“Eliminate the red trousers? Never! Le pantalon rouge c’est la France!” (Former French Minister for war, M. Etienne)
As a small boy, one of the key aspects of military history that first attracted me to the subject were the illustrations of brightly-coloured 18th and 19th century uniforms. Of course, the reality of the brutality and horror of war was obscured by those radiant fabrics. Nevertheless, in this era, warfare had evolved in a manner that allowed fashion to blossom alongside function. As the 20th century loomed, these ‘lace wars’ were passing by, irrevocably changed by industrial progress and its deadly armaments. Concealment and camouflage was the only logical response to the modern battlefield and its increasingly deadly weaponry.
But there were some refuseniks to the harsh reality of modern industrial warfare. Romantic attachment to these old-style, colourful armies burned as brightly in the French imagination then as it did within me as a schoolboy. When the world went to its Great War in 1914, the French marched off looking much as they would have done fifty years or more before, with red trousers, red kepis, and blue coats.
Why had they done this? Great Britain had long since learned of the necessity of concealment from modern weaponry. In 1902, the French army had actually experimented with a grey-green uniform and helmet, parading with it through Paris, but it had not been adopted. At the inception of the war, some in the French military felt that a rushed change away from their traditional uniform in the name of concealment could be construed by the enemy as ‘cowardice’. Furthermore, the interests of French business which had a stake in the production of the old uniforms also played a part (red clothing dyers, chiefly!), but romance was surely key in ensuring that the French soldiers still retained their bright colour.
“[To banish] all that is colourful, all that gives the soldier his vivid aspect is to go contrary both to French taste and military function.” Echo de Paris.
In truth, it was probably far more about taste than function. But I can well imagine that I might be one of those seeking ways to justify my instinctive reluctance to abandon the iconic glory of their colourful uniform.
By 1915, with losses mounting, the French army bowed to the inevitable. The urgent need for less visible uniforms was being heeded and their initial emergency measures included coyly hiding those sacred red trousers under drab blue overalls. Soon, a new pale uniform colour was adopted (horizon blue) and, after first unsuccessfully trialling a metal skull cap worn underneath the red kepi, the all-metal Adrian helmet was adopted too.
A cherished romantic tradition died on the day that the red trouser was abandoned, but far too many soldiers had died to bring about that demise. It was a sacrifice which had demonstrated that it was not ‘le pantalon rouge’ that was France, rather it was the men that had worn it.
It will come as no surprise, then, that I will be painting some French WWI infantry in their 1914 guise. Caesar Miniatures is a manufacturer that I haven’t used before. At first glance their figures look excellent, in my opinion. The only downside being the curious omission of any crossbelt straps and the softness of the plastic. I’ll be reaching for the red paint to make a start very soon…
My contribution to the FEMbruary challenge, a 28mm metal figure of Catherine the II of Russia is now finished! Here is the great lady herself astride her grey; Brilliant.
In a previous post, I observed how this Bad Squiddo figure was cleverly based upon an original portrait of the empress painted by a Swede named Vigilius Eriksen. You can observe below just how my figure compares with it’s original inspiration:
I’ve based her on a kind of rough track, complete with grasses and flowers, on her way to suggest to her husband Peter III that he should maybe consider abdicating in favour of her. Something about the sharpness of her glittering sword lends further weight to her suggestion…
I used a shade of blue for her sash appropriately called “Royal Blue”, which I think looks the business.
Getting her face ‘satisfactory’ was an interesting challenge what with me not being used to painting female faces. It’s always easier to create an acceptable looking face when it’s covered over with a luxuriant moustache or bushy beard! That’s one terrific thing about FEMbruary – guiding me into neglected territory. I’m pleased to say that – no doubt thanks more to the sculptor than the painter – I think the face looks suitably feminine.
Catherine’s long hair can be seen to cascade down her back, tied with a black bow.
And after that admittedly modest submission, and with the end of February fast approaching, I bow out of #FEMbruary. If FEMbruary in some way encourages more women into the hobby; encourages more appropriate female miniatures to be manufactured; or just enables us bloke modellers to reconsider female figures and their portrayal more carefully, then all to the good.
I urge visitors to check out the realistic female miniatures on Annie Norman’s splendid Bad Squiddo Games site and also check out some of the other participants terrific work:
Just a quick update on my progress with my FEMbruary challenge – Bad Squiddo’s Catherine the Great and her horse “Brilliant”. The latter’s name refers to the Russian word for diamond. Well, the sculpting is a real gem, for sure (groan…).
I’m not used to painting greys at 28mm, or in metal for that matter, so I’ve had to go back and re-adjust my paint job a couple of times. There is supposed to be a very slight dapple effect on the coat, but it’s got lost a little with those readjustments. Hopefully, the end result is satisfactory.
Still a couple of things I’d like to do get Brilliant’s face looking slightly better. Unlike in Eriksen’s painting of Catherine the Great on Brilliant, I painted them in a light colour instead of black. This is correct for a grey – and what’s more, I am rather sad and very fussy about these things!
I must confess that reproducing freehand all that rich, ornate embroidery seen on the saddle cloth isn’t something I’m a natural at. And it probably shows too, but it’ll do!
Catherine herself is, I’d say, half to 2/3rd’s done. Her face and hair are up next, with plenty of other details still to do. All will be revealed when she’s finally finished and glued on to the back of Brilliant!
I’m pleased to say that it appears that my previous post on the heroic female soldiers of Serbia has been particularly well-timed. Not only does it coincide with the 100th anniversary of the first piece of legislation extending voting rights to women in the UK, but it also coincides with #FEMbruary.
It was my friend from the Imperial Rebel Orc blog who drew my attention to FEMbruary – a painting challenge for this month intended to “celebrate females and highlight the dismal fact that our hobby is so male dominated“. The idea for the FEMbruary painting challenge has apparently originated with Lead Balloony.com. Well done, sir! A fine suggestion. https://leadballoony.com/2018/01/29/more-eru-kin-and-the-fembruary-challenge
Suburban Militarism occasionally posts on topics related to women’s often overlooked role in conflict, military art and military history. Furthermore, this blog loves a communal challenge, and so I’ve ‘signed up’ to FEMbruary – a time for painting some female miniatures that celebrate, not demean, women. There was just a small matter of finding an appropriate female figure to paint, though. Not only are there not enough females in the hobby, there’s not enough female figures which are realistically proportioned and non-sexualised. Step forward, Bad Squiddo and the Dice Bag Lady!
Guided by the ever-knowledgeable Mark from Man of Tin blog, I checked out Bad Squiddo – a site dedicated to believable female miniatures! Quickly through the post came a perfectly sculpted figure together with a rather lovely Darjeeling tea bag to boot. My chosen FEMbruary figure from Bad Squiddo is one of the most powerful rulers of the 18th century; Catherine the Great of Russia!
Born as Princess Sophie of Anhalt-Zerbst, this German lady came to power after her ineffectual husband, Peter III, was assassinated. She proved to be an astonishingly successful ruler for Russia, reigning from 1762 to 1796. Catherine combined intelligence, shrewdness, an appreciation for the arts, knowledge of Enlightenment principles, and an autocratic ruthlessness whenever required. Like many other powerful autocrats, Catherine fed both her ego and her libido; she didn’t stint on palatial opulence and also enjoyed a long list of lovers.
She was also keenly aware of the need to dress to impress, or should that be Empress? Her magnificent dresses brought western fashions to the Russian court. In a subtle demonstration of her power, and to cement her relationship with army, some of these were military uniform inspired dresses and explicitly mimicked military fashions and colours of the day.
For the Bad Squiddo figure, Catherine the Great eschews the fine dresses of court and appears in full military uniform, on a white charger with sword drawn.
Catherine is wearing the full uniform of the Russian Life Guards. The Bad Squiddo figure (above) cleverly takes the Vigilius Eriksen portrait (below) as its inspiration.
The Eriksen portrait of her formed part of an enormous collection of paintings which Catherine acquired with the stupendous wealth that she enjoyed;
Among many portraits of the empress is Vigilius Eriksen’s Equestrian Portrait of Catherine II. She is on her horse Brilliant (Russian for “Diamond”) on the summer’s day in 1762 when she set out from St Petersburg to demand the abdication of her weak, stupid and unpopular husband, Peter III. Her backers included her lover, Count Grigory Orlov, and one of his successors, Prince Grigory Potemkin. Her sword is drawn, and she would clearly be happy to use it on her husband. Peter caved in, but within days had been murdered by his wife’s supporters. She claimed he had died of one of “his habitual haemorrhoidal attacks, together with a violent colic”. The Guardian
The lady who wore that uniform, sword drawn and “happy to use it on her husband”, intended it to indicate to all of Russia that a more dynamic and stronger sort of ruler was about to take power. Catherine the Great was a supremely successful leader, subject to the same trappings of power as male leaders (opulence, sex, etc.). Autocrats and despots are hardly loveable. But this ruthless lady was very charismatic, with personal qualities and achievements that were extremely impressive. What’s more, she looks splendid in a Guards uniform to boot!
And with that grey horse, Brilliante, it’s time for me to get painting horses again.
Continuing my Strelets Serbian infantry winter figures, I’m pleased to announce that I’ve now completed the final dozen figures remaining in the box! The first group of figures demonstrated the early war uniform. These figures all wear the French Adrian helmet rather than the Serbian šajkača hat. Furthermore, some of these also have the French Chauchat light machine gun. So this dates them to the post-1915 period.
After Serbia had successfully repelled the invasion in 1914, they were once more attacked in a renewed offensive by the German and Austro-Hungarian forces in October 1915. Bulgaria then declared war and attacked shortly after. Despite limited assistance from Serbia’s allies, Belgrade soon fell. Outnumbered and under-equipped, the Serbian army was facing annihilation. Unable to link up with advancing British and French divisions, C-in-C Marshal Putnik ordered a full retreat to the south-west via Montenegro and into Albania.
The weather was terrible, the roads poor, and the army had to help the tens of thousands of civilians who retreated with them with almost no supplies or food left. Around 200,000 Serbs perished in the Albanian mountains and thousands more perished from disease once evacuated to the Greek island of Corfu. Because of the appalling loss of life, the Serbian army’s retreat through Albania is today considered by many Serbs to be one of the greatest tragedies in their nation’s history.
Post-1915 Uniform and Figures:
The remaining Serbian army needed new equipment and uniforms from their allies before it could rejoin the front line and take on the Bulgarian, Germans and Austrians to liberate their homeland. I’ve painted Strelets’ ‘post-retreat’ uniforms separately as examples of the later war Serbian soldiers that liberated their nation. On the uniforms, Serbia.com has this to say:
“The part of the Serbian army that survived the retreat through Albania, arrived at Corfu in torn and dishevelled uniforms. After recovery, the Allies gave them new uniforms such as the French “Blue Horizon” (fr. horizon bleu) and the British “Khaki”.
“Other ranks were issued with M1915 French ‘horizon blue’ field uniform, the M1915 French African Army khaki version; or the M1902 British service dress uniform…(with) the French Adrian helmet with Serbian badge.”
Naturally, for my Strelets figures I went for the less common M1915 French African Army khaki version. My Osprey guide’s illustration of this uniform didn’t seem a close colour match for examples I found on the web. So, I’ve gone with the web versions instead.
I was anxious to get the right colour for the French African Adrian helmets, a kind of rusty brass. I like to think that my mixing of gunmetal and red leather colours was very successful – I’m really pleased with it. Trouble is, with the metallic shine it doesn’t come out very well in photos!
Four of these late war figures are armed with the French Chauchat light machine gun which had a wooden handle and stock. It used an unusual half-moon magazine which held up to 20 8mm Lebel rounds. It was a light, portable gun that could be mass-produced quickly, cheaply, and in very large numbers.
However, it was certainly not without problems, indeed according to this short YouTube film, it was considered to be ‘the worst machine gun ever’, being hopelessly susceptible to defective magazines, constant jamming, overheating and a heavy recoil with inherently inaccurate sights!
My officer is depicted still retaining his Serbian hat, which was apparently still a usual post-evacuation feature…
…and some of his men still wear the Opanci peasant footwear with embroidered socks.
All in all, these Serbian Infantry in Winter Dress have been very reasonable figures. I personally like a little more crispness of detail, especially in the faces, but the choice of army was an inspired choice for Strelets – bravo!
Coming up next:
I’ve got some WWI figures lined up. However, following on from my recent post about female soldiers in the Serbian army, I will be supporting #FEMbruary. More on that in the next post…!
In the course of my research about the Serbian army in WWI as I continue to paint my Strelets figures, I was surprised to have come across a number of examples of remarkable female soldiers who fought in combat roles for the Serbian army. It’s all the more surprising, perhaps, that at a time when in Great Britain the electoral franchise had not even been extended towards women, there were to be found numerous examples of brave and adventurous women soldiers serving in combat roles with the Serbians on the Balkans Front. Here are some of the more notable ones that I’ve discovered:
Captain Flora Sands:
The first Serbian female soldier that came to my attention was in fact a British woman fighting for the Serbian army, Captain Flora Sands. Even as a very young woman (she was something of a ‘tomboy’) she enjoyed riding, shooting and driving racing cars. Yet, for all that, this adventurous spirit eventually ‘took a job as a secretary’, which perhaps says something about the job opportunities for women at the time. Not to be denied a life of adventure, Flora joined the First Aid Nursing Yeomanry (FANY), the only quasi-military organisation for women in Britain at that time. This enabled her to travel to Serbia and Bulgaria during the 1912 First Balkan War.
At the time of the First World War in 1914, a ‘middle aged, chain-smoking’ Sands served with the Serbian Red Cross only to become separated from them during the desperate retreat through Albania the following year. She eventually joined up with the Serbian Army and enrolled as a private. Action soon saw her promoted through the ranks to Sergeant Major and, ultimately, Captain, until being badly wounded by a grenade whilst in the thick of hand-to-hand fighting during the Battle of Bitola. This effectively ended her front line military service.
Sands survived the war, married a fellow officer and settled in Serbia where, in true pioneering style, she was said to have driven Belgrade’s first taxi cab! She was awarded the Order of Karađorđe’s Star, Serbia’s highest civilian and military decoration. Only a few years ago, this English woman was still remembered in Serbia via the release of a postage stamp with her face upon it.
Sergeant Milunka Savić
The second woman I discovered was Sergeant Milunka Savić who was brought to my attention by my Serbian friend from Benno’s Figures Forum. She was an astonishingly brave and tough personality, possibly even the most decorated female soldier in recorded history!
Her enrolment is shrouded in some doubt but the most popular story states that it was a consequence of her responding to the enlistment call intended for her brother:
In 1913, her brother received call-up papers for mobilization for the Second Balkan War. She chose to go in his place—cutting her hair and donning men’s clothes and joining the Serbian army. She quickly saw combat and received her first medal and was promoted to corporal in the Battle of Bregalnica. Engaged in battle, she sustained wounds and it was only then, when recovering from her injuries in hospital, that her true gender was revealed, much to the surprise of the attending physicians…
It’s interesting to note that the means of her discovery (injuries sustained in combat) bears similarity to the experience of British female soldier Hannah Snell in the mid-17th century, who narrowly avoided a similar discovery by employing the services of a local doctor rather than the regimental surgeon.
At the time of her discovery by surgeons, she was already a decorated soldier who had been promoted and had experienced up to 10 engagements. Despite being a woman, therefore, Marshal Putnik agreed that she was to be retained as a valued combat soldier and Milunka Savic went on to commit further acts of valour.
…Typically for her, she ran through no-man’s land between the fronts throwing hand grenades, sprang into the Austrian trenches with a bayonet and – still alone – captured twenty (!!) soldiers.
This act won her the order of Karađorđe’s Star for the second time, (the first being gained after the Serbian victory at Kolubara). She would go on to be lavishly decorated by other Allied nations also, such as Britain, France and Russia. In the thick of the action, she was wounded nine times in total. There are numerous tales of her abilities and bravery. In one such tale, French officers had challenged her to demonstrate her skill with hand grenades only to witness Milunka confidently hit a bottle of cognac at 40 metres. The French must have been very confident she’d miss to have risked a bottle of cognac!
After the war, she was married and had a daughter, but soon divorced and, being illiterate, was forced to take a job as a cleaner in a bank. She fell on hard times, which were made even more difficult by her compassionate decision to care for three adopted orphaned girls. Standing up to the Nazis in WWII landed her 10 months in a concentration camp. As tough as ever, she and her girls survived and endured in poverty until, belatedly, she was recognised by the Yugoslav state and rehoused in small accommodation just prior to her death at 81 in the 1970s. With great ceremony, in 2013 she was buried in the Alley of the Greats cemetery in a service led by the Serbian president to be nationally recognised as a great Serbian war hero.
Yet another to come to my attention was Sofija Jovanović, apparently she is sometimes referred to as the ‘Serbian Joan of Arc’. She was a graduate from Belgrade and had applied to volunteer for the infantry immediately after the outbreak of war. Like Milunka Savic, Sofija served initially in the Serbian Army using a man’s name – Sofronije Jovanović – and was soon in action in the early days of war in 1914. I am not entirely sure at which point her true gender was discovered, or in what manner, or even why she was retained. I am also unsure of her army rank but one photo shows her with an officer’s sword.
I do know that she served in the defence of Belgrade and, as with her sister soldiers Flora Sands and Milunka Savic, survived the horrifying, brutal retreat through Albania to achieve evacuation by the Allies. Rearmed and re-equipped, she fought with the Serbian army on the Salonika Front until Serbia’s final liberation in 1918.
I regret that my cursory research of mostly English Language sites has uncovered little more information than this. The images I have uncovered reveal both a smart and richly decorated officer (above) and a tough guerilla fighter (below). The latter picture is a postcard dated 1912 and therefore appears to suggest that Sofija was an experienced soldier and a known female combatant even before WWI, having been a veteran of the Balkan Wars 1912-13. In the postcard, she wears the traditional Serbian šajkača hat and opanci shoes. The rest of the uniform seems (although artificially colourised) to be a dark blue or black uniform. It appears to be the 1896 double-breasted kaporan or tunic. This could indicate she belonged to the 2nd ‘Ban’ or line reserve which was less likely to be equipped with the new single-breasted, olive-grey 1908 pattern familiar in the 1st Ban.
It would be remiss not to mention Antonija Javornik, aka Natalija Bjelajac, another woman whose combat achievements were heroic. I’m not entirely sure how it was that she became a combat soldier or was allowed to do so as woman; there is no suggestion of disguise so it’s possible that she simply made a kind of natural transition from army nurse to soldier. Unfortunately, I’ve only located the one picture and I have found it equally difficult to find out much about her that doesn’t require some translation from the Serbian. Consequently, I respectfully reproduce the following in its entirely from the English language Serbian history site – “Meet the Serbs“:
Natalija Bjelajac was the Serbian army sergeant and a nurse. However, her real name is Antonija Javornik. She was born in 1893 in Maribor, Slovenia, the city where she finished elementary education and left on the eve of the Balkan wars. Impressed by the stories of Uncle Martin, an officer and a lieutenant in the Austro-Hungarian army who changed sides and became a Serbian soldier, Natalia decided to follow his footsteps and go to Serbia to help the Serbian people in his mission of liberation and unification of the southern Slavs. Just when she started to attend a course for nurses, the First Balkan War broke out. In this war, Antonija was a nurse in her uncle’s regiment. They both participated in the liberation of Kosovo and Metohija and the siege of Shkodra. In the Second Balkan War she already fought as a volunteer, with a gun in her hand. On one occasion, she captured an entire battery of Bulgarian soldiers and earned herself her first medal.
In World War I, Antonija fought alongside Serbian soldiers [at the battles of] Cer, Drina and Kolubara. She used a false name Natalija Bjelajac to protect her family in Maribor from the Austrian retaliation, in case of being captured by the enemy. In one of these battles she received another medal. Her uncle Martin died heroically In the Battle of Cer, but Antonija continued to fight with even greater zeal. In the battles on Kaimakchalan (12-30. September 1916), Antonija managed to capture 30 Bulgarian soldiers by herself, and was awarded once again. In breach of the Thessaloniki Front, on 15 September 1918, she had shown great courage, but was severely wounded in the leg and the chest. The wounds healed, but a shrapnel remained in her leg for the rest of her life as a memory of passing through the “Gate of Freedom”. She met the end of the war as a sergeant in the Serbian army. Twelve wounds and twelve medals were there to remind her of the turbulent past. In addition to several medals for bravery and the Order of the White Eagle with Swords, Antonija also became the Knight of the Karađorđe’s Star with Swords and a knight of the French Legion of Honour. She died in Belgrade in 1974 at the age of 81.
Ljubica Cakarević, was born in Uzice and became a school teacher there. In 1914. her father and brothers were among the first to go to the front to defend their homeland. Once Serbia was occupied by the enemy during the First World War, she refused the invitation of the occupier to work as a teacher and performed tough rural jobs instead.
After three and a half years of this labour, Ljubica was forced to leave occupied Serbia in order to escape the Austro-Hungarians, who had issued a warrant for her in the summer of 1918. With a few more people, under the leadership of the Duke of Lunet, Ljubica started out to find the Thessaloniki front to join the rest of the Serbian army. After 27 days of avoiding the pursuit and ambush, the group of starving, exhausted, almost barefooted people came close to the battle lines.
Along the way, they saw burned villages with hanging corpses of people killed by the Austrians, Hungarians, Germans and Bulgarians. The group somehow broke through the Bulgarian positions and finally appeared in front of the Serbian army in a state of complete exhaustion.
After 27 days of this traumatic journey, she testified to the Supreme Command of the Serbian Army, giving an account of the occupier’s crimes. Ljubica Čakarević was part of the Serbian army which liberated its homeland, breaking through the Thessaloniki front on September 15, 1918. For her service she was decorated with the Golden Medal for Courage, the “Miloš Obilić” medal. Ljubica notably became the first freelance journalist of a newspaper for the enslaved Serbia which was produced on the Thessaloniki front. So it seems this brave woman fought with both the pen and the sword.
Once more, I know little about this lady, but I do know that Lenka Rabasovic narrowly escaped capture by the Austro-Hungarians and escaped to the mountainsto join her brother’s Chetnik squad. As a Chetnik, she was akin to a nationalist guerilla fighter rather than a regular soldier. The Chetniks had been active in the two Balkan Wars (1912–13), and as they had proven valuable during that war, the Serbian Army used them again in World War I (1914–18).
Lenka quickly learned to handle a rifle, a knife and a bomb, and bravely fought in all the battles with the enemy. Occasionally, she acted as a courier or messenger in disguise, maintaining communication between the Chetniks of the mountains and settlements then still under the Austro-Hungarian / Bulgarian occupation.
Her brother was killed in 1917. I note that this date coincides with the failed Toplica Uprising, a Serb rebellion in 1917 carried out by Chetniks against the Bulgarian occupation force which was eventually suppressed. Lenka survived one wound and remained in arms until liberation in 1918.
Of course, many Serbian women demonstrated their valour and fortitude or suffered enormously in many other ways during WWI; be it as nurses, workers, farmers, civilians or carers. Over the past century, some of the stories of these soldier women’s achievements may have merged myth with fact. Yet there is no doubt about their incredible bravery and valour which was proved time and again in brutal combat. Some of them would have been considered a truly astonishing soldier in any era and for either gender.
I found even more references to other women serving the Serbian army, such as the courageous and adventurous Australian woman Olive Kelso King who served as an ambulance driver. But that’s probably more than enough for now!
In the meantime, I am continuing with finishing the last batch of Strelets Serbian WWI figures which are wearing a very different colour uniform to the early war figures. I feel I should look very closely at them, perhaps a Milunka Savic or a Sofija Jovanović stands disguised within their ranks…
The first part of my Strelets Serbian infantry in Winter Dress are finished!
I’ve split the box into early war figures (1914-15) and later war figures (1916-18). The key difference is really just the French Adrian helmet instead of the Serbian traditional šajkača hat. The late war figures will be next but the majority of these Strelets figures wear the šajkača and it’s these (of the 1st Ban / army) that I present below.
I’ve based the figures in a landscape which has featured a dusting of snow, so possibly just prior to their epic retreat with Serbian citizens through the Albanian mountains with the winter snows on their way.
Though some wear puttees around their lower legs, for the others I’ve tried to pick out in paint the classic Serbian peasant footwear, the opanci shoes with their horn-like endings to the toes. Likewise, I’ve added some colour to emulate the floral embroidery design often found on their thick woollen socks, the bright red colour of which symbolised the blood lost at the Battle of Kosovo in 1389 fighting the Ottoman Turks. Little of this is visible in the snow and grass – but at least I know it’s there, dammit!
An experimental twist of the arm (above right) made for a more realistic pose for the grenade thrower than came off the sprue (above left), I think. However, the pose is clearly far better than the Plastic Soldier Review’s sour description of it being “the most unconvincing, flat and generally poor grenade pose we have ever seen”.
Plastic Soldier Review also had a bit of rant about the folly of Strelets depicting Serbian soldiers armed with Lewis machine guns, something they said would never have happened. Britain was an ally, so I’m happy to believe some examples may have gotten through. For example, Britain sent Rear-Admiral Troubridge with a naval force to help defend Belgrade, perhaps some examples accompanied that mission? Actually, that story about Admiral Troubridge is a fascinating one and I recommend reading the excellent Succour for Serbia: The British Naval Mission to Serbia in 1915. Anyway, I’ve trimmed one figure (above left) without the Lewis gun (which should keep PSR happy), leaving the figure vaguely gesturing instead.
A little more trimming on the officers; those swords would have been a useless luxury on the battlefield, never mind the retreat through the Albanian mountains. One officer figure, therefore, I created sans sword and without a revolver either (above left) . They have ‘some colour’ to indicate the appropriate enameled tricolor cockade on their variation of the šajkača cap.
I am really pleased that Strelets have now produced this under-represented but crucially important part of the Great War armies. The figures themselves are good and well proportioned. The only downside, I’d say, is that the faces lack a little of the crisp detail and character so familiar to early Strelets sets. But that’s a quibble; I think these early war Serbs make for a great first set of figures for my 2018 WWI Project.
And it’s more Serbs still to come with the late war figures. These are already under way and with only a dozen to do rather than 30-odd, shouldn’t take much longer. In the interim, I’ve been researching a little Serbian WWI history, but more on that in the next post…
My latest painting venture will take me into the First World War. Indeed, for 2018, it may be that I visit a number of topics for the Great War which ended 100 years ago in November. The war truly was a world war, taking place across Europe, the Middle East, Africa, Asia and across the world’s oceans. It drew in many countries and the obvious protagonists (Germany, Great Britain, etc.) have often been depicted in 1/72 scale model figures. Other nations have been more neglected and, where possible, it is these that I’d like to concentrate on.
So, the first WWI kit of 2018 will be Strelets’ new release; Serbian WWI Infantry in Winter Dress.
First, a little history…
Serbia and the Great War
The Great War which ended nearly a century ago, began in the Balkans. This enormous conflict, which sent shock waves throughout Europe and the World, was inaugurated when on 28 July 1914, Austria-Hungary declared war on Serbia.
The Serbian Army at the beginning of WWI was a tough and experienced force which had emerged victorious from fighting two Balkan Wars in 1913; firstly against the Ottoman Empire and latterly against former allies Bulgaria. The Serbian army immediately scored a great success at the Battle of Cer; the first major battle of the First World War. In November 1914, Belgrade was briefly occupied by the invaders but then subsequently liberated in another remarkable and costly victory against Austria-Hungary which occurred at the Battle of Kolubara.
All this was in vain, however, as Bulgaria joined with Austria and Germany in an offensive which saw the Serbian army retreat all the way to the Albanian coast where allied ships evacuated them to Corfu. Here it was reorganised and re-equipped using Entente uniforms. The army then rejoined the fight to liberate its homeland fighting alongside French (mostly), but also British and Greek allies, finally achieving its liberation in 1918 after Bulgaria capitulated.
The cost to Serbia for securing its liberation was truly appalling. A staggering 58% of the 420,000 strong Serbian Army died (nearly 8% of total Entente deaths), leaving 100,000 still serving at the point of liberation. The nation suffered approx 450,000 civilian deaths due to disease, privations and in uprisings against the invaders. Much of this treatment of the Serbian population was captured in photography and appeared to be war crimes.
One of my fellow hobbyists from Bennos Figures Forum, a Serb, shared with me some time ago the following story from his own family history during this time.
My great great grandmother died during battle of Cer, she was in hiding with her son Gvozden, while her husband was fighting with an army…She realized something she forgot, devil knows what at home, she went back and the K und K army captured her and put her in the house and [set the] house on fire…
The “K und K army” refers to the Kaiserlich und Königlich or “Imperial and Royal” army, a colloquial term for the Austrian-Hungarian forces. The harrowing effects of the conflict were certainly not solely suffered by Serbian soldiers alone.
The Serbian army wore the same uniform going to war in 1914 as it had recently worn in the Balkan Wars the previous year. My two Osprey guides to the Serbian army at this time suggest that they wore the M1908 “khaki” woollen uniform with a double-breasted (winter) coat which was in the same colour as the uniform. As the Strelets troops come wearing their winter coats, this information is helpful. Their uniform colour is also described in the Balkans Wars 1912-1913 book as being green-grey, not khaki, yet this is the same uniform as worn in 1914. Choosing the right colour, as so often with painting soldiers, is a matter of making some choices.
It goes on to detail the red branch colour collar patches on the coats which denoted the soldiers to be of the infantry (blue = cavalry, black = artillery, dark brown = ambulance and maroon = engineers). Trousers were tucked into thick woollen peasant socks and the distinctively curved opanci peasant shoes were worn if black marching boots were unavailable.
The Serbia.com website has a very informative page on the WWI Serbian army uniform. It describes the colour of the uniform a little differently. It says:
“The Kingdom of Serbia was one of the first European countries that introduced olive-grey uniforms in 1908. In this uniform, Serbian soldiers went through the Balkan wars (1912-1913), not knowing that they would not have time to put it off, as a new conflict was waiting around the corner, a war in which Serbia would take a heavy toll.
Tired and overwrought, the Serbian soldiers were mostly distinguished in this grand theatre of world war by a cap called šajkača, which was worn, without exception, by anyone who fought under the Serbian flag. However, not all šajkača caps were the same. Officer’s cap was firm with a sun visor and a cockade (enameled tricolor cap insignia with the king’s monogram)…
…The trousers were wide at the hips and narrow at lower legs. The majority of the Serbian army wore the so-called opanci (rustic footwear made of leather), although some soldiers wore boots combined with curlers that offered protection during cold days. An integral part of the uniform was the pouch usually made of cloth in which the soldiers carried their supplies.”
The Strelets figures are quite a departure from the old figures. They are slender and all to scale and in proportion. Great news for wargamers who felt that Strelets were a poor fit with other manufacturers figures on the war game table. On the downside, the figures lack a little of the character and crisp details which made painting them fun. Ah well, there’s seldom such thing as the perfect figure.
So, I’ve been busy working on creating a decent olive-grey / green-grey / khaki / insert-colour-here uniform. I’m already very well advanced so I will share more on how I’ve got on soon!
I can confirm that the last of my Strelets Polish Infantry on the March box are now fully painted and based. Minor quibbles aside (those muskets seem a little bendy), Strelets deserve to be applauded for this set which is impressively sculpted.
The 13th Regiment was the only Napoleonic Polish regiment to wear white instead of blue uniforms. Apparently this was because they wore uniforms which had been captured from the Austrian army.
The drummer was painted based on a depiction in a watercolour I found on the web. I do like the light blue Czapka, red lapels and white uniform colour scheme! Hopefully, he looks similar to the painting? Oh darn it, I’ve just noticed that his collar is the wrong colour…
The flag bearer had a bare plastic flag attached which required me to paint the details on its curved surface. I wasn’t sure what the flag would have looked like for the 13th regiment and so I simply copied one depicted belonging to another regiment. The result is hardly a masterpiece as I didn’t spend too long working on it, but I’m happy enough with it and I enjoyed the challenge.
And so, that’s all the Napoleonic Poles completed. My next painting challenge is already well under way. It’s another new Strelets set but the era is completely different. I can announce that for 2018, Suburban Militarism will be venturing into the First World War.