I previously posted on mounting my ‘Lost Sharpshooter’ figure, the first of my Marrion’s Men series. With the latest delivery of more alder wood bases, I’ve been able to start mounting my other Robert Marrion-inspired 54mm yeomanry figures. The first to get the treatment is my sergeant from the Sussex Imperial Yeomanry.
As before, I’ve placed a brass plaque front and rear detailing the regiment and the rank / year of the figure.
When I last posted on this figure, it was still awaiting the riding crop held in the left hand. In the event, the crop required chopping in two pieces and positioning delicately in place. Thankfully, the glue is just about holding this delicate item precariously in place!
I previously wrongly identified what I thought were three bullets in the bandolier. This is incorrect. These items I now believe to be leather fixings which allow the top half of the bandolier to fold over and cover the bullets. I’ve added a dash of paint to cover them over.
That’s the second of my Marrion’s Men done and dusted, and I’m rather pleased with him. The next one is awaiting the addition of accessory and will be featured in a future post.
Another figure related to the late artist Robert Marrion has been on my painting table. Following on from the 54mm Sharpshooter that I posted on recently, I’ve been painting another chap modelled on an illustration by R.J. Marrion. It can be found on the front of Book One of the “Uniforms of the British Yeomanry Force 1794-1914” series. The illustration depicts a sergeant of the Sussex Imperial Yeomanry in Service Dress c.1905.
As with the Sharpshooter, it is a figure wearing khaki, Stohwasser gaiters and a slouch hat. This form of Yeomanry dress was increasingly common at this time in the wake of the harsh lessons learnt out on the veldt during the Anglo-Boer War. He is a sergeant (with the stripes to prove it) and carries a riding crop casually in his left hand. Other distinctions include metal shoulder chains and a leather bandolier within which the sculptor has even faithfully reproduced the three bullets seen in the drawing!
Barlow and Smith’s book describes the uniform in the following manner:
“…Service Dress consisted of the slouch hat… A khaki serge frock with blue collar wearing brass badges, blue shoulder straps and a trefoil in blue on the cuffs, four patch pockets with small brass buttons on the breast pockets, and five brass buttons down the front. A light shade Bedford cord breeches with blue piping, brown Stohwasser gaiters and ankle boots; a web bandolier.”
The slouch hat had a leather band for a pagri and a “small, bright blue emu feather plume”. The blue shoulder straps described above were replaced by ‘shoulder chains with blue backing’ for Service Dress in 1905, which helps to confirm the date of this figure.
The Sussex Yeomanry had their genesis back in 1793 when Revolutionary France declared war on Great Britain. The regiment then came in and out of existence in various guises over the 19th century until finally disbanded in 1875.
The crisis of the Anglo-Boer War led to the British army recognising an urgent need for the kind of rapid mobility that mounted forces could provide. This resulted in the hurried creation of the Imperial Yeomanry in early 1900, capable of serving overseas. The Sussex Imperial Yeomanry was one of the yeomanry regiments formed as part of this emergency response.
You will notice that my Yeoman is missing his riding crop, held in his left hand. Being a delicate item, I’ve decided to fix this on only when I’m able to place him on to a proper base. This may take a few weeks before I source an appropriate one.
I’m reasonably satisfied with my painting for this figure although it took a few attempts until I was happy with the colour of his ‘light-coloured’ Bedford cord riding breeches. My sergeant is wearing leather wrist gloves which are a tad lighter in shade than I’d prefer but otherwise look okay. The Stohwasser leather gaiters are a blend of Vallejo’s Cavalry Brown and Red Leather paints with a black wash.
I’m still feeling my way a little with what is still only my 54mm scale figure. I’m happy to retain my painting ‘style’ even for this scale. It may not be the most effective way of presenting them, but the figure retains that certain ‘Suburban Militarism’ identity as a result.
There’s another Robert Marrion inspired figure still awaiting paint to make it a trio of ‘Marrion’s Men’. I’ll be still on the look out for any others, of which I’m convinced there must be a number more somewhere. In the meantime, I’ve got other 54mm scale Yeomanry figures awaiting attention for whenever I next get the urge.