Earlier this year, I visited and posted about the Queen’s Royal Lancers and Nottinghamshire Yeomanry Museum in Thoresby Park, Nottinghamshire. The museum included within the collection exhibits related to one of Nottinghamshire’s two yeomanry regiments; the South Notts Hussars, including the mess dress uniform shown below.
This reminded me that I had a 54mm figure of the regiment which I had lying around unpainted and it seemed a perfect spur for me to dig it out and finally get some paint on it.
My figure is an officer of the South Notts Hussars Yeomanry from 1908. It’s from the 54mm “Squadron Range” sold by Tradition of London. As you can see, I’ve mounted my yeoman on the same style plinth as all my other 54mm yeomanry range figures. Also as usual, I’ve put the name of the regiment on the front and some details of the figure on the back.
Information on old yeomanry uniforms is not always clear-cut but I note that the Uniformology website disagreed with the sculptor about the number of caplines around the busby, insisting the line went around the headdress four times instead of the more usual two shown here.
The trickiest part of the figure for me was creating the Austrian knot details on the cuffs which were very indistinct on the figure. A check of the internet helped me gain an understanding before I quickly attempted some freehand work which, I like to fool myself, looks okay for a first attempt.
I’m quite pleased with the pouch belt which I gently brushed with a mix of gold and gold-yellow to reveal its very subtle pattern.
This figure arrived last year as part of a huge collection being sold on by the family of a collector who had passed away. I am mindful of being but the latest custodian and always aim to do them some justice. The other figures from this collection formed most of my “Marrion’s Men” series of yeomen.
The pouch is black with a silver cover and a gold emblem and other metalwork on the belt is gold. Headdress consists of a black fur busby, a gold-laced red bag, and a white over red plume.
I think it’s a really nice figure and a great example of a late 19th / early 20th Century hussar’s uniform. However, at nearly £50 a painted figure + P&P from the Tradition website, I think I’ll stick to the far more enjoyable activity of painting my own!
Some great images of the regiment can be found on The British Empire website including a photograph of the regiment on the march dated the same year as my figure; 1908. It’s a great scene of the regiment mounted in Full Dress with ladies and children walking on the path alongside.
This trip was actually a revisit to a museum which I’d last visited some 5 or 6 years ago, prior to this blog’s current incarnation and its series of museum reports. The Queen’s Royal Lancers & Nottinghamshire Yeomanry Museum is situated in Thoresby Park, deep in the picturesque Nottinghamshire countryside. Entry is completely free and its displays include the combined collections of:
The Queen’s Royal Lancers and their antecedents, namely;
5th (Royal Irish) Lancers
16th (The Queen’s) Lancers
17th (Duke of Cambridge’s Own) Lancers
21st (Empress of India’s) Lancers
The Sherwood Rangers Yeomanry
The South Notts Hussars
On this visit, I was particularly keen to take a closer look at displays connected to the two local yeomanry regiments; the Sherwood Rangers and the South Nottinghamshire Hussars.
Nottinghamshire’s Yeomanry Regiments:
One of the first things that I encountered on entry was a cabinet which included two ancient yeomanry tunics. The first had white facings and was dark blue in colour with tightly packed rows of silver braiding covering the front of the tunic from base to shoulder – 26 rows of loops and buttons (count ’em). The garment was described as belonging to the Worksop Independent Troop, Nottinghamshire Yeomanry, c. 1820.
All that silver braiding continues elsewhere on the tunic too, with some Austrian knot detailing on the cuffs and trefoils on the back and even around the sides.
The other tunic in the cabinet dated from 1815 and belonged to the Newark Troop, Nottinghamshire Yeomanry. This coat was red with white facings, having three rows of 18 white metal buttons but without all the lace seen on the Worksop cavalry tunic above.
The shoulder scales were made of metal links, in contrast to the Worksop example’s cord braid on the shoulders.
An illustration of the 1798 uniform of this troop was available for purchase in the shop both as a postcard and notebook cover. It shows men of the Newark Troop in front of their home town’s castle ruin and the River Trent. Although the style of the coat (17 years older than the one displayed) is very different, the scarlet colour remains the same. Facings and turban appear to be a shade of orange or gold.
The above image also shows the guidon which remarkably is still in existence and appeared high up on the wall of the museum. The Royal Standard (below) was “presented on the 14th July 1795 to the Nottinghamshire Yeomanry in the name of Thomas Webb Edge and Mrs Lumley Saville. The needlework was her own. The guidon was re-presented to the Sherwood Rangers Yeomanry on the 4th May 1840…[and was] always carried by the Newark Troop”.
Tucked away in an alcove elsewhere in the museum, and partially covered by another display propped up against it, appeared to be a Victorian print of a cavalryman. It reminded me of my own collection of Henry Martens series of Yeomanry illustrations, so I took a closer look.
Frustratingly, my close up photos of the title and artist/engraver didn’t come out at all, so I’m left guessing on those details now but I know it wasn’t a Martens. What I do know is that the artwork was a local production, “Printed for the compilers by Stevenson and Co., Middle Pavement in Nottingham” in 1848. This was just a few years after the Fores’ Yeomanry Costumes by Henry Martens were published. The compositional style is very reminiscent of Martens.
Interestingly, the red shako shown in the print was said to be an exact copy of that worn by the Chasseurs d’Afrique. What makes Yeomanry uniforms particularly interesting to me is this freedom that individual regiments could enjoy to mimic and reference other styles, even colourful and ‘exotic’ foreign ones such as this.
As with my Fores’ prints, this one comes with a dedication; “To Lieut. Colonel Holden, the officers, non comm’nd officers & privates of the Nottinghamshire Cavalry.” A little research informs me that the scarlet shako was adopted in 1847, just one year before the painting was published. The falling plume was black and there are yellow lines of cord on the shako depicted. The hussar uniform is blue, although it appears as a kind of light grey in the faded print. The pouch belt is black and the scabbard suggests a heavy cavalryman’s straight sword rather than a hussar’s curved sabre.
In the same display case as the tunics was this above helmet described as a “Notts Yeomanry Cavalry helmet c. 1837, probably manufactured for the regiment.” This regiment eventually became the Sherwood Rangers. It’s in terrific condition and appears to be made of ‘japanned’ (heavy black lacquered) leather. The horsehair plume is red and there are ventilation bars in the sides of the crest. Under the royal coat of arms gilt badge there is brass bar engraved with the title “Notts Yeomanry Cavalry”. A beautiful object!
The above 1845 shako badge displays the name of the South Notts Yeomanry Cavalry, forerunner to the South Notts Hussars. The hugely informative British Empire blog also has an image of the regiment’s shako with this sunburst design badge in place.
The uniforms shown above were unlabelled. Clearly not lancers, they look to be from the local yeomanry of the late 18th century and being navy must belong to the South Notts Hussars (the Sherwood Rangers wore a striking green hussar uniform). The five braiding loops tunic appears to be Mess Dress with a gold and red waistcoat underneath.
Incidentally, I have lying around a 54mm metal figure of the South Notts Hussars awaiting some paint, although a different order of dress, it’s five braiding loops closely matching the Simkin illustration seen above. Perhaps sometime soon might be a good time to make a start on it?
The 17th (Duke of Cambridge’s Own) Lancers:
The regular lancer regiments in the museum had a varied and dramatic history. The 17th Lancers being particularly well-known for their part in the Charge of the Light Brigade at Balaclava. I think that they possibly have the most recognisable cap badge in the British Army; the macabre skull and crossbones, sometimes seen with the legend “Or Glory”. Seen on their 1815 Light Dragoon shako, it reminds me much of the headgear of the famous Prussian ‘Death’s Head’ Hussars, although they would have looked at the time more like my 13th Light Dragoon figures from 2015.
Their motto ‘Death or Glory’ was a reference to General Wolfe who fell mortally wounded at Quebec, 1759. I still have a “Death or Glory Boys” coaster taken from a visit I must have made to the 17th Lancers museum as a small child when it was still based in Belvoir Castle – looking pretty good after all these years!
More headdress of the 17th was on display, including one which saw use during the famous charge itself:
There is some controversy surrounding which bugle actually sounded the Charge of the Light Brigade, but the one on display in this museum has a very strong claim. The hole smashed through the end was caused by a Cossack piercing it with a lance, attempting (and failing) to pick it up off the ground and to take away as a trophy. An astonishing object in many ways.
An audio recording of a surviving trumpeter who was present in the charge was played on loop in the museum and you can hear it online, Trumpeter Kenneth Landfried blowing on a Waterloo bugle recorded on wax cylinder in 1890:-
Below: uniforms of the 17th through the ages on display:
a replica of the attractive light blue uniform worn in the American War of Independence;
an officer’s service uniform from the Zulu War (other ranks had white crossbelts without the silver pickers and plate);
a scarlet uniform from the time of George IV, a monarch determined to see all of his cavalry regiments wear red!
The 21st (Empress of India’s) Lancers:
A neat display dedicated to the 21st Lancers concentrated mostly on their famous charge at the battle of Omdurman. This is unsurprising given their relative newness, being formed in 1858 for the East India Company and not brought within the British army until 1862. Three regiments had previously been designated the 21st Regiment.
Being dogged by its lack of battle honours and experience (“thou shalt not kill” was unkindly suggested as the regimental motto), its reckless charge at the Dervish tribesman in 1898 seemed to some to be motivated by a need to restore some honour. Notably attaching himself to this wild charge was a young Winston Churchill of the 4th Hussars.
As a reference to its Indian origins when it was part of the EIC’s Bengal cavalry, the 21st Lancers wore French Grey facings, an example of which could be seen clearly in this late 19th Century Full Dress uniform.
The 16th (The Queen’s) Lancers:
The 16th Lancers were known as ‘The Scarlet Lancers” after successfully petitioning to retain the existing scarlet coatee when in 1840 it was ordered that all the Light Cavalry should revert back to the blue uniforms. An example of their unique scarlet lancer coat can be seen below.
The 16th Lancers famous action at the Battle of Aliwal in the Anglo-Sikh Wars was given due prominence. At this action, the regiment charged a Sikh force many times its own size, dispersed their cavalry and then broke the Sikh infantry squares, taking many casualties in the process but doing much to secure outright victory.
The 5th (Royal Irish) Lancers:
Concluding this report, this magnificent copper kettle drum below was described as being ‘used by the 5th Royal Irish Lancers’. Being that it appeared in a cabinet dedicated to the 18th century, I presume that this instrument is an antique belonging to the original regiment’s guise as the 5th Dragoons.
Notably, the 5th Regiment of Dragoons was disgraced after being infiltrated by Irish rebels during 1798. It was erased from the army list, with nothing existing for many years between the 4th and 6th cavalry regiments. This mark of disgrace lasted until it was reformed as lancers in 1858. An excellent example of the regiment’s pre-1798 uniform was on display; this lovely c.1745 mitre cap and c.1770 jacket of the 5th Royal Dragoons (note the links on the shoulders very similar to the Newark Troop’s example earlier).
The interesting display included a garment of their adversaries, Sudanese jibbahs, coats made of white cotton with additional patches sewn on.
With the exception of a thriving cafe, Thorseby courtyard seemed largely deserted of shops when I visited, so I wonder if the museum would do better in a much more accessible location, particularly so for those without a car. For those who are able to visit, with free entry and a rich collection of history to be found in nicely presented premises, the Queen’s Royal Lancers & Nottinghamshire Yeomanry museum is highly recommended!
By second group of rifle volunteers, the Robin Hood Rifles, have now been given the plinth and plaque treatment. The final result is pleasing enough, but I’ve struggled a little to get the rifleman’s green uniform to my satisfaction. My first attempt looked fine enough but the highlights were too bold and made the uniform look far lighter in shade than it would have been. The next attempt is the one you see now. The highlights are more subtle but the shade of green isn’t quite to my satisfaction, although I maintain it looks closer to the original versions seen in the museum than appears in these photos.
After some deliberation, I’ve reproduced another rifle range scene, given that this is the only location where these volunteer riflemen might be conceivably discharging their Martini-Henrys!
I chose some different figures from the Perry Miniatures sprue and /or glued them in different poses to further differentiate them from the Cheshire Greys. This has allowed me to depict a sergeant making a suggestion to his officer, gesturing to men in the firing line.
The officer, meanwhile, is using his field glasses to observe the hits (or misses) on the targets some 300 yards away.
There are two other Rifle Volunteer Corps that it’s my intention to represent. However, they will require slightly different figures to the ones I’ve been using hitherto from the Zulu War British Infantry box (although the figures are indeed still from Perry Miniatures). I’m not certain whether I shall launch into one of these straight away or take a breather from rifle volunteers and tackle some other figures. I shall reveal my intentions in the next post! Till next time,