed by the accidental discharge of his gun whilst out shooting in the grounds of Holkham Hall.
A reporter from ‘The Mercury’
One of my remaining figures I’ve fancied to be the reporter from The Mercury, the provincial newspaper which happily covered the event in such detail.
You will not that our correspondent’s top hat is cream coloured, the inspiration being a character I found in a satirical print on Thomas Coke dating from 1821.
Finally, one last local dignitary is included in my scene. In one hand, he holds a green bottle which we might imagine contains some port. In the other hand, he raises a glass, no doubt toasting to the future success of the newly-formed Holkham Yeomanry Cavalry! And to that we all give three hearty cheers!
And just to conclude this project, I’ve taken some more shots of men of the Holkham Yeomanry Cavalry drilling and manoeuvring with the entirely appropriate and glorious spectacle of Holkham Hall in the distance. Please note that any feint impression of tall obelisk in the distance that you may spot is a figment of your imagination, as clearly such an edifice would not have been built for another 50 years…
There’s a documentary TV series running on the BBC which features the work of the Household Cavalry. On a very recent episode, the cavalry (horses and soldiers both) were shown on their annual summer camp. Once a year, over 100 men and horses head off to Norfolk to undergo training including a ride over Holkham beach, plunging into and out of the surf.
This is all happening just a stone’s throw from Holkham Hall where, nearly 221 years ago, the Holkham Yeomanry Cavalry were first raised by Thomas Coke from amongst local volunteers. Surprisingly, it seems the mounted cavalry tradition continues in Holkham right up to this day!
Whereas the Household Cavalry are regulars, Coke’s Holkham Yeomanry were part-timers, local men to the area and were equipped by the wealthy Coke with some assistance from the government with its military supplies.
Research has led me to believe they would have looked similar to the 10th Light Dragoons, Coke having petitioned the Prince of Wales (the regiment’s honorary colonel) to adopt the same colours. Two sergeants of the 10th were ordered up by the Prince of Wales to train the troop in the standards of the British army’s light cavalry drill.
My Holkham Yeomanry’s uniform consists of:
blue jacket with white edging
pale yellow facings
white braid (white-silver for officers)
tarleton helmet with a black turban and silver chains
brass chain wing shoulder scales
For added decoration, I painted on to the figures some brass chain wings on the shoulders rather than going with the sculpted straps. It’s a style I’ve seen on other yeomanry troops of this era, including the Sussex and Warwickshire cavalry.
I spent a little time on the helmets to include a brass rim around the peaks and also silver chains holding the turban in place, not included by the sculptor.
In my previous post on the horses, I mentioned the pale yellow shabraques including a device in the corners with a black shape on a red background to indicate the ostrich device seen on the Holkham Yeomanry’s standard on display in Holkham Hall.
I’ve extended this theme for the officer’s sabretaches – being a yellow background, edged with red, with a central device in the centre and a gold crown above (not seen in these photographs but since corrected!). Three black dots to the side and below indicate the H, Y and C initials of the troop.
For the officers, they have a crimson sash around the waist and a little extra braiding which I added to create some ornate Austrian knot cuffs. To better differentiate the two figures, I’ve given one a twist of the head and arm. I’ve also provided him with greying hair thinking he could serve as the middle-aged Thomas Coke (the same age as yours truly – there’s time to raise my own regiment yet…). Instead, I have other plans for Coke and will perhaps instead nominate the figure to be his Troop’s 2nd-in-command, Captain Edmund Rolfe;
The other officer I propose to be Lieutenant George Hogg;
For the trumpeter figure, I’ve kept it simple. No fancy trumpet cords, just the brass instrument itself. Also, no expensive uniform in reverse colours or bandsman’s epaulettes; just the grey horse distinctive to all cavalry trumpeters.
With my men and horses now painted. There is one more element to my Holkham Yeomanry Cavalry project still to come: a recreation of a scene reported on by the local paper where the standard was presented to the troop by the lady of Holkham Hall, Mrs Jane Coke. I’ve now ordered my chosen figures for this scene and am awaiting delivery…
Just leaves me to conclude with a gallery of some more pics of the troop (click to ’embiggen’), followed by a brief regimental history.
Biography: The Holkham Yeomanry Cavalry [Great Britain]
Raised by Thomas Coke of Holkham Hall after petitioning the Prince of Wales in May 1798.
Coke appointed Commandant, 19th July 1798.
The HYC receive their standard on the south lawn of Holkham Hall, 6th October 1798.
Initially consisted of 2 troops numbering approx 50 men each.
Officers consist of Major Commandant Thomas William Coke; Captain Edmund Rolfe; Lieuts. George Hogg and Martin Folkes-Riston; Cornets Jason Gardner-Bloom and John Ward.
Briefly disbanded in 1802 (following the Peace of Amiens) but re-raised again the following year.
Attached to the 1st Regiment of the newly organised Norfolk Yeomanry together with the Norfolk Rangers, the Lynn & Freebridge, the Smithdon & Brothercross, and the Marshland Troops.
The whole regiment later adopts the Norfolk Rangers’ uniform (green jackets).
Disbanded for good, 1828.
The links below to my previous posts also provide further information: :
The nearby ceiling light reflects off the glass case and from the floor the sign inside was barely visible to the (shorter than average height) visitor, but thanks to holding my camera high up to take the photo, I could confirm that it reads “Norfolk Light Horse Volunteers“. It contains a Full Dress sabretache and a pouch.
Nothing particularly remarkable here, perhaps. The reason I’m posting about this obscure object is because I’ve been lately furthering my knowledge of Victorian military volunteers by reading W.Y. Carman’s “Light Horse and Mounted Rifle Volunteers 1860-1901“. This is an interesting guide to the short-lived phenomenon of Victorian mounted volunteers; not part of the yeomanry as such, but an adjunct to the wider Rifle Volunteer Movement which began in 1859. In 1862, it is thought that approximately 1218 mounted volunteers comprised up to 28 troops of both Light Horse and Mounted Rifles. By 1881, the demands, costs and complexities of maintaining these forces had seen them dwindle away, leaving only 5 units remaining totalling 530 men.
The Norfolk Light Horse, whose sabretache was up on the wall in the Muckleburgh Collection, lasted only 5 years, forming in September 1862 but disappearing well before the end of the decade (August 1867). They had their genesis in the newly formed Norfolk Mounted Rifles and, after evolving into a Light Horse formation, went on to number up to 60 men in total.
”The uniform consists of a scarlet tunic with blue facings, white cross belt, white breeches, and Napoleon boots, the head dress is a busby with blue bag ; the forage cap is blue trimmed with white. A number of the troop have daily appeared in the city during the week, on their way to drill ; they are exceedingly well mounted and certainly present a very imposing appearance… The Norfolk Chronicle, 6th April, 1861.
Initially wearing the busby described above, this troop soon adopted a dark blue / black dragoon helmet with a white plume and an unusual triangular leopardskin patch on the front. By 1863, although still wearing the red tunic, the white breeches had gone and the men are depicted wearing blue overalls with side stripes.
The painting below dates from 1862 and depicts the local 1st City of Norwich Rifle Volunteers in their grey uniforms but also shows some men of the “Norwich Light Horse Volunteers” (as they were known locally for a while), easily noticeable in their scarlet-coloured undress uniforms. Officers Captain Gurney and Cornet Grimmer are said to be amongst them. It’s a nice scene and great impression of volunteer soldiering in the Victorian era.
Particularly interesting to me is the view in the background of a rifle range, a topic I posted on back in 2017. The backstop, the targets and the flag can all be made out and also a very high second embankment on the hillside above, no doubt to stop badly aimed rounds from ricocheting up high off the rising ground. I think it’s also just possible to see the rest of the red-coated Light Horse troop mounted on the hill in the far distant skyline.
Mousehold Heath seemed to be a popular location for activities relating to Norfolk volunteer activity, so it’s perhaps no surprise to discover pictorial evidence of a rifle range. Part of this heath still exists today, albeit surrounded by new development on the outskirts of Norwich. The area is the opposite side of the city centre to where I used to live, so I am not particularly familiar with it. I wonder if there’s evidence of the range still to be found there?
In it’s brief existence, the Norfolk Light Horse played a colourful part in a number of local events and occasions. The Records of the Norfolk Yeomanry Cavalry describes something of the unit’s brief existence, including the review on Mousehold Heath seen in the newspaper illustration at the top of this post and reported enthusiastically by the local paper. Examples of their appearances at local events include;
1861 – (As the ‘Norwich Mounted Rifle Volunteers’), a volunteer review at Holkham Park.
1862 – A volunteer fete at Crown Point.
1863 – A ‘grand military parade’ in Norwich in celebration of the marriage of the Prince of Wales.
1863 – Annual volunteer review at Mousehold Heath.
1864 – A volunteer review at Gunton Park, notably with the “band of the 1st Norwich Light Horse” in attendance.
1866 – Escort duty for the Prince of Princess of Wales visiting Norwich – particularly prestigious for the NLHV as the King’s Dragoon Guards were reduced to merely lining the streets!
The Chronicle’s reports on such occasions could be warmly evocative:
‘The 1st Norwich Light Horse, commanded by Capt Hay Gurney, marched with the Lancers from the Cavalry Barracks… As soon as the cavalry had reached Tombland, the other troops fell in and the entire body moved off amid the cheers of the spectators, who by this time were numerous… Every window was filled with lookers on, for the most part ladies, whose bright smiles and cheerful faces, betokened the delight they took in the spectacle.” The Norfolk Chronicle, 14th March, 1863.
Returning to the sabretache and pouch I’d seen in the Muckleburgh collection, I wonder whether W.Y. Carman had access to these original objects when he published the book in 1991. In the passage on the Norfolk Light Horse, he writes;
“A Full Dress sabretache is known. It measured 10 and a half inches high and 9 and a quarter inches at the base. The ground was bright blue or ultramarine with silver lace around the sides and base showing a red outer edge. The regulation crown was set over a ‘VR’ cypher and a three-part scroll. The latter was of red cloth and had silver letters and edging, reading ‘Norfolk / Light / Horse’. W.Y. Carman
Smith and Harris’ “The Yeomanry Cavalry of Norfolk”, gives the dimensions as below, distinctly different to Carman’s measurements, and are surprised by the sabretache being the “smallest on record” with a pouch for holding papers, maps, etc as broad as the sabretache. This is perhaps explained by the sabretache being of such small dimensions whilst the need for a pouch large enough to provide utility still remained.
“The sabretache is of particular interest as it is the smallest specimen on record, the width of no more than 7 inches at the top and 8 inches at the bottom, overall depth 9 inches…strangely the pouch is almost as broad as the sabretache.” Smith and Harris.
The clear differences in dimensions, not to say other minor differences in the size and shape of the crown, cypher and other details, make me wonder if they really aren’t two completely different sabretaches. I feel the shape of Carman’s ‘tache further confirms this suspicion.
Carman also describes the pouch:
At the same time a Full Dress pouch was seen, the flap being black velvet edged with silver lace and the embroidered crown with a crimson lining was over N L H V in silver letters. The precise date of these items is not known. Another pouch had an ultramarine flap.”W.Y. Carman
Military artist Bob Marrion probably got a first-hand look at the Muckleburgh sabretache (even though his illustration was published around the same time as Carman’s work) as his sabretache on the cover of Vol.12 of the Uniforms of the British Yeomanry Force book seems to match the one in the collection very closely.
So, the items I saw in the Muckleburgh Collection in 2017 are either;
different to the ones written about by W.Y. Carman
or the pouch and sabretache which he reports as ‘last seen in 1958’ are one and the same with the Muckleburgh Collection’s and must have somehow resurfaced to find their way there.
Either way, it’s a shame that these relics, some of the few remaining items relating to the existence of this short-lived local mounted force, should be positioned so discreetly in the collection. Over 150 years ago, that humble sabretache would have once been a small part of the grand reviews and colourful parades which brought pleasure to many across the county.
The Royal carriages, escorted by a detachment of the Norwich Light Horse, appeared in sight. The autumnal tints of the trees, the bright uniforms of the Volunteers, the genial sunshine, and the hill and dale of the road, these with the long train of carriages contributed to form a delightful picture…” The Norfolk Chronicle, 3rd November, 1866.
Postscript! – Also high up on the same wall as the Norfolk Light Horse sabretache was another but from a different yeomanry regiment which has also thrown up something of interest. More on that in another post…
A week’s holiday away with the family means a break from the hobby for a while. Sometimes. The Norfolk and Suffolk Yeomanry collection was just down the coast from where we were staying but, having visited last year, I declined a revisit and stuck to spending time with the family. When we decided to visit the magnificent Holkham Hall and its enormous gardens however, it provided me with an opportunity for some military history…
Prior to my trip to the Norfolk and Suffolk Yeomanry collection last year in the Muckleburgh Collection, I did a little background reading. One of the many early incarnations of Yeomanry from Norfolk mentioned in my book was the Holkham Yeomanry Cavalry. I seemed to recall that the troop’s standard was on display within the hall, so I kept an eye out for it as we toured around. I’m glad to say that I did indeed find it although, I’ve since been unable to find any reference to it being at the hall whatsoever, so how I knew I simply have no idea!
Norfolk Yeomanry was raised, disbanded and re-raised a number of times between 1782 and 1849. At any one time it consisted of a wide range of troops from all across the county, often equipped and officered by wealthy local landowners at their own expense. The coastal district of Holkham in North Norfolk was no different and the area was dominated by the very grand Holkham Hall. The man who raised Holkham’s first yeomanry force was the hall’s owner Thomas William Coke. One of his portraits was up on the wall in the Manuscript Library.
Underneath this portrait was a seemingly insignificant little banner but I recognised it immediately as being an early yeomanry standard. The HYC initials confirmed it; Holkham Yeomanry Cavalry.
The Yeomanry standard was hung at eye level in the small Manuscript Library room surrounded by many priceless and ancient books. The Uniforms of the British Yeomanry Force series on the Norfolk Yeomanry contains a monochrome photo of the standard and describes it in the following way: —
“…A standard of the Holkham Yeomanry Cavalry of 1798 carries the same central device, the three turreted castle on a shieldwith crown above and the letters H and Y left and right of shield and C below, a panel in each of the four corners.”
The 3-turreted castle is a feature on the coat of arms of Norwich, the principal town of Norfolk. The four corners contain two galloping horses and two ostriches with horseshoes held in their beaks (the ostrich being an emblem used within the Coke family coat of arms). The black and white photo looks very similar although notably the horses are reversed in their direction. The black and white photo might simply be the rear view but the fringe on the base of the standard has come away in my photo. So, this might also be a different standard altogether to my photo. I approached the helpful guide in the room to find out more and he suggested to me that the standard may well not be the original version at all but instead a slightly ‘newer’ version created in the 1820s, towards the end of the regiment’s existence.
In my chat with the knowledgeable guide, he also suggested to me that Mr Coke had raised the yeomanry troop partly because other local landowners suspected that he harboured sympathies with the republican revolutionaries of France! This is perhaps surprising for a man with so much wealth, land and influence. Raising a troop of yeomanry could have been a method therefore to forestall any suspicious rumours over his loyalty to the king, and of course did his prestige as a rich landowner no harm at all. Records seem to support the guide’s suggestion that Coke did indeed feel some pressing need to ingratiate himself with the King. In a letter to the Prince of Wales, Coke writes:
”Feeling eager to show my zeal in defence of my King and Country at this alarming crisis… I think the best service I can render is by raising a Squadron of Horse, of the most respectable Yeomanry in this neighbourhood… of which I hope your Royal Highness will have the opportunity of judging by honouring Holkham with your presence in the autumn.” Letter from Thomas William Coke to the Prince of Wales. May 1798. From “Records of the Norfolk Yeomanry Cavalry” 1908.
Coke was appointed to the rank of Major Commandant of the HYC on the 19th July 1798. The local paper recorded the moment that the Holkham Yeomanry Cavalry’s standard was first bestowed upon the new troop. The Mercury recorded that, on October 6th, 1798:
“The two troops of Holkham volunteer cavalry, commanded by Major Coke, received their standard from the hands of Mrs. Coke. At eleven in the morning the troops, proceeded to the chapel, where the standard was consecrated by the Rev Henry Crowe, sen.
The account continues:
At twelve o’clock the troops were drawn up on the South lawn, within a short distance of the house, when with some ceremony, the standard was given into the hands of Captain Edmund Rolfe. After the ceremony, the troops were entertained by their commanding officer, Major Coke, in Holkham House.” From “Records of the NYC”.
Mrs Coke was a committed abolitionist and keen supporter of social welfare. Her portrait also appears up on the wall in library alongside her husband, her face now seemingly looking towards the standard that she’d bestowed upon the regiment just two years before her untimely death.
In 1798, tally returns show the HYC numbering 100 men, double the number that many other corps in Norfolk at the time had raised. Consequently, as suggested above, it was split into two troops. The Holkham Troop’s officers consisted of;
Major Commandant Thomas William Coke
Captain Edmund Rolfe
Lieuts. George Hogg and Martin Folkes-Riston
Cornets Jason Gardner-Bloom and John Ward
I am unsure as to the uniform details of the Holkham Yeomanry. The automated scanned text of Thomas Coke’s letter to the Prince of Wales contained within the “Records of the Norfolk Yeomanry Cavalry” is garbled: ” …I have to request your Royal Highnesses permission that we may wear the colours of ye loth for our uniform”. Yellow, perhaps? There is in existence an engraved chart entitled “A view of the volunteer army of Great Britain in the year 1806” which listed the colours of all the yeomanry forces but unfortunately omits the Holkham Troop! With the notable exception of the Norfolk Rangers who wore green jackets, the majority of Norfolk’s yeomanry at this time wore red coats, facings which were mostly black and breeches predominantly white or blue. All wore Tarleton helmets. So perhaps we can assume that the Holkham Yeomanry probably looked very similar.
The Peace of Amiens in 1802 led to the disbandment of the yeomanry but this was almost immediately followed by a re-raising of all the cavalry in 1803, when Britain once more declared war on France. Lord Townsend of Fakenham grouped the many disparate corps of yeomanry existing across Norfolk into three regiments to improve efficiency. The Holkham Yeomanry Cavalry troop were attached to the 1st Regiment alongside the Norfolk Rangers, the Lynn & Freebridge, Smithdon & Brothercross, and the Marshland Troops. The newly combined 1st Regiment then numbered 350 in total. Some years later, the entire 1st Regiment was to adopt the Norfolk Rangers green uniform.
Of course, although the threat was very real and persisted for years, Napoleon never did invade and the yeomanry were never called upon to fight him. However, civil disturbances kept many yeomanry forces busy. Indeed on the 16th March 1815, months before the battle of Waterloo, the Holkham Yeomanry’s own commander was subject to an attack by an angry mob:
“Thomas Coke of Holkham was present at a show of prize cattle in Norwich when… a number of persons, acting upon the assumption that he was a supporter of the Corn Bill, proceeded to treat him in a very rough and violent manner…the mob hurled a volley of stones and brickbats at Mr. Coke and friends.” From ‘Records of the NYC’.
It seems that he was besieged in a public house and only barely managed to escape. The riot was quelled by the Brunswick Hussars, then stationed in Norwich, under the command of a Lieut-Col. Von Tempsky. Disparity of wealth between rich and poor was certainly extreme at the time, yet ironically it appears that Coke was one of the more socially conscious of landlords.
Coke’s troop of cavalry, the Holkham Yeomanry, were finally disbanded for good in 1828. Various incarnations of mounted yeomanry from within the county continued to arise intermittently, however, and there were ongoing ties with Holkham Hall. Indeed, nearly 20 years later, on May 22nd, 1847, the Norfolk Chronicle reported on “Prince Albert’s Own Corps of Yeomanry Cavalry” drilling on the grounds of Coke’s Holkham estate:
“The town of Wells is at this time very gay, being honoured by a visit from the gentlemen comprising Prince Albert’s Own corps of Yeomanry cavalry. They entered the town on Saturday last, under the command of Major Loftus, and the lovers of music are day by day enchanted by their splendid brass band… Their practising ground is on the North lawn in Holkham Park.” From ‘Records of the NYC’.
The same newspaper later also documented the activities of this yeomanry regiment at Holkham Hall which is worth quoting at length to provide an overview of yeomanry duties and occupations during camp:
“We mentioned in our last week’s paper, the arrival at Wells, of the 300 Prince Albert’s own corps of Norfolk Yeomanry cavalry, for eight days permanent duty, on Saturday the 15th inst.
”On Monday the 17th, the three squadrons mustered for exercise and marched to Holkham Park, permission having been granted to Major Loftus by the Earl of Leicester, to make any use of the Park for exercise, likewise the stables at the Hall for the accommodation of the horses during his sojourn at Wells, with the corps under his command. At two o’clock the corps were dismounted, and at this period, the Major received a most polite invitation for himself and his brother officers to luncheon at the Hall…
“On Tuesday, at ten o’clock, the corps again marched to the Park, and after going through various evolutions, until 2 p.m. dismounted. The officers received an invitation to the Hall to luncheon, a marquee being erected in the Park for the accommodation of the men, in which refreshments were provided, and at three o’clock they returned to town…
” At an early hour on Wednesday morning, the corps assembled in the Park at Holkham… Precisely at half past five the Earl arrived accompanied by the Hon. and Rev. Thomas Keppel, and were received with all military honours. At eight o’clock the Lord-Lieutenant accompanied by Major Loftus, and the officers proceeded to the concert room which was crowded to excess, and it is but justice to state that owing to the excellent arrangements made by Mr Jonas Wright, the band master, the company assembled enjoyed a musical treat, not often met with in a provincial town.
“On Thursday morning there was a short foot parade, with carbines and side arms, and at twelve o’clock, the officers, non-commissioned officers and several of the private members proceeded to the Park for the purpose of playing a game of cricket with the Earl of Leicester. At four o’clock the officers and players sat down to a most sumptuous entertainment given by the noble Earl, at which every delicacy of the season was provided.” Quoted in Records of the NYC’.
Thomas Coke, having been created 1st Earl of Leicester in 1837, after 20 years a widower shocked all by marrying 18-year old Anne Keppel at the somewhat advanced age of 68(!). They had a son who inherited the title. Thomas Coke died at the age of 88 in 1842. His body was returned to Norfolk from Derbyshire where he’d been out on a visit and on the final leg of the coffin’s journey there were yeomen in attendance.
After the disbandment of the Norfolk Yeomanry in 1849, there were still instances of volunteer cavalry parading at Holkham Hall. In 1861;
“A body of mounted volunteers, the Norwich Mounted Volunteers, took part in the great review of the whole of the volunteers of the county, on Sept 12, 1861, which was held at Holkham Park. Their uniform consists of a scarlet tunic with blue facings, white cross belt, white breeches, and Napoleon boots, the head-dress is a busby with blue bag; the forage cap is blue trimmed with white. ” Norfolk Chronicle, 1861. Quoted in “Records of the NYC”.
It wasn’t until the Anglo-Boer War that the Norfolk Yeomanry was re-raised once again now under the patronage of the King himself. These were men intended to fight out on the South African veldt as part of the Imperial Yeomanry force. The very first parade of the “King’s Own Regiment of Norfolk Imperial Yeomanry” took place at Holkham Hall, on September 10th, 1901. Still awaiting their uniforms, the regiment paraded by squadrons in plain clothes on the cricket ground. On the day of my visit, a cricket match was in progress, the sport still being played right in front of the hall where Norfolk yeomen had once paraded, rode and manoeuvred so often many years ago.
Further on in the hall, I also discovered a small display featuring men of Holkham Hall who had fought in the World War and were recorded on the Roll of Honour or the war memorial which lies within the grounds. The Roll of Honour included two estate workers who respectively served with yeomanry regiments; the Westminster Dragoons and City of London Roughriders. There was also one from the Norfolk Yeomanry, a Walter Hughe. World War 1 had ensured that a Holkham man finally did see action serving with the county’s yeomanry.
Finally. below are some scenes of the Norfolk Yeomanry at Holkham Hall during their Summer Camp in 1911. Equestrian events such as tent-pegging can be seen and the men are watering their horses in Holkham Hall’s lake. The regiment’s C Squadron had a drill station in nearby Wells-Next-The-Sea.
NOTE: Further research in later posts revealed the true nature of the uniform of the Holkham Yeomanry. For further information on this and more relating to the Holkham Yeomanry, see the following posts:
Finding myself in Norfolk for a couple of day’s holiday, I took the opportunity to visit the Muckleburgh Collection near Weybourne. Situated right on the north Norfolk coastline, it is the site of a former military camp dedicated to training anti-aircraft personnel. This privately owned museum today houses many impressive exhibits of 20th century artillery, armoured vehicles, heavy tanks and missiles, etc.
But it also contains the largest collection of exhibits from the Suffolk and Norfolk Yeomanry and, eschewing much of the modern military hardware on display, it was this collection that (unsurprisingly) attracted Suburban Militarism for a brief visit.
In preparation for the visit, I referred to two books in my possession; Volume 12 of the “Uniforms of the British Yeomanry Force” series on the Norfolk Yeomanry, and the excellently written 2012 book “The Loyal Suffolk Hussars” by Margaret Thomas and Nick Sign.
The gallery was a wealth of information and exhibits. It was unfortunate, however, that many of them were grouped behind a large glass partition in a separate area. The lighting was good however and one had to admire at a slightly greater distance than this military history nerd would have liked.
The Norfolk Yeomanry had an intermittent history, coming in and out of existence a number of times since its establishment. Forming and reforming thereafter in various guises until finally disbanding in 1867. It was not until after the Boer War in 1902 that the Norfolk Yeomanry was again re-raised as the King’s Own Royal Regiment. This was thanks in no small part to the keen interest and patronage of His Majesty King Edward the VII, the regiment’s own honorary colonel.
Such influence enabled it to resist the encroachment of khaki and also saw it involved in a number of prestigious royal escort duties. This re-raised KORR had a unique and attractive full dress uniform which included this glorious black-japanned helmet with a warm yellow falling plume, an ordinary ranks helmet that I found on display. Within the partitioned area, I later spied an officer’s version of this helmet with a central star inside the laurel wreath. To the left of the photo below can just be seen some yellow cord aiguilettes, possibly used by a bandsmen of A Troop.
The distinctive yellow facings could be seen on displayed mess jackets and also on an unusual lancer-style coat with this stark yellow plastron with Full Dress pouch (left). This unusual Levee Order tunic featured laced facings was worn between 1903-1914. The mess jacket on the right partially conceals an intricately ornamented cream mess vest underneath.
The Norfolk Yeomanry for a short time (1901-1904) switched to this Colonial Pattern helmet with a brass spike. Ordinary ranks had a plain drab pagri wrapped around the helmet, while officers were distinguished by a blue version as seen in the helmet I discovered below.
Unlike their northern brethren, the Suffolk Yeomanry managed to more or less maintain a constant presence since its inception, in part relying on recruiting additional troops from neighbouring counties whose yeomanry had disbanded, such as Norfolk. By 1855, the title of “The Loyal Suffolk Yeomanry” was in use, with the adopted uniform being of a rifle green hussar style uniform to match (see below). This later became navy blue with red facings, a colour which would also appear on their caps.
Examples of their busbies (red bags and white plumes) were displayed, together with officer’s epaulettes and undress headgear such as the red coloured pillbox and field service caps. The yellow cap seen below with the GviiR cypher is of the Norfolk Yeomanry.
Some of the most interesting helmets on display were the behind glass partition. These included a Tarleton in good condition from the green-coated Norfolk Rangers (c.1789), a helmet of the Swaffam Troop missing its crest and badge (c.1798), an officer’s imposing bicorne hat, and three excellent Suffolk Yeomanry Cavalry helmets from around 1815 (centre left photo).
Always a pleasure to discover interesting artworks and images on the walls of a collection, aside from the large canvas already mentioned, some others that caught my eye included these below.
Left: An oil painting of the Suffolk Artillery Brigade Militia parading with their artillery pieces just visible lined up in the background. It appears to show a drumhead ceremony.
Right: A fine watercolour of the King’s Own Royal Regiment (Norfolk Yeomanry) in camp around the turn of the last century.
Also, these interesting images of:
Norfolk Volunteer Artillery mounted on a limber, photographed on Mousehold heath, 1895.
A very old pencil sketch of the ‘favourite charger of Major Edgar’ (Colonel of the Suffolk Yeomanry), found in a local market.
A number of accoutrements caught my eye including a fabulous brass pouch belt buckle of Norfolk’s Clackclose Troop of Yeomanry Cavalry (1796). Some of the exhibit labels confused me though; the labels for the Norfolk Yeomanry and the 3rd Norfolk Rifle Volunteer Corps belt buckles below appear to have been mixed up!
A visit to a yeomanry collection is incomplete without seeing some ornate sabretaches and this collection had plenty to view. The red Loyal Suffolk Hussars sabretache developed to include a reference to being the Duke of York’s Own. Other examples included the Suffolk Borderers (bottom left) and the Norfolk Light Horse (centre bottom) which were a mounted corps developed out of the Rifle Volunteer movement in 1860 and which lasted until 1867.
Finally, a particular interest of mine of late is the colourful and decorative yeomanry bands and it was pleasing to see the Norfolk Yeomanry’s own represented in the form of yellow cord aiguilettes, two drum banners and a pair of gilt embossed kettledrums. Note the portrait of an Norfolk Yeomanry officer wearing that Levee Order dress uniform mentioned earlier (left).
On a very final note, your reporter was delighted to find in the collection a whole separate room of model soldiers, more on this perhaps in another post…
Continuing my report on my trip to the Royal Norfolk Regimental museum, where I was happily touring the regimental galleries whilst my wife and young daughter were hitting the local Norwich shops…
The 1903/04 Younghusband expedition to Tibet has often been described as the last of Queen Victoria’s ‘little wars’. Although Her Majesty had passed away a few years before the adventure, it certainly bore all the hallmarks of a typical Victorian colonial army venture. A key feature of such wars, I’ve always felt, was the clash of cultures. The Zulus, Maoris, Sikhs, Egyptians and Chinese had cultures utterly distinct from the British, and indeed from each other. Globalisation and the modern world would steadily erode these differences but significant ‘first contact’ moments with these disparate peoples were often of a military nature.
The Tibet expedition yielded a clash with a people utterly different to the British, and quite distinct even from other nations of the region. The stark nature of these differences was brought into sharp focus with the use of modern western weaponry, in particular the Maxim machine gun. It was a struggle to manage at times in the extreme cold but was nonetheless devastatingly effective against Tibetan swords.
This particular maxim was used by Lt Hadow and his 17-strong detachment of Norfolks on the expedition and he boasted of it being able to fire 450 rounds a minute. The devastating effect upon the matchlock-armed Tibetans, even as they were retiring, seems to have elicited moral discomfort from some British troops. “I got so sick of the slaughter that I ceased fire, though the general’s order was to make as big a bag as possible”, wrote Hadow later. “I hope I shall never again have to shoot down men walking away.” Reaction in Britain to the massacre at Chumik Shenko had been one of “shock [and] growing disquiet”. Magazines such as Punch expressed critical views of the situation where “half-armed men” were being wiped out “with the irresistible weapons of science.” The First World War was only a decade away.
Displayed alongside the Maxim, with some poignancy, are the Buddhist religious artefacts and artworks taken during the venture. Having been rather isolated from the outside world, the contrast between 20th century mechanised warfare and an ancient religious tradition is starkly contrasted in this display.
Against this industrial military power, the Tibetans were still using flint and tinder pouches for their stone-ball firing muskets, and wielded long swords.
Looting and the collection of exotic artefacts was common practise and not just in the British army of the time. It’s a contentious topic for sure, but I’m grateful that as a consequence I am at least able to see these wonderful and well-preserved objects close up. As a buddhist myself, (yes, a buddhist with an interest in military history – I’m a complicated guy), it’s a particular pleasure. Lt Hadow’s granddaughter, Celia Hadow, transported one looted statue of the Buddha back to Tibet to return to the 14th Dalai Lama himself and BBC Radio 4 made a programme about it called ‘The Return of the Buddha’ in 2004.
Tibetan artefacts on display above included a brass statue of the Buddha, two clay teacher statues, a bone prayer trumpet used by Lamas, a prayer wheel, a wooden printing block, and a golden chorten (a model of a religious monument) taken at the battle of Gyantse.
A fine Bhutanese dagger in the collection was a diplomatic gift to Lt Hadow from the ruler of Bhutan, Tongsa Penlop, who accompanied the Younghusband Mission.
At a different part of the castle was a gallery entitled ‘Treasure, Trade and the Exotic’, which I discovered included one more looted exhibit; a ceremonial bone apron.
Although the British invasion caused destruction and harm to Tibet, arguably this seems to pale in comparison to what the country has suffered, and continues to suffer since then.
There was so much of interest to see in this small but effective collection that I simply include a gallery below of some more objects which I thought particularly noteworthy:
Chin drum taken in Burma, 1889.
Quilted woollen boots of Cpl Green, Tibet expedition 1903. The cold of the Himalayas were a problem.
Ornate Turkish sandbags and drum taken at Gaza, WW1.
A great example of a Wolesley helmet from the meospotamian campaign in WWI. The yellow and black flash was particular to the Norfolks.
Japanese muzzle-loading cannon, c.1868.
A visit to the castle shop yielded an excellent book on The Royal Norfolk Regiment by Tim Carew, which I’ve been eagerly devouring ever since. From this history, it seems the regiment was subject to numerous disasters and bouts of being virtually wiped out! Disease (mostly), storms at sea, extreme privations, or incompetent generalship were sometimes to blame, but never was it as a consequence of the bravery or competence of its soldiers. Britannia must have been proud of her sons.
That visit has whetted my appetite for another museum venture. I’m having to travel farther afield to find new collections but they’re often worth the effort when I do. In the meantime, now my holiday is over I will be soon back once more to the modelling.
I’ve just returned from a wonderful holiday by the sea. Aside from beachcombing, I did occasionally head inland and one such trip visited Norwich, a city which was once my home for year back in 1998/99 whilst I was studying at the UEA (University of East Anglia).
It was terrific to return to the’fine city’ of Norwich once again, a city I always loved to live in, but one of my aims with this visit was to see the Royal Norfolk Regiment collection. This is currently housed in the walls of the castle, along with a number of other collections covering such diverse themes as Roman and Anglo-Saxon finds, Victorian taxidermy and other exotic collections. Consequently, the regimental museum suffers a little from a lack of space and also has to compete for the attention of visitors faced with a plethora of other distractions.
Nevertheless, I always enjoy a regimental museum and the Norfolk Regiment version certainly did not disappoint! The Norfolk Regiment has a long, proud and occasionally tragic history. Becoming the 9th Regiment of Foot in 1751, it later was dubbed the 9th (East Norfolk) Regiment of Foot. Raised by James II in 1685, it served in Europe’s 7 Years War, the yellow fever ridden West Indies, troublesome Ireland, revolutionary America, enjoyed some recuperation in Japan, and found very great renown for its actions during the Peninsular War. In the Victorian era, it fought in the diseased trenches of the Crimea and in all of the ferocious Sikh and Afghan wars, settling into Indian service before being renamed simply The Norfolk Regiment in 1881.
In 1799 the King approved the Regiment’s use of Britannia as its symbol and her depiction was much in evidence in the museum. Britannia’s image was portrayed in many versions on cap badges, crossbelt buckles, waist belt buckles, snuff boxes, pouches and buttons. The image of Britannia gave rise to the nickname ‘ Holy Boys ‘ awarded to the Regiment when Spanish soldiers mistook the figure of Britannia on the soldiers’ badges for the Virgin Mary.
A large silver boss, officer’s regency shako badge, an 1898 officer’s badge and a soldier helmet badge 1881.
A silver boss for the displaying of the colour. This depicts Britannia and the regiment’s battle honours.
Poor old Britannia even took a direct hit from a bullet as evidenced by this brass crossbelt buckle which (presumably) may have at least saved the life of its wearer during the desperate 2-day battle of Ferozeshah during the 1st Anglo-Sikh War, 1845.
Other metalwork on display included this pair of wonderful Afghan army helmets, captured during the 2nd Anglo-Afghan War. The design is similar to the brass dragoon helmet then popular with the British cavalry. This pair appears to have been made in Afghanistan, showing less-than-sophisticated workmanship they were manufactured in a somewhat asymmetrical manner!
Space limitations no doubt limited the number of uniforms on display, nonetheless there was a fine example of an officers coatee worn by Ensign Duncan Pirie who sadly died of fever in India in 1839. The red sash around the waist meanwhile belonged to a Lt Douglas in the Crimean War (1854-56). It is ominously blood stained and holed by a bullet.
The excellent computer archive on the regiment’s timeline demonstrated many wonderful paintings and watercolours of the regiment, including some work on the regiment by the wonderful Richard Simkin and this watercolour below by Henry Martens, showing a detachment of the 9th Foot entering the Fortress of Allahabad after the First Sikh War in 1845-6. A shame that none were available in the shop for this fan of military art.
Finally, also catching my eye was this protective armour plating used during bayonet fencing. There was also displayed a large helmet with an enourmous face guard used for the same purpose. From my photo there can also be seen a splended Bell shako with dark green plume. Britannia taking pride of place as always on the badge!
Part two of this museum report (featuring some wonderful Tibetan buddhist exhibits) to follow shortly….
I’m learning more about how to paint at the 28mm scale each time I tackle some figures, but I can’t say I’m totally 100% content with these final figures. I’ve had to make a few minor compromises on the uniform shown in the postcard which first inspired them, and the shade of blue in their trousers is darker than I intended. Nevertheless, I think they’re looking okay and make a nice spectacle marching in step.
I’m already thinking about my next challeng which will be a return (at long last!) to some of my piles of 1/72 (20mm) figures. I think I may finish off my Quiberon Expedition project, which I began last year after returning from holidaying near to Lymington. It was a visit to the town’s museum which inspired my interest.
Speaking of holidays, I’ll be shortly off to this years destination and taking a necessary sabbatical from all things related to military modelling. Did I say a sabbatical? Well, not entirely as my intention is to make a visit to a regimental museum there while I’m away, to be featured on this blog as the next ‘day trip’ report…
Anyway, until then, here are my men of the 54th (West Norfolk) Regiment on a stifling hot march through the jungles of the Arakan during the First Anglo-Burmese War in the year of 1825:-