TYPES OF VOLUNTEER & YEOMANRY (1902) #19

TYPES OF VOLUNTEER & YEOMANRY (1902) #19

From the cigarette card set “Types of Volunteer and Yeomanry”, issued by W H & J Woods Ltd of Preston in 1902.

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TYPES OF VOLUNTEER & YEOMANRY (1902) #18

TYPES OF VOLUNTEER & YEOMANRY (1902) #18

From the cigarette card set “Types of Volunteer and Yeomanry”, issued by W H & J Woods Ltd of Preston in 1902.

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And a Little More of Marrion’s Men…

My previous post was published somewhat “prematurely” by an absurdly over-eager WordPress. This meant that was not able to add the few more photos of my painted lost Sharpshooter that I intended. So, with apologies for splitting the topic over two posts, here they are…

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In keeping with Mr Marrion’s original illustration, I’ve used similar, though different, base colours for the tunic (Vallejo English Uniform Brown) and the cord breeches (Vallejo Khaki). I mixed my own colour for the Stohwasser gaiters using Red Leather and Burnt Umber. For the green facings, I used Vallejo Black Green and for the trumpet cord / aiguillettes I used Vallejo’s warmer shade of Deep Green.

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Getting the three yellow stripes that appear on the folds of the Pagri was tricky as the definition on the metal was vague, so I simply did my best. Note the green stripe running down his breeches.

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So, as I indicated in the last post, he’s now just awaiting his fancy wooden base to arrive. More on that another time, but I do promise that’s it on my Sharpshooter for now!

Diamond Geezer

Just a quick update on my progress with my FEMbruary challenge – Bad Squiddo’s Catherine the Great and her horse “Brilliant”. The latter’s name refers to the Russian word for diamond. Well, the sculpting is a real gem, for sure (groan…).

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Brilliant – Catherine II’s grey

I’m not used to painting greys at 28mm, or in metal for that matter, so I’ve had to go back and re-adjust my paint job a couple of times. There is supposed to be a very slight dapple effect on the coat, but it’s got lost a little with those readjustments. Hopefully, the end result is satisfactory.

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Still a couple of things I’d like to do get Brilliant’s face looking slightly better. Unlike in Eriksen’s painting of Catherine the Great on Brilliant, I painted them in a light colour instead of black. This is correct for a grey – and what’s more, I am rather sad and very fussy about these things!

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I must confess that reproducing freehand all that rich, ornate embroidery seen on the saddle cloth isn’t something I’m a natural at. And it probably shows too, but it’ll do!

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Catherine herself is, I’d say, half to 2/3rd’s done. Her face and hair are up next, with plenty of other details still to do. All will be revealed when she’s finally finished and glued on to the back of Brilliant!

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Men in White Coats

My 13th Regiment of Polish infantry are slowly approaching completion. With an all white uniform and light blue facings, the challenge is to avoid them looking a little too luminous and bright, yet still pleasingly colourful.

ce01a6b42cbd60b2a2b92a115eaf82ad I’ve used ‘turquoise’ rather than light blue for their facings simply because I preferred the shade (so there!).

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In progress: The 13th Regiment of the Polish army.

I started to paint the drummer in reverse colours until I found a print showing the 13th drummer in white, reversing the blue lapel colour with the red cord colour. So, I’ve gone back to the start with that figure. I’m a little apprehensive about painting a heraldic double-headed eagle onto an uneven surface (i.e. on to the draped flag). The results could be comical!

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I think my ultimate aim with these figures is to place them as if taking part in an advance across a battlefield. Hence, unlike with the previous regiment, I’ve left the bayonets in place. In the meantime, the equipment and muskets are still to do, not forgetting the regimental flag and the drummer too. Updates to follow once these are done…