My Ottoman Turkish Artillery project (which I’ve now shamelessly dubbed ‘Ottomania’) kicks off with a completed box of RedBox’s “Turkish Artillery (17th Century)”. As I’ve indicated in a previous post, RedBox have issued a number of different kits featuring Turkish artillery from the 16th/17th centuries, so I intend to do more.
I’ve created two gun teams which service two different calibres of gun. Both guns are large compared to Napoleonic artillery. Plastic Soldier Review informs us that the larger gun has a barrel length of 35mm (equivalent to 2.5 metres) while the smaller gun has a barrel length of 29mm (equivalent 2.1 metres).
Much of my time was spent on the basing which features resin-cast gabions as a defensive emplacement. I’m convinced that the extra time spent on basing is important for artillery groups.
I’m particularly pleased with the way my gabions turned out. Some preparation was necessary before painting with some initial cleaning before being mounted on some short lengths of plastic card to better accommodate the modelling clay base. Minor holes which had appeared in the original resin cast were filled in with a little bit of glue.
With a generous gun crew of 8 figures to service each gun, I was careful to make a big enough space to accommodate them all without crowding.
And I’m already planning my next lot of Ottoman artillerymen, making use of yet more gabions with some highly specialised siege artillery. More on that to come…
My two teams of Ottoman topçu artillerymen are more or less painted and are awaiting their mighty guns. Not only that, they are also awaiting their gabion protection screen. The diorama bases (one for each gun team) are already in progress and so I should start applying paint to them soon.
In the meantime, here’s a pictorial review of my (nearly) painted Ottoman topçu.
They’re impressive figures by Redbox and I’m quite pleased with the way these Ottoman artillerymen have come out. Well, my next task is diorama making which, as I’ve said, I’m already now under way on, so hopefully something to show at some point in the not-too-distant future.
In my last post I indicated the purchase of something to assist my latest project painting which is 17th century Ottoman Turkish artillery by RedBox. I’ve discovered some siege equipment, wicker gabions cast in resin, for sale on the internet.
If, like me, you’re not that familiar with early siege defences, then you may appreciate a little explanation courtesy of Wikipedia:
Early gabions were round cages with open tops and bottoms, made from wickerwork and filled with earth for use as military fortifications. These early military gabions were most often used to protect sappers and siege artillery gunners. The wickerwork cylinders were light and could be carried relatively conveniently in the ammunition train, particularly if they were made in several diameters to fit one inside another. At the site of use in the field, they could be stood on end, staked in position, and filled with soil to form an effective wall around the gun, or rapidly construct a bulletproof parapet along a sap.
Cheap, quick and effective construction pieces even today, they are still a popular form of erosion control and landscaping. The side of motorways are commonly lined with metal cages filled with rocks; the modern alternative to wicker cylinders filled with earth.
Anyscale Models produce four fabulous resin artillery screens of wicker gabions for just over £5, which allows me to protect eight of my gun teams for a very reasonable price. Manufacturer of my Ottoman Turks, RedBox, actually make their own 17th Century battlefield accessory set, but for the same price I would only get 3 gabions, not 48! Unfortunately for me, Anyscale Models’ main focus seems to be the 20th century and these are something of an anomaly.
My gabions are billed as being suitable for 20 -28mm scale and so should suit RedBox’s Turkish cannon and crews very well. They come in two different types, the slightly more expansive of the two are intended to be used for my larger calibre guns. These gabions will, of course, require some painting, so we will see how that goes!
Meanwhile, the painting of my Turkish topçu (artillerymen) progresses very well and I should have the two 8-strong gun crews from my first box of Turkish Artillery (17th Century) painted soon. With up to four more sets from RedBox’s range of Ottoman Artillery to choose from, if I’m happy with the end result, then I may well need more gabions…
So, what to paint next after all those snowy winter figures I’ve been working on for weeks? I’m feeling that it’s time for Suburban Militarism to attempt something else. Something warmer… Something different… Something completely different…
RedBox have been producing some very fine figures of late. The eras and conflicts that they concentrate on are mostly to do with the 16th/17th century. This is a little outside my areas of interest but nonetheless, I’ve been impressed by their recent figures. And so, for my next slow-burn project I will be having a go at building the Sultan’s army from their wonderful range of Ottoman Turks, starting with their artillery.
The Ottoman Empire was enormous at its height and was unsurprisingly therefore very powerful militarily. The Ottoman Empire was amongst the first European nation to have a professional and permanent artillery corps and consequently were the most effective in Europe in the 16th and 17th centuries. In an era dominated by siege warfare, much of the Ottomans strength lay in their numerous and formidable artillery corps.
RedBox, in their typically generous manner, have produced an impressive number of different artillery kits for these Ottoman Turks, including the following named sets;
“16th Century Turkish Artillery”
“17th Century Turkish Artillery”
“16th Century Turkish Siege Artillery Gun”
“16th-17th Century Turkish Siege Artillery Mortar”
“Turkish Sailor’s Artillery 16th-17th Century”
With industrial progress being slow in the 16th-17th century, all the kits could more or less be reasonably used together without creating an historical absurdity. Plastic Soldier Review states that “the guns in [the 17th Century] set are exactly the same as those in the set of 16th Century Artillery, and are still very appropriate to the 17th.”
I’ve decided to start with some figures from their “17th Century Turkish Artillery” set. Having a few boxes of Turks arrive through the post recently, I’ll probably dip in and out of these different kits.
The Topçu Ocağı (or Artillery Corps) being both a professional and a favoured division of the army did wear uniforms, though of exactly what sort is open to question. There appear to be many variations on colours, so it may be that colours simply varied with from unit to unit. For my first figures, I’ve gone with the colours shown consistently on all the RedBox box covers which closely match the illustration shown above by a contemporary Swedish ambassador. I may even maintain the same uniformity throughout all of the Sultan’s artillery, other arms being much more varied.
With artillery sets, I guess the only way to present them is as a group together in a mini diorama, as with my recent Cracker Battery. To facilitate this, I’ve made another purchase which I hope will go perfectly with my Turkish artillery units. I’m rather excited about it but I’ll reveal what this is in a future post!
My Strelets French Army Sledge Train is now finished with snow freshly dusted over the scene. The end result looks suitably cold, I think. Or maybe it’s just the deteriorating weather outside having that effect on me?
In the sledge there is a driver wearing a Polish Czapka, an officer wearing a cocked hat and another man wrapped in a luxurious fur coat. This chap holds a keg and is sitting on a locked casket. Notably, he wears a pair of spectacles. His hat is a bit of mystery to me. If not a specific piece of military headdress, it could be anything stolen or purchased simply to keep his head warm, so I’ve just painted it blue.
I mentioned in my previous post that the driver figure could in no way be made to ride the horse or sit in the sledge without something to sit on. Imperial Rebel Ork suggested I made something out of green stuff, sculpting anything is always a risky strategy for me! At the last minute, I decided to use a 1/72 scale wooden box from my childhood collection of Napoleonic French Artillery. The box was perfect but the driver still didn’t sit well as his legs were too far apart, even after I rashly cut his toes off (which I now put down to frostbite, you see…). He’s leaning a teensy bit far back for my liking, but as he’s about to wield a whip, I can just about say ‘he’ll do’.
Those walking behind include (from foreground to background below):
An infantryman in great coat wearing a Polish Lancer’s discarded czapka.
Another infantryman carrying on his back a small drummer boy and his drum.
A dragoon with a blanket around his shoulders and without any footwear.
At the back, a Chasseur of the Guard amputee using a staff as a crutch.
You may just be able to pick out the sledge tracks in the snow? It looks a little more convincing to the eye!
There’s a convincing sense with these figures or struggle and hardship, particularly now they’re painted and in the snow. Little things that I was pleased with are lost to the camera in these pics; the wooden floor of the sledge and the casket, to name but two.
I think my favourite figure is the soldier carrying the drummer boy and drum on his back. It’s quite a complex piece of sculpting which comes out very well after applying some paint. All the figures look good, though, I think. The barefoot dragoon is convincingly cold with the blanket, for example.
Napoleon himself adopted the use of a sleigh when he abandoned the remnants of the Grand Armee on its retreat from Moscow, so it really was the best way to get around in the snowy conditions.
I mentioned how much I liked Strelets emaciated pony. The suffering endured by the horses taken on campaign with Napoleon was truly appalling. Virtually all of Napoleon’s 200,000 horses died from starvation, wounds, injuries, exhaustion or, increasingly during the terrible retreat, at the hands of starving men desperate to use them for food.
Even in the opening weeks of the campaign, many thousands of horses died in a great storm. The outlook for this poor, struggling pony in my scene is probably as bleak as for the men walking on behind.
You may notice from the pic below that the horse is moving off to the left. This is simply a feature of one of the poles connected to his harness being longer than the other! But if anyone asks – the horse is very deliberately turning left…
I’ve also added another dozen men to my growing collection of painted Strelets Marching French infantry figures, currently now over 50 strong. It’s a long-term aim of mine to finish both boxes in the coming years and build a 100-man marching column to accompany the sledge train.
Settle down, grab your popcorn – it’s time for a short movie:
There’s a second set of the French Army Sledge Train with different figures which I may source for next year’s wintry hobby painting. And finally – just a few last pics showing the marching column making its way across the icy wastes of my lounge carpet:
Recently, I’ve enjoyed getting the fake snow out for basing my Christmas Artillery figures and as the temperature drops here in the UK and December looms, it’s the perfect time of the year to do it, too.
In December of last year I added to my growing contingent of Strelets French army figures marching through the snow. I’ve just painted another dozen men to add to this already large group and am now planning to add something extra too to it too. This snowy retreat from Moscow will now include “Strelets French Army Sledge Train 1“, set.
Strelets produced four separate sets of sledge trains back in 2015, two for the French army and two for the Russians. Needless to say, as these sets are depicting Napoleon’s retreat from Moscow in 1812, the Russians are looking decidedly healthier and better equipped on their sledges than their French counterparts!
So, let’s take a look at the figures in the box:
First of all – the sledge with its horse in harness. The sledge is a simple wooden affair on skis, as you might expect. Strelets have depicted a suitably thin horse with plenty of bones on display, suggesting that the hardships were not confined to the men. Often, I find Strelets horses too bulky and stocky – one of the reasons no Strelets cavalry set has ever found its way into the Nappy Cavalry Project. This starving horse brings the anatomy pleasingly into more believable proportions.
The driver below looks like a lancer of the guard who has fortunately purloined a warm coat from somewhere. There’s a real problem as to where to put him as he appears to be sculpted to sit on something but the sledge unfortunately does not come with an armchair! I’ll work something out, maybe I’ll have him standing but in crouching position?
The set also comes with walking stragglers. The figures are very pleasingly old-style Strelets, which is to say each figure is full of great character and eccentric attention to detail. Recent sculpting is more refined but lacks a degree of personality.
Below Left: Appears to be a Chassuer a Cheval of the guard who unsurprisingly has chosen to wear his fur-lined pelisse to keep out the cold. He is also an amputee, leaning on a crutch. His chances of hopping the 1000km from Moscow back to Vilnius are slim, I’d imagine!
Below centre: This poor fellow ‘s helmet suggests he is a dragoon. The blanket around his shoulders looks inadequate for a Russian winter. His bare feet puts his chances of survival very low indeed.
Below right: Like the sledge driver, this man wears a polish czapka suggesting he might be a soldier of the Polish legion, or simply an infantryman wearing any discarded head protection he can find. Uninjured and with a long coat, my money is on him being the most likely of the trio to get home.
The fellow below has two burdens to carry through the snow; a drum and a small drummer boy clinging to his shoulders. It’s a touching idea and one that reminds us that children and families also accompanied the French army and shared in the appalling suffering of the retreat.
There’s always one who seems to look after himself while everyone else suffers. This man is lucky enough to be riding in the sledge. He also has a very warm fur coat and a pair of fur lined peasant boots. A hat and hood protect his head and he appears to have glasses or even goggles. Instead of a child, he cradles a barrel of something alcoholic to keep out the cold. He also has a handy seat in the form of a locked casket which, presumably, contains food or even money with which to buy all the best winter clothing!
Riding next to him in the sledge is an officer, identifiable by his cocked hat. The officer is again fortunate, no doubt thanks to his rank, to have a full length coat and a ride in the sledge.
So that is a preview of the sledge occupants and stragglers accompanying the column of French infantry I’ve been building up in recent years. Hopefully, now well under way with just a few figures to paint I should be able to update on my progress soon.
In the meantime, here’s a bit of light music to accompany the post, though I’m not entirely sure Leroy Anderson had Napoleon’s retreat from Moscow in his mind when he composed “Sleigh Ride”…
Nothing says ‘Christmas’ quite like a 7 pounder artillery battery in the snow. My bizarre and distinctly unseasonal Christmas decoration is finished with this display showing Cracker Battery, Christmas Artillery of the Christmas Corps.
You may notice that Cracker Battery have taken time out of their gunnery practice to build a snowman. The Snowman was crudely and quickly made by yours truly but I think it looks decent enough. The carrot nose was made out of the end of a cocktail stick.
You may also observe that there’s also a small pile of snowy projectiles ready for loading; these are somewhat over-large calibre snowballs. No doubt Bombardier Partihatt will carefully sculpt them to size before loading.
You may notice that I’ve painted their cannon a nice light shade of blue. I must say that Revell’s sprue was perfect. The cannon came together so perfectly that I didn’t even need to apply any glue, it just snapped together with engineered perfection.
Oh, wait. Looks like it’s started snowing again…
It’s a suitably seasonal scene, I like to think. I promise not to bring it out until at least early December! In the meantime, I’m adding a handful of Carolling Hussars as well, so I may share progress on those in due course.
Yes, I know it’s only just turned November, but I want to talk about Christmas, dammit! Just like the painfully over-eager High Street shops, for me early November is a time of preparation. For Suburban Militarism it is also the time when a handful of figures are painted up to join their brethren in the Christmas Corps in readiness for a seasonal duty.
Musketeer of 25th Christmas Regt of Foot
This prestigious group of model soldiers take their turn for a tour of duty on the mantelpiece as part of the household’s December Christmas decorations. In previous years, the following troops have been created:
With the Christmas Corps now comprising two slowly growing regiments of infantry and two also of cavalry, I thought it about time to add some suitably seasonal artillery to help the season go with a bang. Therefore, I am introducing:-
Cracker Battery of the Christmas Artillery!
I’ve remained consistent with the range of figures that I’m using. Revell’s sublime Seven Years War soldiers have provided all the figures so far. Up to about a year ago, the cavalry and infantry sets were becoming extremely rare until Revell reissued them in combined boxes of either Prussian and Austrian infantry or cavalry. This terrific development has pleased many. However, Revell only ever produced one set of artillery figures; the Austrians.
And what a set it was! Superbly detailed sculpting and terrific poses. Unfortunately, Revell have not reissued this set, nor I believe have any plans to, leaving 7YW wargamers desperate for artillery support. The old 1994-era boxes of Austrian artillery are now as rare hen’s teeth and going for a tidy sum whenever boxes do crop up. So I’m very lucky to have sourced this box for a reasonable fee for the Christmas Corps.
The Austrian artillery wore a light brown uniform but I wanted something with a just little more colour than that but different to the other regiments in the . So, I’ve elected for navy blue coats, red turnbacks with straw-coloured waistcoat and breeches; coincidentally this is also the colour of Prussian artillery during the 7YW.
Here’s how they are looking so far (with a biography of each man in the battery).
Cracker Battery; Christmas Artillery:
1.Captain Rupert Fortune-Fisch
The officer of the battery is well-educated and the perfect gentleman. A keen interest in mathematics greatly assists in the accuracy of his guns. His tricorn hat is adorned with a sprig of Broom, a feature particular to the Christmas Artillery. This is a tradition which goes back to when they were said to have ‘swept away’ the enemy at the Battle of Broombriggs Farm. At this action, low on ammunition, their cannons famously took to firing off brandy-lit Christmas puddings at the enemy.
2.Battery Sergeant Major Fred Cheaptoy
A stalwart of the battery and the Captain’s most dependable man. No one knows gunnery drill better than Cheaptoy. Although he knows the drill, BSM Cheaptoy sees his role as purely supervisory, seldom getting involved with any actual physical work.
3. Corporal Frederick Faketache
This is the man trusted with the lighted portfire (well, once it’s painted…). No one else in the battery can be relied upon so dependably to actually fire the cannon when told to do so, and NOT beforehand…
Before he does apply the fuse, Corporal Faketache cries out “have a cake!”, at which point new recruits take a bite out of their regulation ration of Christmas cake only to scatter crumbs in shock as the gun noisily discharges. Old hands know better and cover their ears. Traditionally, the warning call was “have a care!”, but years of standing near loud cannonades has badly affected both his hearing and his memory. It is precisely this deafness which prevents any premature firing of the gun.
4. Bombardier Joseph Partihatt
Bombardier Partihatt can be seen below engaged in his favourite duty, carrying the ammunition over to the cannon. This involves much strength but little brain; a task in which Partihatt is perfectly suited. What’s that in his hands, you enquire? A white cannonball? Not so; the Christmas Artillery only ever fire snowballs, of course!
5. Gunner William Dredfuljoak
Good old Bill Dredfuljoak is the battery comedian, always ready with a quip or an amusing anecdote, even (or especially) when limbs are being severed and heads are being detached by counter-battery fire. Below, he adopts a nonchalant stance so typical of the man. When in action, if the battle reaches a crisis point, he can often be heard being implored by his Captain to “shut up, man and for pity’s sake get a move on with that bloody sponge!”
6. Gunner Johnny Tweezers
Johnny has a stick. Johnny likes to use his stick to move the cannon left or right. That’s about all there is to say about Johnny Tweezers. However, as a bass-baritone, Gunnar Tweezers sure holds a good note during the singing of any Christmas carols. His loud vocal is said to ‘boom like mortar fire’.
7. Wheeler Thomas Plasticfrogg
Wheeler Plasticfrogg might appear at first sight to be adopting a super-hero pose below. He is in actual fact rehearsing his key role in the battery which is basically wheeling the gun into position. Plasticfrogg takes his job very seriously and the sight of him exercising by stretching and moving imaginary cannon wheels about is a common sight during off-duty moments. BSM Cheaptoy considers him “a bit too-bloody-keen.”
So that’s the men of Cracker Battery. The Revell set still leaves me with enough figures for two more similar sized batteries to add to the brigade in future years and even provides some horses and drivers delivering ammunition.
In other news, I have purchased and extremely cheap lighted church model to also appear in my seasonal display on the mantelpiece with Cracker Battery. I may paint this up to appear more visually appealing too, perhaps a coloured roof or white walls.
Although Captain Fortune-Fisch is pleased as punch with the location of his new billet over the Christmas period, the local parson may not be quite so enthusiastic…
No artillery battery is much use without a cannon, so I’ll post an update on that once that’s been painted and assembled. I am also making plans for the final display, which I will also post on at a later date.
Once more – my apologies if this ridiculously early Christmas-related nonsense has made anybody queasy…