There a still a few things to attend to with this regiment. Their commanding officer, the recently returned Colonel Giftrapp and his horse Pandoro, needs a little work and a snowy base creating. The ensign has a pole but is notably flagless at the moment. Firstly, my daughter is supposed to be designing a second colour at some point, the first colour featuring a Christmas pudding was created five years ago. The intention is for the first colour to be a kind of King’s Colour with this second colour as the Regimental Colour. Further complicating production matters is that my printer is kaput!
So, keeping faith with tradition, the uniform is largely the same as the older Revell versions. However, the gold grenadier cap which they wore is now a brown fur cap instead.
I’ve enjoyed getting my creative juices going again with my fanciful Army of Advent. Recently, I put out the question as to where I could find some senior officers for the army and received some terrific great suggestions in return. Many thanks for that guys, I’ve decided to go with German manufacturer Hagen Miniatures and have just received some fabulous senior staff through the post lickety split. More on those soon!
I’ve been busy quietly painting my Yule Grenadiers, one regiment from my (admittedly eccentric) Christmas-themed army. The grenadiers are virtually completed but in the course of some painting duties, I was delighted to discover the regiment’s long-lost CO, good old Colonel Giftrapp!
He was last seen back in 2015 in a state of being incomplete. I fixed him with a little Blu-Tac for a photo atop his chestnut charger, Pandoro (who was also only partially painted). I took a snap as the Yule Grenadiers marched through the streets of the town of Advent during the Christmas holidays.
I confess I have a history of losing important soldiers only to rediscover them some years later. This was the case with the lost Sharpshooter. Thankfully, I seem to rediscover them again, eventually…
Happily, both rider and horseman have now – quite separately – appeared. Pandoro the horse emerged first tucked away in a tin of random, unfinished figures. Of Colonel Giftrapp, however, there was no sign.
This week however, in the process of tidying, I opened the cupboard door to my painting bureau and there he was lying at the bottom, plain as day. He must have somehow dropped down from wherever he’d been secreted. A little paint was missing here and there, suggesting they’d had a few adventures along the way. They both just need a little work here and there (stirrups, sash, etc.) to get them fully parade-ready.
This is all excellent timing, of course, as his regiment has only this week taken receipt of it’s new uniforms. As obliquely indicated in my last post, the old Revell figures are being updated using new HaT Austrian Grenadier figures. I’ll be sharing the subtle new-look to the regiment in the next post soon.
Having been mired in a lack of enthusiasm for any new painting assignment, I started rifling through the piles of soldiers in storage in the hope that something, somewhere might eventually inspire me to pick up a brush. I eventually pulled out a box of HaT’s Austrian Infantry from the 7 Years War. These are figures intended for the Christmas Corps, which I’m increasingly labelling theArmy of Advent.
Followers of this blog may recall a certain Christmas tradition involving the formation of this Christmas-themed imagi-nation army (because nothing says “Christmas” quite like military conflict…). Glibness aside, although hopelessly out of season (August highs of 31°c+ here yesterday), reviewing these figures for the Army of Advent suddenly re-inspired me. I usually paint such figures nearer the time, but it doesn’t really matter so long as they are ready for mantelpiece duty on the 1st day of Advent. So I’m going with these HaT marching figures in an attempt to get my paint juices going again.
This army currently consists of specially painted troops in their bright and colourful uniforms, created for one purely ceremonial purpose – the duty of standing guard on the mantelpiece during the Christmas season.
Each year, two regiments from the Army of Advent take a ‘tour of duty’, being displayed on a plinth amongst all the mantelpiece decorations. The Army of Advent currently consists of;
Commander-in-Chief Major-General Noel St. Nicholas and his staff.
Colonel Hoarfrost (Midwinter Fuzileers) commanding, Major Incense (Mistletoe Guards) ADC.
Popper Battery, Yuletide Artillery (still to be raised 2021-22)
I’ll be sharing news of some progress very shortly on this project. In the meantime, I’m looking to develop a general staff for the festive force. If anyone knows of 20mm / 1.72 scale figures which may be appropriate for 7YW era commanders aside from HaT’s versions, I’d love to hear your ideas.
Detail on these HaT figures is a little vague here and there, but I’ve done my best to pick out as much as I can. Never HaT’s strongest point, the horses sculpting are acceptable rather than great, but they’ll do.
The Imperial Mounted Infantry would have looked a little rough and ready. In a muted painting style, I’ve tried to hint at this dusty and threadbare chic and also aim to add a little dust on to their boots when basing.
A private of the 90th Foot in the uniform of the Imperial Mounted Infantry.
Retaining his regimental tunic, he wears corduroy riding breeches, a leather bandolier instead of a belt, riding boots with spurs and carries a Swinburne-Henry carbine.
In my squadron, I’ve included representatives from some of the different regiments which supplied 1st squadron, Imperial Mounted Infantry with troops: mostly the 24th Foot (green facings) and the 80th, (red with yellow collar tabs), but also a few from the 3rd Foot (buff), and the 13th Light Infantry (dark blue).
The mounted poses look perfect for vedettes and scouts, a key role of the MI. Virtually all of their fighting would have been done on foot as infantry, so it’s good there’s some nice dismounted poses too.
This rediscovered old box of figures seems to be missing five horses and until I find replacements, some will have to remain ‘unmounted mounted infantry’:
So, they’re not based yet and I may even stall that process until I find some extra horses for them but I’ve glued some on to spare off-cuts of plastic card ready for when I do! At least, after nearly a decade, these accidental equestrians have finally been painted!
Sorting through my piles of unpainted plastic men in the loft, I came across a box of figures which I’d forgotten about completely. These were amongst the very earliest figures I’d bought when I first decided to attempt painting 1:72 scale plastic figures back in 2011/12.
It was a box of HaT’s British Mounted Infantry of the Zulu Wars. I’d clearly had a little go at putting some paint on some of them but had abandoned progress at some point, possibly when I moved house. Some paint was more or less in the right place but there was none of the painting techniques which I’d gradually developed since then – no black lining, no shading and no highlighting either.
I’d also been a bit lazy with the colour of my facings, opting solely for the 24th Regiment’s green. In reality, the Mounted Infantry drew its men from across many different regiments and the troops retained the tunics and buttons of each meaning their individual regimental facings could be any colour.
Mindful of the April challenge by Ann’s Immaterium, I thought it might be about time to have a proper go at this neglected box. Whether I’ll get them painted by the end of the month is now very debatable but at least I’ll be making a start on them. I seem to be missing a horse from the set, but otherwise it’s all there.
Coincidentally, I had been re-reading some of my many books on the Anglo-Zulu War of 1879:
“Isandlwana and Rorke’s Drift” by Ian Knight
“Blood on the Painted Mountain”by Ron Lock (about the battles of Intombi, Hlobane and Khambula)
From these books, I had been refreshing my knowledge of the Imperial Mounted Infantry before I’d even discovered these HaT figures. The formation had a tough time of it during the Anglo-Zulu War. With a chronic lack of regular cavalry available in South Africa, they were much in demand, being active in many encounters with the Zulu all over the country. 1st Squadron suffered particularly badly at the disaster of iSandlwana.
First off, I needed to prime them. For years I’ve painted with Vallejo Acrylics but with these figures I was still using the old Humbrol enamel tinlets. So, I attempted to remove any loose enamel paint (which by and large seemed very well attached to the figures). I then painted them in PVA white glue to a) act as a primer and, b) cover over the enamel. I’ve heard that acrylic paint can react badly to enamels. I’m not sure of this at all but I thought that the PVA would also at least form some sort of a barrier between them.
After that, it was on with the black primer paint and I’m ready to finally finish off what I’d started nearly a decade ago! I’ve made some real progress over the weekend so a report will follow…
For those who may be interested, here are some of my other favourite books on the Zulu War which I’ve collected over the years and which I’d recommend:
“The Washing of the Spears” by Donald R. Morris. The seminal work on the conflict which brought it to 20th Century popularity. Never intended to be an academic work, it has been eclipsed now by modern research but is still an astonishingly rip-roaring read throughout all its hefty 672 pages.
“Zulu Rising” by Ian Knight– Ian Knight’s most recent book on Isandlwana/Rorke’s Drift and packed with the detailed knowledge and passion of many years research. It is particularly strong in its understanding of both Zulu and Natal’s black history and culture.
“Fearful Hard Times” by Ian Knight. Focusing on the less well known actions of Number 1 Column including the battles of Nyezane and Gingindlovu, and the siege of Eshowe.
“The Zulu War: A Pictorial History” by Michael Barthorp. The first book I read on the conflict including many great contemporary photographs. I met Major Barthorp a few times – a wonderfully kind and very generous man to this teenage history geek.
“They Fell Like Stones” by John Young. Detailed lists and information on units and casualties for each battle. Great for data nerds like yours truly!
“Black Soldiers of the Queen” by P.S. Thompson. About the Natal Native Contingent in the conflict, providing a great understanding of these seriously undervalued and overlooked African soldiers who fought and died for the British cause.
This year’s Christmas decorations are already up and, therefore, so are my two new Christmassy regiments; The Mistletoe Guards and the Midwinter Fusiliers! Handmade flags (by my daughter) flying, I first assembled them proudly parading on their specially made plaques:
And here they are either side of the mantelpiece where they will stand guard for the duration of the season:
“We are better throughout the year for having, in spirit, become a child again at Christmastime.”
Laura Ingalls Wilder
As December looms; here in the UK the days get shorter, the nights get darker and, what’s more, I turn to my hobby with its little rituals and traditions. Once such tradition is my preparation for December’s Christmas decorations. This primarily takes the form of yearly expanding my ‘Christmas Corps’ of festive figures.
Every year since 2013 I have paraded 1/72 scale soldiers, specially-painted with a seasonal twist, on the mantelpiece in the living room. Forming part of our Christmas decorations, these colourful 18th Century-style regiments have Christmas-themed names and commonly feature holly in their helmets, tinsel in their tricornes, and snow on their shoes. And in the case of last year’s artillery group, known as Cracker Battery, even a snowman and snow cannonalls can feature too.
So far, the Christmas Corps is made up figures representing the following:
Figures suitable have been limited to Revell’s classic 7YW range which thankfully have been recently reissued albeit with the disappointing exception of their very wonderful Austrian artillery set.
HaT meanwhile have reissued their own hitherto out-of-stock Prussian 7YW infantry range and also released a new Austrian infantry range to boot. Great news for fans of the 7YW in 20mm and I naturally wondered if I could make use of these impressive HaT figures in my Christmas Corps alongside the existing Revell versions.
Finally, Zvezda some years ago also produced a box of “Prussian Grenadiers of Frederick the Great” which featured their usual very high standards of sculpting and production. That box is increasingly hard to come by nowadays but I had a box in storage and was also fortunate to discover a seller on eBay who was getting rid of some second-hand figures – most of which were those posed either marching or standing to attention. These poses are perfect for any regiment whose martial intentions are limited to merely standing on the mantelpiece during Christmas – so I secured them at a very reasonable discount.
So it comes as no surprise to say that I’ve been hard at it lately with these figures with the intention of raising two more infantry regiments for the Christmas Corps. With the 1st Noel Regiment and the Yule Grenadiers as the 1st infantry brigade, I intend these two new ones to form the 2nd infantry brigade. First off, I’ve been using HaT’s Prussian infantry Marching set to raise some fusiliers. The HaT Prussian infantry box comes with a choice of headdress; grenadier mitres, fusilier caps or musketeer tricornes and I’ve opted for the fusilier caps to create the first regiment in the new II Infantry Brigade.
The Midwinter Fuzileers!
The Midwinter Fuzileers (note pretentious antique spelling) wear grey coats with flat-blue waistcoats and breeches. Their gaiters and facings are white. Fusilier caps have silver plates with a red fabric backing.
With the 1st Noel wearing dark red, and the Yule Grenadiers wearing white, I wanted a very contrasting uniform. Designing a new uniform is one of the great pleasures of the Christmas Corps project and after a few false starts, the neutral grey / mid-blue/ white combination seemed to work nicely – very smart!
Their officer, Colonel Hoarfrost is from the HaT Prussian Command set and is mounted on a faithful steed whom we shall call “Blitzen”. Since these photos were taken, Blitzen’s saddle cloth has been decorated with a yellow star to mimic the motif on the regimental flag. In his tricorne, this Christmas dandy wears some evergreen foliage decorated with pink tinsel:
He is ably supported by an NCO carrying a spontoon.
Their flag, carried by an ensign, has been designed by my daughter. This is a service which she has faithfully provided me with since designing the flag of the 1st Noel Regiment back in 2014!
Hitherto, any festive figures have simply been placed loosely above the fireplace in a group. This year, I’ve decided to provide a more formal presentational platform which I’m currently gluing, painting and varnishing like some deranged Geppetto. More on this soon.
I’m also now working on the other regiment – something which I confess to being quite excited about! This regiment will be presented when they’re ready to take their place on the mantelpiece on their own platform hopefully within a week.
Okay, so the 37th Regiment in the Napoleonic Cavalry Project is actually two regiments as it incorporates a troop of uhlans for good measure…
My approach to painting black uniforms is no doubt excessively complex – after all, when all’s said and done, they all just look… well, black!
The box comes with 9 hussars and 3 uhlans. Firstly – the 2nd Brunswick Hussar Regiment:
Nine hussars in total all wearing their finery, pelisses, shakos and plumes. One arm ‘option’ included a bugle which I’ve used and assigned to the grey horse.
I’ve never been a fan of separate arms glued onto pegs – they never seem too secure to me, but I recognise it provides some interesting extra choices. One of the figures with fixed arms had a broken sabre which I cut off completely to hopefully give the impression of simply riding.
On the shako is a white skull and crossed bones (the Totenkopf in German), which appeared on both cavalry and infantry regiments in the army of Brunswick.
For the uhlans, with only three figures in the box I wanted to make sure that all my lancers were carrying lances, although the other arm options were available.
The czapkas worn by these uhlans have an attractive colour scheme – light blue cloth with yellow piping. These colours mimic the colours of the Duchy’s flag, which was similar to the Ukrainian flag of today.
To be honest, I didn’t have much faith on these uhlans looking all that impressive but I think they’ve turned out quite nicely.
Biography: 2nd Hussars and Uhlan squadron [Brunswick]
In 1809 Prince Frederick William, Duke of Brunswick, raised a corps of soldiers to fight the French, who had occupied his country since it’s defeat in the Jena Campaign of 1806-07. The whole army were called ‘Black Brunswickers’ because they wore black uniforms in mourning for their lost independence. Brunswick had been absorbed into the newly formed Kingdom of Westphalia which had Napoleon’s brother on the throne.
After an initially successful uprising, Duke Frederick William eventually was forced to England where his army of over 2000 troops (including cavalry) formally entered British army. Now known as the Brunswick Oels Hussar Regiments, the Peninsular War (1808-1814) saw them fight at the battle of Fuentes de Onoro, Salamanca, Vitoria, the Pyrenees, Nivelle, the Nive, and Orthez.
In 1815, the Duke of Brunswick re-raised his army and took two cavalry regiments into the 100 days capaign; the 2nd Brunswick Hussars (684 sabres in 4 squadrons under Major Cramm) and a single squadron of lancers (just 235 men under Major Pott) .
The entire Brunswick contingent was heavily engaged in the Battle of Quatre Bras with the cavalry incurring 46 casualties which included the fatalities of not only the Duke himself but also the Brunswick Hussars’ own commander, Major Cramm.
In Wellington’s despatch of the 19th June, he praised the contribution of the Brunswick troops and their commander;
The troops of the 5th division, and those of the Brunswick corps (The Black Brunswickers), were long and severely engaged, and conducted themselves with the utmost gallantry. Our loss was great, as your Lordship will perceive by the enclosed return; and I have particularly to regret His Serene Highness the Duke of Brunswick, who fell fighting gallantly at the head of his troops.”
During the Battle of Waterloo, Wellington thought it prudent to keep the battle-scarred Brunswick cavalry far from the front line, in reserve near the centre. Consequently, they were only called into action during the latter stages of the battle, counter-attacking the French cavalry attacks costing them a further 92 casualties.
Notable Battles: Fuentes de Onoro, Salamanca, Vitoria, Quatre Bras, Waterloo.
Plenty of free time yesterday allowed me to spend some time preparing the evening meal and – best of all – painting my soldiers. More correctly in this instance, I was painting their horses. Yes – I’m back at the Napoleonic Cavalry Project with the 37th Regiment in the collection. You can make up your own mind whether having painted 37 Napoleonic cavalry regiments is something to be proud of…
When they were available, I prevaricated over purchasing Napoleonic HaT’s Brunswick Cavalry box. HaT figures are always nice, but they don’t often excite me a great deal. As the Nappy Cavalry Project progressed and options for new sets declined, I found myself belatedly wishing I’d secured a box before it had sold out. So it was with some pleasure that I discovered that HaT were releasing the set recently as part of a raft of re-releases.
During the 1806 invasion of Prussia by Napoleon, one of the Prussian Field Marshalls, the Duke of Brunswick, had been mortally wounded during the Battle of Auerstedt. The Duchy of Brunswick itself spent the next five years as part of the Napoleonic kingdom of Westphalia, occupied by French troops.
The Duke’s son, himself a major general in the Prussian army, loathed the French as much as his father and dedicated himself to fighting for liberation for his Duchy. He raised a corps which became known in England as the Black Brunswickers for their all-black uniforms (apparently adopted ‘in mourning’ for their homeland). After some initial success, he and his troops fled to Britain to become part of the British army where they faught in the Peninsular War. A re-raised Brunswick corps faught at Quatre Bras (where – like his father – the Duke was killed fighting the French) and also at Waterloo where they saw the French finally defeated.
The Duke’s Black Brunswicker corps have been reproduced in various ways by HaT and recently by Strelets. The Brunswick Corps cavalry consisted of a regiment of hussars and a squadron of uhlans, both wearing the ubiquitous black uniform. HaT’s Brunswick cavalry box reflecting the relative sizes of the regiments includes 3 uhlan figures and 9 figures of the hussars.
The pre-Raphaelite painter Millais, painted the above in 1860 following a conversation with William Howard Russell of the Times:
My subject appears to me, too, most fortunate, and Russell thinks it first-rate. It is connected with the Brunswick Cavalry at Waterloo…They were nearly annihilated but performed prodigies of valour… The costume and incident are so powerful that I am astonished it has never been touched upon before.
In terms of my own painting, I’ve been here before – painting black-uniformed Germanic hussars in 2015 in the early days of the project. These were Waterloo 1815’s Prussian Leib Hussars who also wore the death’s head symbol on their shakos. The key difference between those Prussian uniforms and the Brunswick Hussars is that the Brunswickers go even further with all that Gothic blackness, having black lacing and black breeches too.
Better get back to those horses. Speaking of which, I’ve come to the conclusion that my horse painting technique has stood still for too long and have pledged to slowly develop my ‘repartoire’. Firstly, I’ve turned my attention to my dun horses. We own a dun pony called Woody, so I feel it’s important I always paint at least one in any given regiment. Trouble is, I’ve never been quite happy with them, so I’ve changed the colour mix and I’m already a little happier with the shade for the coat.
Next, inspired by Bill’s magnificent dapple grey from his glorious Spanish hussars (Tiny Wars Played Indoors blog), I might turn my hand at some variations too. Palominos, Piebalds or Strawberry Roans anyone?
I’ve been reading the Google-transcribed text of “Records of the Norfolk Yeomanry Cavalry“, wordily subtitled; “To which is added the Fencible and Provisional Cavalry of the same county, from 1780, to 1908”.
I referenced this work last year in my post on the history of yeomanry cavalry on a north Norfolk estate; Horsemen of Holkham Hall, a stately home which I visited during the summer of 2018. In the post, I was unsure as to what colour uniform the local Holkham Yeomanry Cavalry actually wore and speculated they were likely to have adopted the popular choice in Norfolk of red coats with white or blue breeches.
The only real clue that I could find lay in the words of the Holkham troop’s commandant, Thomas Coke of Holkham Hall, who petitioned the Prince of Wales for permission to raise the troop. The letter, reproduced in Records of the Norfolk Yeomanry Cavalry, has Coke writing;
“I have to request your Royal Highness’s permission that we may wear the colours of ye loth for our uniform…”
Ye loth? I speculated in my post that it could even be a miss-scanned ‘yellow’. Judging from similar instances of typographical errors appearing in the document, it now becomes clear to me to be “the” (written as ‘ye’ in those days) and “10th” (i.e. that numbered regiment of Light Dragoons). Reading on, makes it blindingly, and embarrassingly, obvious;
“I have to request your Royal Highnesses permission that we may wear the colours of the 10th for our uniform, and that your Royal Highness would have the condescension to order two soldiers from that Regiment to drill us;…”
Furthermore, the Prince Regent was in fact Colonel of that Regiment, the 10th Light Dragoons, an office he held from 1796-1819, so it would make perfect sense for Coke to petition the Prince of Wales in this manner, newly raised yeomanry troops otherwise having permission to wear whatever style uniform they (or their benefactor, in this instance Coke) preferred.
So, if the Holkham Yeomanry Cavalry apparently wore a uniform which imitated the 10th Light Dragoons then we might reasonably assume they would have worn a jacket and Tarleton helmet looking something like the Prince of Wales’ own officer’s uniform seen below:
Being Colonel of the 10th (‘The Prince of Wales’s Own’), the Prince took great pride in his regiment. Barred from active service, he ‘…channelled his interest into collecting and into the design of military dress and accoutrements. As Colonel Commandant, and later Colonel, of the 10th Light Dragoons, patterns of uniforms and equipment were submitted to the Prince for approval, many of which he retained at Carlton House‘ (Royal Collection Trust). It is known that he wore the Tarleton above at a review in 1798, which is around the time that Coke was raising his Holkham Yeomanry.
It’s a dark blue jacket with a pale yellow, almost buff, facings, with twenty one lines of silver lacing across the chest. The Tarleton helmet has a black silk turban with silver chains surmounted by a crest of black fur and a white feather plume. I wonder how closely the Holkham Yeomanry troop imitated this arrangement.
The Prince had a number of portraits created depicting him in an earlier version of the uniform around the time of his first appointment to the 10th Light Dragoons in 1793. The turban on the Tarleton is different, a leopardskin, and the braiding can be seen to be a more sparse arrangement.
It has been my intention for a while to create some Holkham Yeomanry in some form or other, preferably in my favourite 1/72 scale as an unusual addition to the Napoleonic Cavalry Project. HaT have been crowdfunding some Peninsular War-era British Light Dragoons which should be issued at some point, so these might well do the trick but progress to production has been slow (a couple of years in the making so far, I think), so I might have to be patient for those for a while longer yet.
For a more immediate fix, there’s always the Strelets issue of British Light Dragoons in Egypt. Their heavyweight horses look like they’ve been out in the fresh springtime pasture for far too long. Also, unavoidably I suppose, some of the riders appear to be in less than ideal poses – either involved in either some wildly vigorous sabre drill or perhaps in the midst of putting down an insanely violent bread riot in Wells-Next-The-Sea!
Well, this is all food for thought in my attempt to bring the Holkham horsemen back to life, in some half-assed way or other! Time to get back to those other cavalry figures that I’m painting.