I’m starting to find some very useful information about British regiments at the time of the War of the Spanish Succession. A website called The Spanish Succession is dedicated to the WSS and has lots of great and detailed information even on individual regiments including my chosen one; Orkney’s Regiment. The “oldest regiment in the British armed forces” had it’s roots far back in the Swedish army of Gustavus Adolphus of all things!
Ironically, my War of the Spanish Succession regiment even fought for the French army until Charles II ‘asked for it back’ in 1688. This regiment fought in all the major battles of the Duke of Marlborough and around this time became known as ‘The Royal Regiment’.
The Earl of Orkney, who gave him his name to the regiment, was appointed to it’s colonelcy 1692. An experienced soldier, he notably led the final assault at the Battle of Blenheim on the village leading eight battalions of troops before then receiving the final surrender of the French there.
I also found some information on Pinterest about the flags carried into battle by the Royal Regiment / Orkney’s Regiment. My previous regiment had an English flag but being a Scottish regiment, the Orkney’s national flag was carried instead of the Union flag at this time. The design is shown below:
Once again, I had to endure the horrors of painting folded flag drapes. I might neaten up those white lines, but here is the result:
Orkney’s Regiment is described in my copy of “The Armies and Uniforms of Marlborough’s Wars” as having red coats, white facings, grey breeches and yellow lace on the tricornes. The facings later became blue possibly as early as the end of the 17th century but sources depict them still with white cuffs during the Marlburian period. Certainly, artist Bob Marrion preferred to illustrate the regiment with white facings in the aforementioned book.
The figures I’m using are still from Strelets “advancing” set of British infantry figures. Sankey’s Regiment were all marching with arms at the slope, but Orkney’s men are all charging forward with their bayonets ready.
Though the box is finished, Orkney’s Regiment is lacking an officer and also a grenadier company. I’ve ordered more boxes of this series, however, so I can open another and attend to the shortfall in due course!
Whilst I’ve been painting up my latest War of the Spanish Succession regiment, through the post here at Suburban Militarism has recently arrived a bag of small wooden cubes.
I posted recently that I’d received a box of Strelets Roman Senators for Christmas. My friend and fellow blogger Pat also admired the set but posed the same very good question that was on my mind – what the heck can be done with them?
I quite liked the daft notion of Suburban Militarism having a senate, squabbling and scheming over my latest painting plans or raucously debating the acquisition of the next model kit. But I needed some means of basing or presenting them and then I had an eccentric idea…
I thought I could maybe base each senator on a kind of marble plinth, like Roman statues somehow brought to life. Hence, I found some perfectly sized wooden blocks for mere pennies…
…and – sparing me the task of attempting to paint a marble effect – I found some perfectly marbled masking tape online.
I aim to paint a few characters every now and then, adding to my senate slowly over time. These are the first three senators:
So, watch out for a series of cod-Latin post titles related to these figures which sound like spells from Harry Potter. In the meantime, I’m pushing on with my Lace Wars figures. The next regiment is approaching completion…
I am particularly delighted to have a book come through the post recently which is an indispensable guide to the era I’m currently painting. It’s a 2016 hardback edition of C.S. Grant’s “The Armies and Uniforms of Marlborough’s Wars”. This terrific book combines two previously separately released volumes on the topic and – best of all – is lavishly illustrated throughout with line sketches and lots of full-colour depictions of Marlburian-era soldiers by one of my favourite military uniform artists, the now sadly deceased R.J. Marrion (the author’s ‘great friend and collaborator’).
To anyone interested in the War of the Spanish Succession, I can only highly recommend it – if you can find or afford a copy, that is! Although recently published, it seems to be very rare and, from some sellers, hideously expensive. For an era whose records of military uniforms are sketchy at best, it is proving extremely useful to tap into Charles Grant’s ‘many years of research’ with this beautifully presented book.
I’ll be honest here, it didn’t come cheap but I think is worth every penny and is an essential help to one of my 2020 projects – wargaming the Marlburian Wars.
Yes, wargaming isn’t something I’ve ever done before but I’ve been steadily looking into it with a view to trying some solo games. I’ve already invested in a green baize table cover for the landscape and also secured some ‘buildings’. The intention is to explore putting my 1/72 scale Lace Wars figures into use on the wargaming table. This will be a slow-burn process involving steady research and development, specifically requiring:
developing my understanding of wargaming and how it works!!!!!
developing some Marlburian-era rules through research on the period
developing the armies themselves by painting the figures (1 regiment (Sankey’s) completed so far!)
Of course, I’ve plenty of other figures from different eras I could use for skirmishes, etc, but my Lace Wars figures are the first being developed with wargaming specifically in mind and this has already led to some development on the bases;
By grouping the bases together instead of individually (I’ve grouped them in groups of 4, 2 and singles), it will facilitate rapid deployment and movement during the game, the individually based figures allow for any casualties/losses to be reflected on the table… Apologies to wargamers – this is all new to me!
So my first regiment is virtually completed. The British army is already represented by the above Sankey’s Regiment which consists of 24 figures including 2 sergeants, an ensign and an officer. I’ve deliberately used a simple, plain, green grass scatter on the bases to help reduce shedding of the grass through wargame use, and also to better match my dark green baize which they’ll be marching across.
The flag was a real pain to paint! I love the sculpting but trying to understand the fold of the flag and then reflect that fold with the painted cross of St. George resulted in a number of repaints. The end result is still not right but I’m sticking with it!
Given that the Act of Union was in 1707, British regiments at this time were for some time represented by either English or Scottish flags instead of the Union flag. So I have shown this English regiment carrying the cross of St.George into battle. The other regimental flag, the colonel’s colour, was much more open to individual interpretation often with any colour background and a design of the colonel’s own choosing.
I’ve already started on the other half of the box of Strelets’ advancing infantry by depicting a Scottish regiment – more on that in a future post!
The War of the Spanish Succession, indeed much the 18th century’s so-called ‘lace wars’, have been significantly overlooked in plastic at 1/72 scale until Strelets began to put things right towards the end of last year. At time of writing, Strelets have four sets slated for release:
British Infantry in Advance (1701-1714)
British Infantry in Attack (1701-1714)
British Infantry Firing Line (1701-1714)
French Fusiliers (Early War)
The first two have been released and the first set has already found its way to Suburban Militarism. This “in Advance” set includes around 20 marching figures and a similar number again advancing with the point of the bayonet – I’ve started with the marching boys.
I’ve been struggling to find Marlburian uniform information on specific regiments on the net, so I may have to turn to actual ye olde books for more info. Eventually, I turned to one of my postcards which was part of a set bought from The Keep Museum in Dorchester about the Devonshire and Dorsetshire Regiments.
The postcard shows an illustration by Rob Chapman of a soldier from Sankey’s Regiment in 1718 (regiments being named at the time after their colonel). Depicted just after the end of the War of the Spanish Succession on ‘sea service’, they would later be numbered as the 39th Regiment of Foot.
I was attracted to painting this regiment by the green facings, yet my copy of W.Y. Carman’s “Richard Simkin’s Uniforms of the British Infantry Regiments” tells me that for this regiment “no distinctive facings may be quoted before 1742” but does have this to say on their subsequent green facings when :
“…pale green was used for the facings and waistcoat. The green was later named as ‘willow green’, ‘popinjay’, ‘light green’ and other variations, no doubt because a fixed shade of green was hard to find in those days when dyes changed under battle conditions.”
In the end, I’ve been happy to go with the illustration and (in the spirit of those endless shades of green that they enjoyed) have given them some lime green facings, to match Rob Chapman’s illustration.
My marching figures are now about 90% finished, but you will note that some work does still remain to be done. This grenadier company above, for example, are still awaiting some attention to their grenadier caps. No idea what the actual caps looked like but I’m thinking some more of that lime green and some other detailing might do the trick.
Also on the march are some sergeants carrying halberds and a couple of officers too wearing their gorgets. The ensign has a black flag which needs painting in some manner too:
Sankey’s Regiment: A brief history
This regiment was orignally named “Colonel Coote’s Regiment” when it was raised in 1702. The said Colonel Richard Coote however was soon to die in a duel to be succeeded by Colonel Sankey, whose name the Regiment then took. Though missing out on all of Marlborough’s great battles of the war, they still campaigned in the Low Countries, France, Germany, Spain and North America. At the battle of Almanza, the regiment mounted mules to earn the ironic nickname “Sankey’s Horse”. After the war, having been raised as infantry and later serving as psuedo-cavalry when mounted on mules, the men found then found themselves acting as marines when on ‘sea-service’!
The remainder of the box I intend to paint up as a different British regiment, though I’ve yet to decide upon which one. Another aspect on my mind is for me a somewhat novel approach to basing, but more on that in another post.
I always enjoy seeing some of the gifts and presents that other bloggers get for Christmas, so I’m sharing some of mine too.
First off, this box of Marlburian British Infantry in Advance from Strelets wonderful new foray into the War of the Spanish Succession. I’m delighted that Strelets have begun this series which has been woefully neglected by in 1/72 scale plastics. What’s more, the figures are beautifully sculpted, too.
At my suggestion, I’ve also received from kindly relatives a box of these unusual figures, also by Strelets:
Strelets’ Roman Senate 1 box is about five years old now and as the name suggests had a sister box (number 2) also issued, which features many of the same figures. Two sprues contain senators all standing in their togas and alternatively listening or debating. A final sprue contains senators armed with knives, a statue, and Julius Caesar, all of which are designed to help you recreate the infamous assassination in the senate. A step out of the usual horse and musket era and into ancients; I’ve already been developing my plan for these which I’ll share in due course!
In another step away from 18th-19th century warfare, I’ve received a set of my favoured 1/72 scale plastics by the increasingly impressive Red Box. Last year, I developed my Ottomania project using their well-sculpted Ottoman Turks. As a kind of adjunct, I can now dip a toe into their late middle ages Duchy of Muscovy figures with these “Pishalniki” (arquebusiers).
What’s this? Wargaming?!
Earlier this year, Man of Tin blog, The Grand Duchy of Stollen and others paid tribute and mourned the passing of a deeply respected figure in the wargaming world; Stuart Asquith. Never having wargamed before, I was interested to read about the man and his achievements which included a book I’d had buried in my loft since my childhood; his Military Modelling Guide to Wargaming. His guide to solo wargaming was unwrapped on my birthday and together, who knows, I may investigate putting some of those figures of mine to use…
Of course, I need somewhere to keep all my crap, I mean precious hobby items and these boxes will do the job nicely; one with the grenadier from the sadly closing local discount hobby shop and the other from stationers Paperchase and featuring the Nutcracker which has been curiously popular this Christmas.
And finally, an amusingly appropriate stocking-filler…
I’ve already been busy working on some of my new figures and I’ll share progress shortly.
Until then, I wish a happy, productive and peaceful New Year to all Suburban Militarism visitors and friends!
These are dark nights and short cold, wet days here in the UK. Winter can seem a little like something to be endured at times but my latest painting venture puts it all into perspective. Strelets 2nd French Army Sledge Train set includes yet more scene of tragic suffering from the Grande Armee’s retreat from Moscow in 1812.
Once again, as with Set 1, the sledge is being driven by a man wearing a polish czapka, possibly a Polish lancer missing his mount. Cracking a whip, he is seated in an impresive half-lotus posture! The previous driver didn’t fit on the sledge well, so this yogic flexibility at least helps me fit him to the sledge more easily.
Also seated in the sledge are a hussar and a lady holding a baby. This lady is sitting on top of a barrel and wrapped in a shawl. A nice little figure and a poignant one too.
The hussar meanwhile cradles a horse’s leg and hoof, possibly the last remnant of his beloved mount, now a source of food in these desperate circumstances.
Bringing up the rear of this vignette are two comrades in arms. I think that Strelets has again produced impressive and moving figures here. Badly wounded, relying on one’s comrades would be the only slim hope of making it home alive.
Likewise with another pair of Napoleon’s soldiers. Although sculpted separately, these two seemed to go together nicely to me. The blind grenadier’s outside outstretched hand found a natural home on the backpack of the other soldier carrying a heavy sack. Together, they stumble through the Russian snow back to Vilnius.
Whilst others hobble homeward, one character is sprinting to catch up with the sledge. A senior officer, I like to think there’s a backstory to his running; catching up after answering the call of nature; or recovering from a rude awakening when falling face first off the sledge into the snow having dozed off; or maybe he’s seen Cossacks approaching…
Laden with desperately needed provisions, the final figure from the scene is trudging alongside the poor imaciated horse.
Here are the two French sledge train sets, 2018 and 2019 versions of the winter retreat together.
As a reminder, here are last year’s retreat figures. Below: a soldier carrying a small drummer boy and his drum, with a barefoot dragoon looking appallingly cold.
Above: the figures in the sledge; another officer in a bicorne and a mysterious bespectacled gentleman who wears a luxorious fur coat and cradles a locked casket which possibly holds the source of his securing a fur coat and a ride in the sledge – money!
There are two other sledge train sets produced by Strelets for the Russian army. These make for a nice contrast to the French ones, being far better dressed for the cold and well fed too. I’ve kept these back to continue the tradition next winter.
Well, I’m feeling very cold now. Reckon it’s time for drop or two of something to keep out the cold…
It was around this time last year that, taking some inspiration from the onset of winter, I tackled the first of Strelets French Sledge Train sets. The results were really pleasing, unusual and inventive, albeit in a somewhat macabre way.
So it’s a perfect time of year again to attempt Set number 2 of the Strelets French Army Sledge Train sets. This one contains the exact same sledge and horse but with different occupants and walkers.
The figures are nearing the end of the painting process, with just a few things still to attend to or improve. I’ve yet to start on the sledge itself and the base, so I thought I’d share the characters before they get included in a little diorama, similar to that produced last year:
1. The Hussar:
This chap is wearing an hussar uniform with a less-than-regulation, broad-brimmed hat that he’s taken from somewhere. I painted him in what I believe to be the colours of the French 7th Hussar Regiment.
Depicted as as lucky occupant of the sledge, what perplexed me at first was what he was craddling in his arms. Predictably, Plastic Soldier Review got it quite right by suggesting that it was a horse leg! With a little paint, it indeed became clear, hoof and all. All in all a typically odd and delightfully imaginative figure from Strelets.
2. The Blinded Grenadier:
A grenadier of Napoleon’s Imperial Guard is a pleasing inclusion. He is blinded, presumably from a combat wound. Strelets have signified this by a bandage around his eyes, a walking stick and a hand extended out to feel the way. He appears to be wearing a scarf but he needs to urgently button that coat up against the winter snows!
3. The Comrades:
I’ve not quite finished them but I like these figures in particular. In a moving scene, Strelets have created two comrades struggling through the snows together. One is clearly wounded, his arm in a sling. His other arm is around his comrade who helps him walk. His comrade is wearing what appear to be very similar to the Opanci peasant shoes I last painted on the Serbian WWI infantry last year. Perhaps a sympathetic local took pity and helped him out?
4. The Plunderer:
This fortunate chap wears a warm regimental forage cap, that looks like a night cap. He’s well-equipped, smartly dressed, and in a piece of great fortune has managed to get his hands on a sack of something. Whatever it is, it’s clearly valuable enough to carry with him.
5. The Mother and Child:
In a reminder of the women and children which accompanied armies of the period, Strelets have included a lady sitting on a barrel in the sledge. She appears to be holding a tiny baby wrapped up on her lap. Appallingly, the outlook for both on the retreat would not be good whatsoever.
6. The Littlest Hobo:
Another well-equipped soldier who stands a better chance than many of survival. He has full packs on his back and has even tied a bundle of privisions to his musket. He’s ditched or stowed away his shako and wraped his head in a warm covering.
7. The Running Man:
A senior officer, perhaps even a Général de brigade, runs through the snows. Perhaps his horse has bolted or the Cossacks are hot on his heels? I think it is more likely that he’s another occupant of the sledge who’s now chasing after it after answering the call of nature! Run, Monsieur Général, run!
8. The Yogic Sledge Driver
The driver of the sledge wears a Polish lancer’s cap but otherwise could pass for an infantryman. Cracking a whip, he is sitting in an extreme crossed-legged position which can only be described as a half-lotus! Very flexible!
9. The Pitiful Pony
The same half-starved labouring pony from Sledge set 1 makes a reappearance. Definitely one of Strelets best horse sculpts, in my opinion. A sad reminder of the very considerable animal suffering experenced in the retreat from Moscow.
So, just final touches to the figures, and the sledge to paint and assemble, before I start to put the whole sledging expedition together and then this suitably snowy scene will probably be the last completed project before Christmas!
Come on in, the party’s in full swing! Pour yourself a drink and mingle…
Five years ago, my first post on WordPress was published. I’ve since maintained regular blogging for five years. I wasn’t at all sure what I was doing when I started – or why, but I seem to keep on painting figures and blogging away.
Ooh, that Cossack balalaika version of Cream’s “Sunshine of Your Love” is going down a storm…
There’s Capitaine Dubois and General Fournier indulging their Gallic love for fine wine by quaffing sauvignon blanc…Looks like both Major Donaldson and Ferik Ibrahim Pasha prefer a nice cup of tea, though…
Oh dear, Private Atkins, has disgraced himself by drinking far too much and practising his dance moves…
Finding myself in the area for a short break last week, I paid a short visit to Holkham Hall once again. I was fortunate in that the hall was open during the brief time I could visit (it would usually have been closed) but, unluckily, a special event meant that the manuscript library, which holds the yeomanry standard, was closed off to public access.
Nonetheless, it was a very enjoyable tour and I had a good talk with one of the fabulous room guides there about the Holkham Yeomanry. As we talked, visible through the windows was the south lawn looking glorious in the sun – the scene of the presentation of the yeomanry standard over 200 years ago.
My newly purchased postcard of Thomas Coke by Gainsborough.
Although a celebrated agriculturalist first and foremost, his passion for hunting on his estate meant that he would have been well familiar with guns. Here, he is pictured reloading, with three gundogs and a dead woodcock in view.
However, despite missing out on seeing the HYC standard again, there was still a pleasant surprise to be found in a downstairs room which I don’t recall being visible to the public on my last visit.
Access into the room was restricted but I could see it contained a snooker table with the walls festooned with examples of antique taxidermy and also what appeared to be 30 identical flintlock muskets.
There was no guide in attendance anywhere near this area, so I was left to speculate that these could be left over from the time of the Holkham Yeomanry’s service. In fact, I’d previously seen other examples of the Holkham Yeomanry’s muskets in a case at the nearby Victoria Arms on the Estate. It seems very likely that these are also part of the original HYC arms cache, as I find it difficult to imagine why the household would otherwise have retained at least 30 muskets of a seemingly identical pattern.
I took some low-quality photos of the room on my mobile phone but when back at home, on closer examination at home I was surprised to discover something else very intriguing.
Close up on the low resolution photograph, on a mantelpiece, a grainy image appears of a mounted figurine. It’s difficult to tell, but might I suggest that the rider has a sword drawn and is – just possibly – wearing the same Tarleton crested helmet seen worn by my own modelled versions of the troop…
For over a decade now, I yearly visit that part of the country, so perhaps another trip in 2020 will reveal yet more information?
Back in 2013, I was new to painting figures. I had dabbled before in 25mm metal castings before but only began to really dedicate regular time, patience and, ah, money in 2012. At the time, on the 1st floor of a huge model and toy shop in my home town, boxes of 1:72 scale plastic soldiers of every description occupied an entire room. Then, one day, I walked in to the shop to find it all gone. The floor to ceiling high wall coverage by countless boxes of plastic troops of every description and from every manufacturer had all but disappeared.
The venerable old store was closing down and clearly, in the weeks since I’d last visited, I’d missed the ensuing super-sale bonanza. Modelling vultures had already picked the carcass clean. There would be time to have a little cry about the old shop’s fate later back home but at that point I could see a handful of boxes still remained on a shelf – the last remnant half-companies from an army on sprues once numbering many 1000s of figures.
The Marmite sculpting style of the early Strelets figures ensured they featured heavily amongst these final unwanted boxes. I decided to pick up two of their marching French Napoleonic infantry sets; French Infantry on the March (1) and French Infantry in Advance. The unloved kits hadn’t remained unpurchased due to over-pricing – priced only £2.50 each with the added inducement of a ‘buy 1 get 1 free’!
As I took them home to mourn the passing of that enormous model soldier department (not to say it’s ever helpful, knowledgeable, but sadly soon-to-be-redundant staff) I suspected that these figures would probably go forever unpainted, stowed somewhere in the loft. In truth, it was a purchase motivated by sympathy rather than by desire.
And then, a few years later, in March 2015. I decided to paint some with a view to maybe submitting them to an international group painting project. In the event, they weren’t sent abroad but I had at least now made some effort on 18 of them. To my surprise, I enjoyed painting them a lot, with no less than 24 individual poses across the two boxes, there was real personality from a crowd otherwise depicted doing more or less the same thing. Both boxes featured the troops wearing greatcoats so mixed perfectly well together.
These painted figures remained un-based for a long while until, during a heavy blizzard on a December day in 2017, I realised that their greatcoats suggested they’d do well marching through snow (an obvious idea given one box’s art even depicts snow) and somehow, I ended up adding a further 26 to make 44 marchers. And last year, continuing what was becoming a yearly tradition, I dutifully painted another dozen to follow the Strelets French sledge train I’d painted. This latest dozen painted only this week takes the painted group it up to 68.
Since 2008, both of these marching sets are now virtually unavailable but Strelets have recently made a new replacement; their French Infantry on the March (1), with apparently more on the way! I’ve tackled a sprue of these new figures to compare with the old figures. These will be the future of my French winter marching tradition once the old sets are finally exhausted.
They are very different to the original sets indeed.
Firstly, the new set has its marchers appearing sideways on the sprue, rather than face on. This has the effect of the figures being quite slender, almost appearing as a semi-flat.
Two of the figures wear some unusual headgear. PSR identify it as a pokalem, also known as a bonnet de police. Blue and piped with red, this early kind of informal headdress was warm and comfortable with ear flaps which could be worn up or down (as in these chilly examples), it could even be worn under shako.
Details, as with all newer Strelets figures, are much more subtle than before but overall the proportions and poses of these figures are impressive, even allowing for their semi-flat thinness.
To more clearly differentiate between the older regiment and the newly raised troops, I’ve adopted a grey greatcoat for the new recruits with a green ball plume.
The old style figures are now down to their last couple of remaining sprues. Do I have a preference between the sets? Plastic Soldier Review prefer the new set of figures. But for all that, when it comes to painting, I can’t help but have a fondness, perhaps even a bias, for the ‘Old Guard’, those original, ugly and unloved refugees from a dying High Street model shop.