Suburban Militarism has received a communication from a nice fellow from Serbia enquiring about purchasing my Strelets WWI Serbian Infantry figures. He explained that he and some other colleagues are intending to create a display in Belgrade’s Military Museum on a key WWI battle involving Serbian troops (Cer or Drina were mooted).
From research the internet, Belgrade’s military museum looks extremely impressive and is located in a part of Belgrade’s ancient fortress, in the historical core of the city.
Glad to help out with any military museum, I waived a fee for the figures and just requested a contribution for postage. Using a little spare underlay from a newly laid carpet at home, I fashioned a padded box for my troops safe transport over to their homeland. A little double-sided tape under their bases will hopefully keep them all in situ during transit.
By way of introduction, I’ve written a few words of greeting on the back of a postcard that depicts a man of the local Leicestershire Yeomanry cavalry.
Seems appropriate that, much like the liberating men of the Serbian army themselves at the end of the Great War, these troops are returning to their homeland as though from exile. Godspeed my Serbian lads (and perhaps lasses…)
And in other Serbia-related news, in an astonishing coincidence the BBC News website chose this week to include a story on Flora Sandes, a British woman who served in the front line with the Serbian army during WWI. Earlier in the year, I included a post on Flora Sandes and other Serbian soldier women who fought with great bravery in combat for Serbia in WWI. The BBC item also includes some information on the Salonica front during WWI and the nature of memorial commemoration of the fallen in the region. Well worth a read.
My Austro-Hungarian Pucherna infantry regiment has a pedigree that goes back to 1741. Garrisoned in Transylvania, its ranks are filled by ethnic Romanians. The multi-ethnic empire of Austria-Hungary fought Russians, Serbs, Greeks, Italians, Poles, and indeed other Romanians. In the K & K army, it was not uncommon for Poles to find themselves fighting other Poles, Italians fighting other Italians and Slavs fighting against other Slavs.
Anyway; the figures. First up; this is the finished officers armed with revolver, binoculars and, somewhat anachronistically, a sword. No Austrian officer would have worn one in the Great War but I suppose it’s a way for Strelets to identify the officer more clearly for wargamers.
None of the Other Ranks are wearing any metal helmets, just the kepi which, along with the rest of their dress, probably dates them to the early war period.
I like this next figure, head down, holding on to his hat and running through the storm of bullets and shrapnel – though whether it is towards or away from the enemy lines, who can tell!?
I’ve painted a couple of men carrying some type of machine gun. Being more knowledgeable than I about Austro-Hungarian machine guns, I can only quote Plastic Soldier Review who had this to say about it:
The standard machine gun of the war was the Schwarzlose M07/12, but this is not that. It has a bipod just in front of the ammunition feed, which must be fairly close to the point of balance, and it has a drum feed rather like the later Thompson sub-machine gun. This makes it look like the lightened German MG 08/15, although when this weapon was given a drum feed it was on the side rather than underneath. As an intended assault weapon its water jacket would have been emptied before being carried like it is here, yet it would still have been much heavier than this figure seems to suggest. However we can find no evidence that the Germans gave numbers of this weapon to the Austrians, so the question must be why it is in the arms of an Austrian.
Perhaps, then, Strelets have simply been unfussy in their desire to include a machine gunner in the set, useful potentially for wargaming purposes. Incidentally, I have forgotten to paint the stock a wooden colour, something that I will attend to one day…
Other weapons include, of course, the rifle which is depicted being fired either standing or kneeling.
Also, there are examples of men throwing a hand grenade. It appears to be similar to the German stick grenade, nicknamed the ‘potato masher’ by the British troops. I understand that the Austrians hand their own version of the stick grenade which was thicker and bulkier, so this might be a good match. With the empire having supply problems, I suspect that shortage of materials may have resulted in different versions or even German imports.
The faces of Strelets figures often seem to suggest something of an individual character about them, such as this chap kneeling and loading his weapon.
Finally, the use of the bayonet is being practised by this soldier who is holding a suitably aggressive expression.
And with that group of Austro-Hungarian infantry now despatched, I’m left musing what to paint next in my growing WWI project…
For now, with my summer holiday immanent, a short hiatus will begin as Suburban Militarism will be putting down the brush and taking a well-deserved vacation and heading for a beach. Until next time, best wishes to all my friends and visitors!
All of my Strelets Austrian WWI infantrymen are now finished and based. I’ll present my handful of figures wearing gasmasks first and then reveal the other more numerous troops in a second post soon.
I’ve said it before, these troops in gasmasks present a nightmarish sight. The ‘dehumanisation’ of 20th century mass industrial warfare somehow becomes almost literal when the face of a soldier is replaced with such a mask. The expressionless, glassy eyes are very disturbing. Strelets are to be praised for having the vision to be the only manufacturer of 1/72 scale to produce these figures. I previously painted a handful of their British and French infantry in gasmasks just prior to the inception of this blog on WordPress way back in 2014.
The Austro-Hungarian army of WWI was increasingly reliant on Germany as the war progressed and in the case of supplying its troops with suitable gasmasks it came to rely mainly on German imports rather than their own creations. This imported gasmask would have been variations of the Gummimaske.
So I’ve painted my mask in a similar style to the example above. Strelets, in an apparent oversight, have not included any gasmask storage canisters on the figures, so we must assume that it is either not used and the mask simply stuffed into the haversack or is obscured by other accoutrements.
A very 2-dimensional figure below, almost like an old-fashioned ‘flat’ model soldier really. With a bit of paint, I think the fellow looks quite effective though.
Strelets, somewhat eccentrically, often like their officer figures to be fitted out in the full regalia due to the rank, even it seems in the midst of a Great War gas attack! The officer below is wearing a yellow sash and has drawn his sword. He is also aiming his far more practical revolver ahead through the gas cloud.
More regular visitors to my blog may notice that I have spent a little extra attention on my bases this time for these figures. Rather than just throw some loose grass scatter over a base, in a completely new approach I’ve created a mix of sand and rock and glued that to the base. Once dry, I applied a soil wash for shading and then added dry brushed layers of paint to highlight the texture of the ground. I’ve included just a few tufts of grass to leave areas of bare earth and rock. This is no doubt pretty basic stuff for modellers but is a ‘giant leap forward’ for Suburban Militarism! It takes a bit of extra time to do so whether I’ll be prepared to take a similar approach all the time is in doubt.
In 1916, the Austro-Hungarian army attacked the Italian troops at Monte San Michele deploying a mix of phosgene and chlorine gas. This was the first use of gas on the Italian Front and thousands of unprotected Italian soldiers died.
There were many ways to become a casualty in the First World War, none of them anything less than terrible, but even in the midst of the industrialised mass killing of that conflict, gas attacks seemed a particularly barbarous and cruel manner to harm the combatants, even to people of the time.
The use of such chemical weapons was actually banned under 1899 Hague Declaration, so it’s use was already illegal and therefore a war crime. Being difficult to deploy against the enemy in a targeted and effective way (wind direction could be crucial), and also being easily subject to counter-measures thanks to the development of the gasmask, its use thankfully has largely died out in subsequent conflicts although, as in the recent Syrian allegations, the threat of this dreadful weapon sadly persists even today.
Gas and my Great-Grandfather: some final words
For years, I had always been told that my great-grandfather had been a victim of a gas attack in the First World War. This, I had been informed, was the reason his mind had been affected to such an extent that after military discharge he was apprehended chasing his family down a street with an axe. Harry Bennett was incarcerated in an asylum where he died only a few years later seemingly in poor physical as well as mental health. I offered a few words about this in a very early blog post back in November 2014.
A soldier in the Leicestershire Regiment, it was whilst he was serving in France that he had written to his wife to suggest that his latest child (my grandmother) should be named Francis, it being a reference to the country where he had found himself while separated at her birth. Actually, at my nan’s funeral a few years ago (she was 98!), it was reported that he rather less romantically suggested she be named “one-too-many” before then proffering Francis! My brother carries the masculine version of that name, and now my own daughter does too, in her middle name.
More recently, some information came my way from my mother regarding his service record. It made no mention of gas poisoning but instead made some references to an injury received in battle, from which he’d recovered, and also a persistent foot problem (“trench foot”?) which resulted in discharge. It now occurs to me that, at a time when post-traumatic stress was not understood – much less accepted – the ‘mental effect of gas poisoning’ story might have been a way in which his shattered mental health could be understood and accepted within his family and community. Traditional notions of bravery and cowardice in war made severe psychiatric breakdowns caused by modern warfare appear to be signs of weakness or moral failing. Being employed by a mental health NHS Trust, perhaps I of all people in my family am in a better position to offer a far more compassionate understanding of my poor grandfather’s condition, a century on from his breakdown.
My Austro-Hungarian troops of the First World War have come on apace. Althoug a little ‘rough and ready’, Strelets are always fun to paint with the result usually containing unusual poses and characterful faces.
The Austro-Hungarian army consisted of three distinct parts:
the Common army (Gemeinsame Armee),
the Imperial Austrian Landwehr (a territorial reserve)
the Royal Hungarian Honved (the Hungarian equivalent of the Landwehr)
These troops of mine represent a regiment from the Common Army. Specifically I’ve nominated them as being from the Infanterieregiment Pucherna (numbered the 31st) and given them the yellow facings that characterised the regiment. It was a Romanian regiment garrisoned in Nagyszeben, capital of Transylvania which was then under the dominion of Austria-Hungary.
Anyway, with some remaining ‘bits’ still to do and of course the basing still to sort, here’s how some of them are looking so far. First off; a handful of troops from the Strelets WWI Austrian Infantry set:
And a preview of the other Strelets figures from the WWI Austro-Hungarian infantry in Gasmasks set. I only have one sprue of this set, bought in a private sale with another hobbyist, hence only a handful of figures. The reflection in their eye pieces give them a suitably nightmarish aspect.
Being an early Strelets set, there are lots of poses, some of which I haven’t displayed as yet but will do so when I’ve got them all based and ready to present; hopefully some time later this week.
Earlier this year, I had begun to paint some 1st World War figures, starting with Serbian infantry, followed by some 1914-era French. Figuring that I’d like to turn my attention to the Great War once more, I’ve reached for some figures from a country that has been overlooked by plastic 1/72 scale manufacturers hitherto; Austria-Hungary. This is perhaps surprising given the nation’s size and significance to the conflict. In fact, only HaT and Strelets have made any Austro-Hungarian figures that I’m aware of at 1/72 scale.
Neither manufacturer has made sublime figures, in my opinion, but I’ve opted to go for figures by the Ukranian manufacturer Strelets. Strelets have recently manufactured an impressive new kit; the WWI Austro-Hungarian Honved (a Hungarian version of the Austrian Landwehr). However, I’ve gone for their earlier, and now increasingly rare, sets of “WWI Austrian Infantry” and “Austro-Hungarian Infantry in Gasmasks’.
The style of Strelets figures tends to prompt a polarised response from hobbyists but I must confess to being a fan. They’re not ‘beautiful’, but typically they’ve plenty of character and loads of crisp detail to hang your paint on.
Going into the Great War, the Austro-Hungarian Army introduced a uniform colour known as “Pike-Grey” (“hechtgrau” in German) for general issue to the infantry in 1908. The main headdress in the field was the kepi, also coloured the same pike-grey. I’m unsure as to why the shade of grey was named Pike. ‘Hecht’ refers to the predatory freshwater fish, yet that is largely olive-green in colour with little in common with the light grey uniform shade.
A little history:
The empire of Austro-Hungary was inaugurated in 1867, being a dual-monarchy split between Austria and Hungary in place of the former single Austrian Empire. The empire’s full official and very wordy name was “The Kingdoms and Lands Represented in the Imperial Council and the Lands of the Holy Hungarian Crown of St. Stephen”. The new dual monarchy was formed following Austria’s defeat at the hands of an increasingly powerful Prussia in 1866, which marked the decline in power and influence towards Prussia (and consequently Germany) and away from Austria. The empire and it’s army was colloquially known as the “K und K”, or the Kaiserlich und Königlich, referring to the Empire being both Imperial and Royal (i.e of the Austrian emperor and Hungarian king).
It was certainly a curious conglomeration, the Austro-Hungarian empire, which eschewed the increasing popular idea of nations bound by ethnic identity then sweeping Europe. The state instead consisted of many different ethnic groups speaking different languages (including German, Hungarian, Czech, Slovak, Polish, Ukranian, Croat, Slovenian, Italian and Romanian). Their ageing monarch at the outbreak of the war in 1914 had ruled these disparate lands for 66 years.
The cataclysm began with the declaration of war by the Austro-Hungarian empire upon Serbia in 1914. As the other Great Powers were drawn inexorably into the conflict, the Dual Monarchy found itself faced with war against Russia to the east as well as Serbia and Montenegro in the Balkans to the south. In May 1915, another front opened with Italy’s entry into the war on the side of the Allies.
From the very beginning, things did not go well for the empire. It’s invasion into Serbia saw the K&K army ignominiously expelled to the dismay of the Emperor, being badly beaten by the Serbs at the battle of Cer. A second invasion later briefly took the Serbian capital Belgrade only for the army to be badly defeated and ejected once again by a Serbian counter-attack at the battle of Kolubara in the winter of 1914. Another front then opened with the Austro-Hungarian campaign in Russian-controlled Poland which was to prove another failure. A counter-offensive by Russia them also cost the Austrians many casualties and prisoners of war and resulted in lost territory.
With German and Bulgarian assistance however, the Austrians eventually managed to conquer Serbia and Montengro (see my earlier post on the flight of the Serbian army through Albania) but were confronted by renewed assaults by a re-equipped Serbian army and its allies, the French, British, Romanians and, latterly, the Greeks. Their heavy reliance on German help effectively made the Austrians increasingly subordinate to their allies. To the embattled Germans, fighting with an ill-equipped and beleaguered ally was akin to being ‘shackled to a corpse’ (a quote widely attributed to German General Erich von Ludendorff).
As the war progressed, Italy exerted great pressure on Austria-Hungary who, once again, required the assistance of German armies to turn the tide. The Russians withdrew from the war after the 1917 revolution but eventually, terrible food shortages and political strife at home, together with declining fortunes both in the Balkans and the Italian front, led to the empire’s own disintegration and collapse. The Czech, Slovaks and Hungarians eventually declared independence and forced the remainder of this once extensive ’empire’ to sign an armistice on the 3rd of November 1918, 8 days before the Germans did the same.
Despite defeats, setbacks and poor equipment; and despite the fractured ethnic and linguistic nature of the empire, the Austro-Hungarian army had endured for four long years of war against the allies. In its battles across the mountains of the Alps and the Carpathians; in Italy, Slovenia, Serbia, Poland and Romania; against the Russians, Italians, Serbs, Montenegrins and others; the K&K army had suffered over 1 million military combat deaths (the 4th highest of any country in WWI) and a further 3 and half million soldiers wounded. It was a terrible price to pay for a defeat that would ultimately see its old empire disappear into history.
I’ll be presenting my Austro-Hungarian army of 34 figures, gas-masked or otherwise, soon.
Continuing my Strelets Serbian infantry winter figures, I’m pleased to announce that I’ve now completed the final dozen figures remaining in the box! The first group of figures demonstrated the early war uniform. These figures all wear the French Adrian helmet rather than the Serbian šajkača hat. Furthermore, some of these also have the French Chauchat light machine gun. So this dates them to the post-1915 period.
After Serbia had successfully repelled the invasion in 1914, they were once more attacked in a renewed offensive by the German and Austro-Hungarian forces in October 1915. Bulgaria then declared war and attacked shortly after. Despite limited assistance from Serbia’s allies, Belgrade soon fell. Outnumbered and under-equipped, the Serbian army was facing annihilation. Unable to link up with advancing British and French divisions, C-in-C Marshal Putnik ordered a full retreat to the south-west via Montenegro and into Albania.
The weather was terrible, the roads poor, and the army had to help the tens of thousands of civilians who retreated with them with almost no supplies or food left. Around 200,000 Serbs perished in the Albanian mountains and thousands more perished from disease once evacuated to the Greek island of Corfu. Because of the appalling loss of life, the Serbian army’s retreat through Albania is today considered by many Serbs to be one of the greatest tragedies in their nation’s history.
Post-1915 Uniform and Figures:
The remaining Serbian army needed new equipment and uniforms from their allies before it could rejoin the front line and take on the Bulgarian, Germans and Austrians to liberate their homeland. I’ve painted Strelets’ ‘post-retreat’ uniforms separately as examples of the later war Serbian soldiers that liberated their nation. On the uniforms, Serbia.com has this to say:
“The part of the Serbian army that survived the retreat through Albania, arrived at Corfu in torn and dishevelled uniforms. After recovery, the Allies gave them new uniforms such as the French “Blue Horizon” (fr. horizon bleu) and the British “Khaki”.
“Other ranks were issued with M1915 French ‘horizon blue’ field uniform, the M1915 French African Army khaki version; or the M1902 British service dress uniform…(with) the French Adrian helmet with Serbian badge.”
Naturally, for my Strelets figures I went for the less common M1915 French African Army khaki version. My Osprey guide’s illustration of this uniform didn’t seem a close colour match for examples I found on the web. So, I’ve gone with the web versions instead.
I was anxious to get the right colour for the French African Adrian helmets, a kind of rusty brass. I like to think that my mixing of gunmetal and red leather colours was very successful – I’m really pleased with it. Trouble is, with the metallic shine it doesn’t come out very well in photos!
Four of these late war figures are armed with the French Chauchat light machine gun which had a wooden handle and stock. It used an unusual half-moon magazine which held up to 20 8mm Lebel rounds. It was a light, portable gun that could be mass-produced quickly, cheaply, and in very large numbers.
However, it was certainly not without problems, indeed according to this short YouTube film, it was considered to be ‘the worst machine gun ever’, being hopelessly susceptible to defective magazines, constant jamming, overheating and a heavy recoil with inherently inaccurate sights!
My officer is depicted still retaining his Serbian hat, which was apparently still a usual post-evacuation feature…
…and some of his men still wear the Opanci peasant footwear with embroidered socks.
All in all, these Serbian Infantry in Winter Dress have been very reasonable figures. I personally like a little more crispness of detail, especially in the faces, but the choice of army was an inspired choice for Strelets – bravo!
Coming up next:
I’ve got some WWI figures lined up. However, following on from my recent post about female soldiers in the Serbian army, I will be supporting #FEMbruary. More on that in the next post…!
The first part of my Strelets Serbian infantry in Winter Dress are finished!
I’ve split the box into early war figures (1914-15) and later war figures (1916-18). The key difference is really just the French Adrian helmet instead of the Serbian traditional šajkača hat. The late war figures will be next but the majority of these Strelets figures wear the šajkača and it’s these (of the 1st Ban / army) that I present below.
I’ve based the figures in a landscape which has featured a dusting of snow, so possibly just prior to their epic retreat with Serbian citizens through the Albanian mountains with the winter snows on their way.
Though some wear puttees around their lower legs, for the others I’ve tried to pick out in paint the classic Serbian peasant footwear, the opanci shoes with their horn-like endings to the toes. Likewise, I’ve added some colour to emulate the floral embroidery design often found on their thick woollen socks, the bright red colour of which symbolised the blood lost at the Battle of Kosovo in 1389 fighting the Ottoman Turks. Little of this is visible in the snow and grass – but at least I know it’s there, dammit!
An experimental twist of the arm (above right) made for a more realistic pose for the grenade thrower than came off the sprue (above left), I think. However, the pose is clearly far better than the Plastic Soldier Review’s sour description of it being “the most unconvincing, flat and generally poor grenade pose we have ever seen”.
Plastic Soldier Review also had a bit of rant about the folly of Strelets depicting Serbian soldiers armed with Lewis machine guns, something they said would never have happened. Britain was an ally, so I’m happy to believe some examples may have gotten through. For example, Britain sent Rear-Admiral Troubridge with a naval force to help defend Belgrade, perhaps some examples accompanied that mission? Actually, that story about Admiral Troubridge is a fascinating one and I recommend reading the excellent Succour for Serbia: The British Naval Mission to Serbia in 1915. Anyway, I’ve trimmed one figure (above left) without the Lewis gun (which should keep PSR happy), leaving the figure vaguely gesturing instead.
A little more trimming on the officers; those swords would have been a useless luxury on the battlefield, never mind the retreat through the Albanian mountains. One officer figure, therefore, I created sans sword and without a revolver either (above left) . They have ‘some colour’ to indicate the appropriate enameled tricolor cockade on their variation of the šajkača cap.
I am really pleased that Strelets have now produced this under-represented but crucially important part of the Great War armies. The figures themselves are good and well proportioned. The only downside, I’d say, is that the faces lack a little of the crisp detail and character so familiar to early Strelets sets. But that’s a quibble; I think these early war Serbs make for a great first set of figures for my 2018 WWI Project.
And it’s more Serbs still to come with the late war figures. These are already under way and with only a dozen to do rather than 30-odd, shouldn’t take much longer. In the interim, I’ve been researching a little Serbian WWI history, but more on that in the next post…
My latest painting venture will take me into the First World War. Indeed, for 2018, it may be that I visit a number of topics for the Great War which ended 100 years ago in November. The war truly was a world war, taking place across Europe, the Middle East, Africa, Asia and across the world’s oceans. It drew in many countries and the obvious protagonists (Germany, Great Britain, etc.) have often been depicted in 1/72 scale model figures. Other nations have been more neglected and, where possible, it is these that I’d like to concentrate on.
So, the first WWI kit of 2018 will be Strelets’ new release; Serbian WWI Infantry in Winter Dress.
First, a little history…
Serbia and the Great War
The Great War which ended nearly a century ago, began in the Balkans. This enormous conflict, which sent shock waves throughout Europe and the World, was inaugurated when on 28 July 1914, Austria-Hungary declared war on Serbia.
The Serbian Army at the beginning of WWI was a tough and experienced force which had emerged victorious from fighting two Balkan Wars in 1913; firstly against the Ottoman Empire and latterly against former allies Bulgaria. The Serbian army immediately scored a great success at the Battle of Cer; the first major battle of the First World War. In November 1914, Belgrade was briefly occupied by the invaders but then subsequently liberated in another remarkable and costly victory against Austria-Hungary which occurred at the Battle of Kolubara.
All this was in vain, however, as Bulgaria joined with Austria and Germany in an offensive which saw the Serbian army retreat all the way to the Albanian coast where allied ships evacuated them to Corfu. Here it was reorganised and re-equipped using Entente uniforms. The army then rejoined the fight to liberate its homeland fighting alongside French (mostly), but also British and Greek allies, finally achieving its liberation in 1918 after Bulgaria capitulated.
The cost to Serbia for securing its liberation was truly appalling. A staggering 58% of the 420,000 strong Serbian Army died (nearly 8% of total Entente deaths), leaving 100,000 still serving at the point of liberation. The nation suffered approx 450,000 civilian deaths due to disease, privations and in uprisings against the invaders. Much of this treatment of the Serbian population was captured in photography and appeared to be war crimes.
One of my fellow hobbyists from Bennos Figures Forum, a Serb, shared with me some time ago the following story from his own family history during this time.
My great great grandmother died during battle of Cer, she was in hiding with her son Gvozden, while her husband was fighting with an army…She realized something she forgot, devil knows what at home, she went back and the K und K army captured her and put her in the house and [set the] house on fire…
The “K und K army” refers to the Kaiserlich und Königlich or “Imperial and Royal” army, a colloquial term for the Austrian-Hungarian forces. The harrowing effects of the conflict were certainly not solely suffered by Serbian soldiers alone.
The Serbian army wore the same uniform going to war in 1914 as it had recently worn in the Balkan Wars the previous year. My two Osprey guides to the Serbian army at this time suggest that they wore the M1908 “khaki” woollen uniform with a double-breasted (winter) coat which was in the same colour as the uniform. As the Strelets troops come wearing their winter coats, this information is helpful. Their uniform colour is also described in the Balkans Wars 1912-1913 book as being green-grey, not khaki, yet this is the same uniform as worn in 1914. Choosing the right colour, as so often with painting soldiers, is a matter of making some choices.
It goes on to detail the red branch colour collar patches on the coats which denoted the soldiers to be of the infantry (blue = cavalry, black = artillery, dark brown = ambulance and maroon = engineers). Trousers were tucked into thick woollen peasant socks and the distinctively curved opanci peasant shoes were worn if black marching boots were unavailable.
The Serbia.com website has a very informative page on the WWI Serbian army uniform. It describes the colour of the uniform a little differently. It says:
“The Kingdom of Serbia was one of the first European countries that introduced olive-grey uniforms in 1908. In this uniform, Serbian soldiers went through the Balkan wars (1912-1913), not knowing that they would not have time to put it off, as a new conflict was waiting around the corner, a war in which Serbia would take a heavy toll.
Tired and overwrought, the Serbian soldiers were mostly distinguished in this grand theatre of world war by a cap called šajkača, which was worn, without exception, by anyone who fought under the Serbian flag. However, not all šajkača caps were the same. Officer’s cap was firm with a sun visor and a cockade (enameled tricolor cap insignia with the king’s monogram)…
…The trousers were wide at the hips and narrow at lower legs. The majority of the Serbian army wore the so-called opanci (rustic footwear made of leather), although some soldiers wore boots combined with curlers that offered protection during cold days. An integral part of the uniform was the pouch usually made of cloth in which the soldiers carried their supplies.”
The Strelets figures are quite a departure from the old figures. They are slender and all to scale and in proportion. Great news for wargamers who felt that Strelets were a poor fit with other manufacturers figures on the war game table. On the downside, the figures lack a little of the character and crisp details which made painting them fun. Ah well, there’s seldom such thing as the perfect figure.
So, I’ve been busy working on creating a decent olive-grey / green-grey / khaki / insert-colour-here uniform. I’m already very well advanced so I will share more on how I’ve got on soon!
I can confirm that the last of my Strelets Polish Infantry on the March box are now fully painted and based. Minor quibbles aside (those muskets seem a little bendy), Strelets deserve to be applauded for this set which is impressively sculpted.
The 13th Regiment was the only Napoleonic Polish regiment to wear white instead of blue uniforms. Apparently this was because they wore uniforms which had been captured from the Austrian army.
The drummer was painted based on a depiction in a watercolour I found on the web. I do like the light blue Czapka, red lapels and white uniform colour scheme! Hopefully, he looks similar to the painting? Oh darn it, I’ve just noticed that his collar is the wrong colour…
The flag bearer had a bare plastic flag attached which required me to paint the details on its curved surface. I wasn’t sure what the flag would have looked like for the 13th regiment and so I simply copied one depicted belonging to another regiment. The result is hardly a masterpiece as I didn’t spend too long working on it, but I’m happy enough with it and I enjoyed the challenge.
And so, that’s all the Napoleonic Poles completed. My next painting challenge is already well under way. It’s another new Strelets set but the era is completely different. I can announce that for 2018, Suburban Militarism will be venturing into the First World War.
My 13th Regiment of Polish infantry are slowly approaching completion. With an all white uniform and light blue facings, the challenge is to avoid them looking a little too luminous and bright, yet still pleasingly colourful.
I’ve used ‘turquoise’ rather than light blue for their facings simply because I preferred the shade (so there!).
I started to paint the drummer in reverse colours until I found a print showing the 13th drummer in white, reversing the blue lapel colour with the red cord colour. So, I’ve gone back to the start with that figure. I’m a little apprehensive about painting a heraldic double-headed eagle onto an uneven surface (i.e. on to the draped flag). The results could be comical!
I think my ultimate aim with these figures is to place them as if taking part in an advance across a battlefield. Hence, unlike with the previous regiment, I’ve left the bayonets in place. In the meantime, the equipment and muskets are still to do, not forgetting the regimental flag and the drummer too. Updates to follow once these are done…