Another Marrion’s Men post…

You’ll never guess what came through the post today. A couple of weeks ago, I complained about missing out on eBay on a Dorset Miniatures 54mm figure, another one for my “Marrion’s Men” series of yeomanry.

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Having been outbid, I was surprised to see the same figure quickly re-listed. Presumably, the original winner found themselves unable to commit to the purchase for some reason. I’m delighted to confirm that I subsequently won the figure – all of which makes for a happy me!

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So, I’ll be painting up this 1852 officer of the Yorkshire Hussars at some point. In the meantime, the lack of any finished figures appearing on this blog of late is not down to a total lack of endeavour on my part. Those Pegasus’ French WWI infantry are proving incredibly time-consuming. I’m creeping forward with them, so more on those whenever I finally get something worth sharing…

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Marrion’s Men #4: Officer, Westmorland and Cumberland Yeomanry

In what, for the time being, will be my last post on my series of R.J.Marrion-inspired figures, I present an officer of the Westmorland and Cumberland Yeomanry in Parade Dress from the period 1905-1914.

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This figure is based on an illustration by R.J. Marrion appearing on the cover of #4 book in Barlow and Smith’s series on “The Uniforms of the British Yeomanry Force 1794-1914”; the Westmorland and Cumberland Yeomanry.

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Marrion Yeomanry comparison

The figure arrived through the post partly base-coated and with its own plinth…

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I re-primed it with some matt black paint and got started…

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54mm is still a new scale to me and I found painting this figure surprisingly challenging, getting the shade and colours to my satisfaction was like dabbling in alchemy. I made a good number of revisions and I think I’m satisfied with the result. Even attaching the figure to its new plinth involved some drilling, fashioning a short metal pin and some glue; such practical activities are never my forte but it’s worked –  it remains upright!

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The Uniform:

The Barlow and Smith book describes the uniform in the following detail:

The scarlet serge frock

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…the new serge frock was entirely scarlet except that there was a trefoil in mixed silver and red cord on the cuffs and similar cord all around the collar forming eyes below the top edging. On the collar were white gorget patches with a central horizontal red stripe and a lozenge-shaped button near the ends of the patch.

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Officer’s scarlet serge patrol frock, 1897-1914.

There were shoulder chains on scarlet backing and a scarlet waist band or self-belt secured in front of the lowest button. The frock had patch and pleated breast pockets and patch pockets below the waist; five silver lozenge-shaped buttons down the front, a smaller lozenge button on each breast pocket flap and one on each shoulder chain. 

I’ve painted the trefoil and collar cord white and scarlet, the former standing out better to the eye than the prescribed silver.

The blue overalls

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The Overalls were dark blue with double silver lace stripes mounted on scarlet cloth, showing scarlet edges and a blue light between the stripes. Wellington boots in dismounted duty with box spurs.

That was all a little too detailed for my liking, even on a 54mm figure. My stripes are basically silver with some kind of red in there too – and that will have to be sufficient!

The forage cap

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Barlow and Smith have a close-up picture of the cap (above) featuring a different badge post-dating the ‘three sprigs of heather’ which features on my figure. It describes the cap thus:

In about 1905 a very striking staff pattern, peaked, forage cap (Fig. 27) was introduced for the officers. It was scarlet, with a white band and piping in the crown seam, and a black chin-strap held by two silver lozenge -shaped buttons. The black patent leather peak had a silver-braided edge for the field officers. A silver badge of three sprigs of heather was worn. 

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It’s certainly a striking feature. Again on my figure, for the silver edge on the peak, I’ve opted for white with a touch of silver so that it stands out more cleanly.

The pouch belt and pouches

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“In about 1902 a pouch with solid silver flap and red leather box was introduced (Fig. 15); it had oak leaf engraving on the flap and the same device as [the previous] cloth-faced pouch, but with the King’s crown all in gilt, entwined and reversed. This pouch was probably introduced for general wear, such as church parades in order to save the embroided type for levees.”

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The sword

In a previous post about the third figure in my series of Marrion’s Men, I mentioned the very kind lady who is the widow of the original owner of these wonderful figures. She unexpectedly forwarded to me a couple of swords which had been found lying around which she hoped would suit the one that I was missing. Although it wasn’t quite right for the Sharpshooter figure, it has proved perfect for this WCYC figure and nestles under the crook of his arm perfectly. For all I know, it may even be the original sword which came with this figure.

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Quite honestly, it feels good to finish some of these figures which were once started by her husband but which, unfortunately, he was unable to complete during his lifetime. Of course, we figure painters ultimately know that we will never finish painting our stock and the hope must be that the ranks of the unfinished find their way to those who will appreciate them to the utmost, as has certainly been the case with this yeoman.

Marvin


Postscript: “the one that got away…”

Incidentally, I spotted another figure by R.J. Marrion which had recently come up for auction from the same stock as this WCYC figure. It’s yet another figure from the Sussex Yeomanry, which was the first book in the Uniforms of the British Yeomanry Force series.  I’ve already painted one from the cover of this book, but this one got away from me. I was bidding against a collector with seemingly bottomless pockets and my own bid, which was already much higher than I’d readily admit to my wife, was more than easily trounced by his first offer – which he then bolstered with another just in case! He needn’t have worried; I’m far from a wealthy man. Sometimes, it’s a good thing that my first love remains cheap plastic 1/72 scale figures…!

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Interestingly, this new figure was not from Dorset Miniatures, as all have been previously, but produced by Mitrecap Miniatures. So it seems that Marrion’s yeomen have appeared under the guises of various manufacturers.

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I made some enquiries directly with Dorset Model Soldiers, the successor firm to Dorset (Metal Model) Soldiers which manufactured the Trumpeter and other figures in this range of yeomanry from the Marrion, Barlow and Smith series. The new owner only acquired the firm a couple of years ago so could tell me little more but suggested that my sculpted figures are “likely to be the work of Giles Brown, the previous owner”. Whoever it was, my attempt at painting this figure stands as a kind of humble tribute to their very fine sculpting.

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1912 Camp with the officer seated on the right wearing a similar uniform to my figure.

 

Marrion’s Men #3: Officer, 3rd County of London Yeomanry (Sharpshooters)

The third in my series of 54mm figures inspired by Robert Marrion’s illustrations is another figure from the 3rd County of London Sharpshooters. Featuring on the front cover alongside my first figure (the trumpeter), the officer wears Camp Church Parade Order as seen circa 1905.

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The figures which I managed to source on eBay sadly were without the sword which appears in the RJ Marrion illustration. No matter as I sourced a couple of 54mm scale swords for my men to lean on. They came in their scabbards and so I had to slice off the rings. I had to also cut off the end off to shorten the sword into a size which would fit between his hands and the ground.

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OK, so maybe my sword looks a little, ah, short and somewhat stocky. Not so much a rapier, more of a cutlass! Ah well, it’ll have do until something else better comes along…

There are two figures and I’ve based them both. One of them is still awaiting an engraved plaque to place at the front.

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There is one more figure that I’m currently working on in this series of figures – more on that in a future post. After that, I’m simply waiting for any more of these figures to pop up, assuming that there were any more made from this range. Given the fact that I’ve sourced two figures from a single book cover alone, and that the number of books in the Ogilby Trust sponsored series numbered 15, one has to assume there are more out there somewhere…

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Marrion’s Men #2: Sergeant, Sussex Imperial Yeomanry

I previously posted on mounting my ‘Lost Sharpshooter’ figure, the first of my Marrion’s Men series. With the latest delivery of more alder wood bases, I’ve been able to start mounting my other Robert Marrion-inspired 54mm yeomanry figures. The first to get the treatment is my sergeant from the Sussex Imperial Yeomanry.

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As before, I’ve placed a brass plaque front and rear detailing the regiment and the rank / year of the figure.

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When I last posted on this figure, it was still awaiting the riding crop held in the left hand. In the event, the crop required chopping in two pieces and positioning delicately in place. Thankfully, the glue is just about holding this delicate item precariously in place!

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I previously wrongly identified what I thought were three bullets in the bandolier. This is incorrect. These items I now believe to be leather fixings which allow the top half of the bandolier to fold over and cover the bullets. I’ve added a dash of paint to cover them over.

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That’s the second of my Marrion’s Men done and dusted, and I’m rather pleased with him. The next one is awaiting the addition of accessory and will be featured in a future post.

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And a few close-ups!
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Return of the Lost Sharpshooter

Using time off over the Bank Holiday period, I was emptying out some old magazines when I made a wonderful discovery. Let me explain…

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About two years ago, my parents handed me a small metal figure in a little plastic bag which they had discovered deep in their loft. Knowing that it was probably one of my old model figures from my childhood, and furthermore well aware that I’m always painting soldiers nowadays, they brought it over.

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£1.50? I certainly have had it a very long time…

It was a 54mm figure from Dorset (Metal Model) Soldiers Ltd, which I presume is the same company still going today but under the name The Dorset Model Soldier Company. I guess I must have purchased it from a Victorian Military Society fair in the mid 1980s. The bag also contained a square wooden plinth and a little green baize to mount it on. The figure was from a series called “Armies of the World” and represented a Trumpeter in Drill Order from the 3rd County of London Yeomanry (Sharpshooters) during the period 1902-1907.

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Men of the 3rd County of London (Sharpshooters), c.1902. Note the Trumpeter in Drill Order, far right – that’s the very man who literally inspired my figure!

I was particularly pleased to rediscover this figure as Yeomanry is a great interest of mine. Having (naturally…) the entire fifteen books from the terrific Ogilby Trust series; “The Uniforms of the British Yeomanry Force 1794-1914″, I pulled out my copy of the 5th book in the series on said regiment to do some research.

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There on the cover was the very figure I was researching – and, what’s more, in exactly the same pose! I guessed that the sculptor must have used the excellent Robert J. Marrion image on the far right of the cover as a guide, such is the similarity. Furthermore, the illustration in kind must have been based upon the trumpeter seen in the above photograph.

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Illustration and figure clearly resembling one another…

Finally, the figure came with a hand-written painting guide which, confirming the inspiration behind it, indeed recommended that for further details and colours I should see “No.5 in the series “The Uniforms of the British Yeomanry Force 1794-1914”.

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“C Squadron riding out in Field Service Dress at Bisley Camp in 1904.” The mounted Trumpeter (centre) is sounding a call.

And then it was lost.

Gone. Disappeared. Vanished. The figure was last seen in a generic plastic bag. I threw the bag out but took care to remove the figure first. I’m sure I did. Didn’t I? All that remained was the little wooden plinth that the figure would have been mounted on. I searched everywhere for the figure, fruitlessly turning the house upside down for days. Appalled, I finally became convinced that I must have thrown it out by accident. Two years passed by…

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…Until I discovered it yesterday! It turned up secreted at the bottom of a magazine rack. Heaven knows how or why it got there, and how it evaded my searches for so long. Now it has returned, I’m tempted to finally have a go at painting it. Heaven knows, I’ve got enough on at the moment, so it may be a little while yet before I make a start.

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Trouble is, not only have I already clumsily broken the plume off (hastily re-glued), but I am now unable to locate the wooden plinth which ironically has possibly been thrown out after the figure was given up as lost. Never mind; I’ll fashion a replacement!

I now want to end by saying some words about R.J. Marrion, the artist who inspired the Trumpeter figure and illustrated for the entire British Yeomanry Force series. Bob Marrion was a former police officer, firstly a dog handler and then latterly, after injury, a police draftsman. He illustrated dozens of books and articles on the subject of military uniforms including the entire Ogilby Trust series on the British Yeomanry Force.

 

 

Sadly Bob Marrion passed away in 2015 to the great regret of many with an interest in and appreciation for military history, uniforms and artworks.

From Carryings on up the Dale blog:

From French Revolutionary Wargames blog;

From Planet Figure forum:

Tantalisingly, from this forum it is suggested that in the 1970s Bob Marrion even sculpted, or at least designed, his own Victorian-era figures under the name Olive Figures. Something to look out for, perhaps?

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So painting this figure becomes, perhaps, a kind of belated personal tribute to the late Bob Marrion and his essential contribution to the hobby. What more appropriate way for me to do this than bringing to life a sculpted manifestation of one of his illustrations? Having not painted anything greater than 28mm, 54mm scale is something very different and so should be an interesting challenge.

Currently, I’m still finishing off the Zvezda Saxon Cuirassiers, which should be definitely finished some time this week, I reckon. After that, following what has been over 3 decades of being lost and found, I’d say it’s about time this lost sharpshooter – one of Bob Marrion’s artistic visions – was finally brought to life!

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