The third in my series of 54mm figures inspired by Robert Marrion’s illustrations is another figure from the 3rd County of London Sharpshooters. Featuring on the front cover alongside my first figure (the trumpeter), the officer wears Camp Church Parade Order as seen circa 1905.
The figures which I managed to source on eBay sadly were without the sword which appears in the RJ Marrion illustration. No matter as I sourced a couple of 54mm scale swords for my men to lean on. They came in their scabbards and so I had to slice off the rings. I had to also cut off the end off to shorten the sword into a size which would fit between his hands and the ground.
OK, so maybe my sword looks a little, ah, short and somewhat stocky. Not so much a rapier, more of a cutlass! Ah well, it’ll have do until something else better comes along…
There are two figures and I’ve based them both. One of them is still awaiting an engraved plaque to place at the front.
There is one more figure that I’m currently working on in this series of figures – more on that in a future post. After that, I’m simply waiting for any more of these figures to pop up, assuming that there were any more made from this range. Given the fact that I’ve sourced two figures from a single book cover alone, and that the number of books in the Ogilby Trust sponsored series numbered 15, one has to assume there are more out there somewhere…
I previously posted on mounting my ‘Lost Sharpshooter’ figure, the first of my Marrion’s Men series. With the latest delivery of more alder wood bases, I’ve been able to start mounting my other Robert Marrion-inspired 54mm yeomanry figures. The first to get the treatment is my sergeant from the Sussex Imperial Yeomanry.
As before, I’ve placed a brass plaque front and rear detailing the regiment and the rank / year of the figure.
When I last posted on this figure, it was still awaiting the riding crop held in the left hand. In the event, the crop required chopping in two pieces and positioning delicately in place. Thankfully, the glue is just about holding this delicate item precariously in place!
I previously wrongly identified what I thought were three bullets in the bandolier. This is incorrect. These items I now believe to be leather fixings which allow the top half of the bandolier to fold over and cover the bullets. I’ve added a dash of paint to cover them over.
That’s the second of my Marrion’s Men done and dusted, and I’m rather pleased with him. The next one is awaiting the addition of accessory and will be featured in a future post.
I’d like to introduce the third figure in my series of R.J. Marrion-inspired 54mm yeomanry figures. It’s another figure that appears on the front cover of the “3rd County of London Yeomanry (Sharpshooters)” book which was wonderfully illustrated by the late Robert Marrion.
I should say that these are ‘figures’ plural asthere are two of them, these identical twins coming as a pair in a single purchase from eBay. My figures appear in a much lighter shade of green under the camera lens, appearing a little more akin to the illustration to the naked eye.
“For Camp Church Parade Order, the officers wore the green forage cap, the green serge frock, Full Dress overalls, brown leather wrist gloves and the Sam Browne belt (as seen on the front cover).
I don’t know about a ‘camp’ Church Parade Order – it looks pretty macho to me…
The Robert Marrion illustration shows the officer resting his hands on the pommel of his sword, which is out of its scabbard. Initially, I thought that the sculptor no doubt faithfully recreated this sword but, unfortunately, as both my figures are missing this item, they must have got lost. One thing I’ve noticed, however, is that in the illustration the officer’s hands come up to the top of his belt. On the figure, however, the hands come to rest quite a bit lower meaning that the sword will have to be trimmed significantly short. So, I then mused that perhaps there was no sword, but then the empty scabbard suggests otherwise. An oversight on the part of the otherwise impressively talented sculptor, perhaps?
Despite resting their hands upon air, the figure still looks convincingly as though the officer is merely folding his hands, in my opinion. But I’m going to go with the sword to match the illustration and I have secured a 54mm scale alternative for their “Infantry Pattern” sword which, with a little trimming, I hope might act as a substitute.
You will notice that this officer of the Sharpshooters is a decorated soldier. On his chest, Marrion has depicted two medals. From the book cover, I could see that one is clearly a Queen’s South Africa Medal with bars, suggesting that he served in the Anglo-Boer War as part of the regiment’s initial incarnation as the 18th, 21st and 23rd Battalions of the Imperial Yeomanry. On 23 July 1901, the 3rd County of London Imperial Yeomanry (Sharpshooters) was formed from the veterans of these Boer War Imperial Yeomanry battalions.
After a little research, the other medal on my figures’ chest I now believe to be the King Edward VII Coronation Medal, a slightly oval-shaped medal awarded in 1902 to celebrate said monarch’s coronation with Queen Alexandra. It was awarded to “...service officers who were present at the coronation ceremony, performed extra work in its preparation, or who were involved in the coronation parade.” Interestingly, the date of the coronation which was printed on all the medals – 28th June 1902 – is incorrect. The king had to postpone the coronation until October when he’d recovered from an emergency operation for appendicitis.
With the exception of my original Sharpshooting Trumpeter, the remaining figures have all come from a lady who is selling off her father’s impressive collection of figures. I politely enquired after the missing swords for these figures and through the post a week later, completely unexpectedly, was a wonderful handmade card from the gentleman’s widow.
Within her charming card, she had included a couple of swords that she had discovered loose amongst her late husband’s large collection. One weapon was quite suitable for one of these two figures, although it also appears to be an absolutely perfect fit for my next Marrion Man, who was also missing his sword…
It was a very generous act indeed by the lady. It’s a sad and sobering activity to observe; the selling off of a husband and father’s old model soldiers. As the army dissipates, it’s old commander having passed away, it is a vision of the (hopefully still very distant) future, when my own stock gets dispersed by my own spouse and daughter in a similar manner, hopefully to another grateful collector. Ah, but enough of such maudlin musings. Many a soldier I plan to add to Suburban Militarism’s army yet!
My Sharpshooter officers are both currently still standing in a blob of Blu Tack, patiently awaiting smart basing of the type that their fellow sharpshooter received a week ago. The final based and labelled figures, hopefully even with swords to lean upon, will be presented in a future post!
Blu Tack is a poor way to present one of R.J. Marrion’s finest yeomen. But until now, Blu Tack is all I’ve had to keep him standing upright. I’ve previously recounted as to the long history of this trumpeter figure. Having been lost for so many years – and then foolishly mislaid again for a couple more – once he did finally return, I had to admit to him that I’d in fact given up all hope and thrown away his original wooden base. He was naturally outraged at my lack of faith.
And so, by way of apology, I’ve sourced something altogether more respectable for my straying Sharpshooter. I like to think that it presents my humble tribute to artist Robert Marrion in a far more suitable manner than a blob of Blu Tack.
The nicely turned wooden base is made of unvarnished alder wood from a purveyor in eastern Europe (on collection, my local Post Office teller gave my poor wife quite a grilling, not many Ukrainian stamps pass through these parts and what’s more you can’t be too careful what with that poisoning in Salisbury…).
I did think about varnishing the base, or maybe adding some kind of colour to it but in the end I decided I liked the natural look best of all. No frills, just the figure.
The engraving was very cheaply sourced online and labels the figure nicely, I think. I’ve abbreviated the lengthy regimental title to 3rd CLY (Sharpshooters). On the rear of the figure there is another plaque detailing rank and date.
So, here’s presenting the first of my series of ‘Marrion’s Men’; a trumpeter of the 3rd County of London Yeomanry (Sharpshooters). In Drill Order, he dates from the early 20th century, just after the conclusion of the Anglo-Boer War, a conflict which inspired the formation of his regiment.
Another figure related to the late artist Robert Marrion has been on my painting table. Following on from the 54mm Sharpshooter that I posted on recently, I’ve been painting another chap modelled on an illustration by R.J. Marrion. It can be found on the front of Book One of the “Uniforms of the British Yeomanry Force 1794-1914” series. The illustration depicts a sergeant of the Sussex Imperial Yeomanry in Service Dress c.1905.
As with the Sharpshooter, it is a figure wearing khaki, Stohwasser gaiters and a slouch hat. This form of Yeomanry dress was increasingly common at this time in the wake of the harsh lessons learnt out on the veldt during the Anglo-Boer War. He is a sergeant (with the stripes to prove it) and carries a riding crop casually in his left hand. Other distinctions include metal shoulder chains and a leather bandolier within which the sculptor has even faithfully reproduced the three bullets seen in the drawing!
Barlow and Smith’s book describes the uniform in the following manner:
“…Service Dress consisted of the slouch hat… A khaki serge frock with blue collar wearing brass badges, blue shoulder straps and a trefoil in blue on the cuffs, four patch pockets with small brass buttons on the breast pockets, and five brass buttons down the front. A light shade Bedford cord breeches with blue piping, brown Stohwasser gaiters and ankle boots; a web bandolier.”
The slouch hat had a leather band for a pagri and a “small, bright blue emu feather plume”. The blue shoulder straps described above were replaced by ‘shoulder chains with blue backing’ for Service Dress in 1905, which helps to confirm the date of this figure.
The Sussex Yeomanry had their genesis back in 1793 when Revolutionary France declared war on Great Britain. The regiment then came in and out of existence in various guises over the 19th century until finally disbanded in 1875.
The crisis of the Anglo-Boer War led to the British army recognising an urgent need for the kind of rapid mobility that mounted forces could provide. This resulted in the hurried creation of the Imperial Yeomanry in early 1900, capable of serving overseas. The Sussex Imperial Yeomanry was one of the yeomanry regiments formed as part of this emergency response.
You will notice that my Yeoman is missing his riding crop, held in his left hand. Being a delicate item, I’ve decided to fix this on only when I’m able to place him on to a proper base. This may take a few weeks before I source an appropriate one.
I’m reasonably satisfied with my painting for this figure although it took a few attempts until I was happy with the colour of his ‘light-coloured’ Bedford cord riding breeches. My sergeant is wearing leather wrist gloves which are a tad lighter in shade than I’d prefer but otherwise look okay. The Stohwasser leather gaiters are a blend of Vallejo’s Cavalry Brown and Red Leather paints with a black wash.
I’m still feeling my way a little with what is still only my 54mm scale figure. I’m happy to retain my painting ‘style’ even for this scale. It may not be the most effective way of presenting them, but the figure retains that certain ‘Suburban Militarism’ identity as a result.
There’s another Robert Marrion inspired figure still awaiting paint to make it a trio of ‘Marrion’s Men’. I’ll be still on the look out for any others, of which I’m convinced there must be a number more somewhere. In the meantime, I’ve got other 54mm scale Yeomanry figures awaiting attention for whenever I next get the urge.
My previous post was published somewhat “prematurely” by an absurdly over-eager WordPress. This meant that was not able to add the few more photos of my painted lost Sharpshooter that I intended. So, with apologies for splitting the topic over two posts, here they are…
In keeping with Mr Marrion’s original illustration, I’ve used similar, though different, base colours for the tunic (Vallejo English Uniform Brown) and the cord breeches (Vallejo Khaki). I mixed my own colour for the Stohwasser gaiters using Red Leather and Burnt Umber. For the green facings, I used Vallejo Black Green and for the trumpet cord / aiguillettes I used Vallejo’s warmer shade of Deep Green.
Getting the three yellow stripes that appear on the folds of the Pagri was tricky as the definition on the metal was vague, so I simply did my best. Note the green stripe running down his breeches.
So, as I indicated in the last post, he’s now just awaiting his fancy wooden base to arrive. More on that another time, but I do promise that’s it on my Sharpshooter for now!
Some weeks ago now, I posted on a 54mm figure which had been lost many years ago – then found – lost again – and then found again! The figure was of a trumpeter belonging to the 3rd County of London yeomanry, also known as the Sharpshooters. This figure was a direct copy of Robert Marrion’s illustration on the cover of the Sharpshooters book from the Smith and Harris’ “Uniforms of the British Yeomanry Force” series.
The largest scale that I’ve painted hitherto is 28mm, 20mm being my usual scale, and so 54mm is a big step up. I’ve enjoyed the new challenge of painting it. It’s nice to focus on one figure rather than a whole kit of them.
I don’t think my painting technique is perfectly suited to these bigger scales, but I admit to being reasonably pleased with the result.
And that’s not all.
I’ve discovered a seller on eBay who has been selling off her late father’s old stock of figures. Clearly, the chap was a fellow of good taste, his collection includes lots of 54mm figures, most splendidly painted with some soldiers still untouched. These have included yet more Dorset Model Soldier Company figures taken from the illustrations on the covers of Smith and Harris’ series. Namely;
Officer, Undress, c.1903-1905 – 3rd County of London (Sharpshooters):
Another figure (or rather 2 figures – they came as a pair) also from the cover of the 3rd County of London (Sharpshooters) book, this time being modelled on the officer in the all-green undress. Unfortunately, both figures are without the sword that the officer is supposed to be resting his hands on. He could nevertheless be taken for simply clasping his hand together.
Sergeant, Sussex Imperial Yeomanry, Service Dress, c.1905:
Another Dorset figure that I’ve come into is based on the very 1st book in the series on the Sussex Yeomanry Cavalry. It is the figure of the Sergeant on the far left wearing the bandoleer, Stohwasser gaiters and slouch hat. It’s a very impressive figure, I think, though some preparation will be needed as his riding crop remains attached to his right arm and there’s quite a bit of flash to remove.
There is one other figure I’m expecting which will be similar to the Sergeant-Major second from left on the cover (wearing a khaki lancer-pattern uniform and red forage cap). Still currently on its way through the post, this figures has a slouch hat instead of the red cap and photographs of the Sussex Yeomanry in this manner of Full Dress uniform can be seen in the Barlow and Smith book. So, it’s not strictly a Robert Marrion figure, but should, I imagine look similar to the one he illustrated 2nd left.
I’m intrigued to know how many of these 54mm model figures and of which regiments were made from the Yeomanry Force series. Having discovered three from the 1st and 5th books alone, I must assume that there are more from some of the remaining 13 other books.
Meanwhile, I’ve sourced a base for the trumpeter of the Sharpshooters that I’ve painted, which will hopefully come through the post in the coming week. Once properly mounted and presented, I will share in a future post. It seems that my humble tribute to R.J. Marrion is emerging as a long term ongoing project…